Mar 252025
 

(Andy Synn takes a look at the new album from Allegaeon, where everything old is new again)

To misquote Oscar Wilde:

“…to lose one singer may be regarded as misfortune; to lose two looks like carelessness.

Now, of course, I’m not blaming Allegaeon or saying they’ve done anything wrong, as the departures of both vocalists – with original screamer Ezra Haynes submitting his resignation in 2015 and his replacement, Riley McShane, handing in his marching papers in 2022 – seemed to be pretty amicable, all things considered.

But it’s certainly true that their vocal issues have a tendency to come at inconvenient times, just as the band are really hitting their stride (both creatively and commercially)… which is precisely why it’s understandable that the band would choose to bring Haynes back into the fold for another ride, as his instantly-recognisable voice and distinctive delivery definitely played a big part in putting the band on the map in their early years.

Of course, as we all know, trying to rekindle any sort of relationship after time spent separated is always a risk – what if you’ve simply grown too far apart to ever reconnect? – so the biggest question which The Ossuary Lens (out next week) has to answer is… is the chemistry still there, or is this rekindled romance doomed to fizzle out?

Continue reading »

Mar 252025
 

(written by Islander)

Searching through our site’s vast archive, I confirmed what I knew, which is that I’ve been following and writing about the musical activities of the cellist Kakophonix (Christopher Edward Brown) for a long time — since the fall of 2017, to be precise.

Over these last 7+ years, most of the attention has been paid to the Kakophonix solo project Hvile I Kaos (articles collected here), most recently in the context of premiering and reviewing the album Lower Order Manifestations, released last summer by Eisenwald and House of Inkantation. However, I and others here at NCS have also covered songs and records by other bands and performers in which Kakophonix performed as a guest musician (and there have been many of those).

As I explained in that album premiere last summer, Kakophonix has decided to lay Hvile I Kaos to rest; Lower Order Manifestations was the final work of that project, whose music Kakophonix labeled as “Cellistic Black Metal” or “Black Ritual Chamber Musick.” Although closing that book, however, Kakophonix has begun a new chapter under a new name — Opus Est Sanare — and has shared with us this “Mission Statement” for the new endeavor: Continue reading »

Mar 252025
 

(written by Islander)

Helldprod Records has marked April 16th as the release date for the debut album of the Portuguese black metal band Vetus Sanguis, which is the solo work of the creator known as Perversus. The album’s name is Dimensão Horrenda, and it builds upon the music presented in the band’s 2022 demo, Sangue Velho.

As a sign (or rather a warning) of what lies within the new album, today we’re premiering the fascinating track “Trombetas Diabólicas“. Continue reading »

Mar 252025
 

(Our Norway-based contributor Chile returns to NCS with the following review of a just-released  album by the Norwegian black metal band Nattverd.)

The change of seasons is upon us, that much is true. Mind’s undying love of wintry landscapes and frozen vistas will be put on hold for the next seven or eight months, while the physical form will be thankful for not needing the concentration and dexterity of an Olympic ice-skater just to get to the local shop so it could diverge resources on other needful things in the body. Also affected by this change are numerous black metal bands across Scandinavia famous for preferring to take their promo pictures in frozen, snowy environments. Soon enough, winter is, well, coming.

Until then, we work with what we have. And what we have is plenty of new metal from Scandinavia coming to these shores in their longboats wielding sharp riffs in our general direction. One such example is the outstanding Norwegian black metal band Nattverd whose releases so far may have passed under the radar of a wider audience, but their new album Tidloes naadesloes should be the one to take them further up the ladder of chaos. Continue reading »

Mar 242025
 

(Andy Synn kicks off a brand new week with a review of fearsome French foursome Areis)

Last week featured an absolute bonanza of new album releases, at least some of which we’ll hopefully be able to catch you up on over the next couple of weeks.

But one name which jumped out at me – although I couldn’t at first put my finger on why – was Areis.

It didn’t take me too long, however, to remember that back in 2021 (which simultaneously feels like just yesterday and a thousand years ago) I stumbled across the band’s self-titled debut album and instantly took a liking to it, despite not knowing much about the band themselves.

And although I didn’t have a chance to give the group a full write up at the time, that’s something I’d like to correct with their second full-length, The Calling.

Continue reading »

Mar 242025
 

(written by Islander)

Wyrd is the third album, by the Italian death metal band Crawling Chaos, and it’s set for imminent release by Time To Kill Records on March 28th. As the label explains, “It is an anthology inspired by the role of feminine figures in European mythology and their connection to the concepts of fate and free will.” Crawling Chaos elaborate further:

Wyrd is our third full-length assault and it is a twisted journey through fate, destiny, and everything that lies beyond free will. Inspired by the ancient Northern European concept of wyrd, this record dives headfirst into the dark side of what it means to become.

Each of the ten tracks is a chapter in a mythological fever dream. You’ll meet some of the most powerful, terrifying female figures from mythology, folklore, and history: the Norse Norns, Macbeth’s witches conjuring chaos for Hecate, the relentless Greco-Roman Furies, and those wicked Thessalian necromancers who bend the dead to their will. It’s a damn coven of destruction. Continue reading »

Mar 242025
 

(written by Islander)

Death Whore‘s band name is a bit of a fist in the face for people who see it. Their music is a much bigger fist, uninterested in pulling its punches. You’ll get the idea again from the name of their forthcoming debut album, Blood Washes Everything Away, and from the name of the album track we’re premiering with a video today, “Infernal Terror Machine“.

Death Whore‘s earlier releases, their 2020 self-titled EP and the Total Teutonic Torso EP two years later, were mauling and murderous hybrids of death metal, hardcore, and crust punk. Wielding punishing percussive hammers prone to jackhammer grooves and stringed instruments tuned to mangling levels of abrasion, and fronted by scraped-raw and savagely rabid vocals and gang howls, they leaned into furious metallic hardcore beatdowns fueled by adrenaline and coated in grit and filth, leavened by monstrously brutalizing stomps as bleak as a sucking chest wound.

Those EPs are well worth catching up to even now, especially if you’re interested in getting big doses of raging and ruinous catharsis that are as viscerally compulsive as they are bone-smashing and corrosive. They build very high expectations for this debut album that we’re about to preview. Continue reading »

Mar 232025
 

(written by Islander)

I had grand plans for this column. I had a big pile of picks, enough to mega-size it, just needed to do the writing. And then I did what anyone with any sense does on a Sunday (but not me because sense is always in short supply) — I slept late. I would have slept later except one eye stickily opened and I saw the time on the bedside clock. Yikes!

So the grand plans have fallen apart. Many times in the past when I’ve been in this situation I’ve thought about just stitching together a bunch of song streams and videos without commentary, like some internet-enabled DJ or “influencer”. It would be easy to do that but I’ve always detested the thought. You may wonder why. Here’s the why: Continue reading »

Mar 222025
 

(written by Islander)

As usual, I had an enormous number of things to choose from for today’s collection. As usual, I had no preconceived idea how to do it. I just put one foot in front of the other, stumbling along until I ran out of time.

As I sit here and look at what I chose, I see that I defaulted to some old favorites but also went with debuts from some bands I’d never heard of. (I also siphoned off a few that will make good shades for the usual blackening of the Sabbath tomorrow.) I also added a couple of live-performance videos at the end, one of which is a genuine brain-scrambler. Continue reading »

Mar 212025
 

(In February the French death metal band Horoh released their second album on Crypt of Dr. Gore — reviewed here by our contributor Zoltar — and today we have Comrade Aleks‘ interview with this horror-loving band’s two veteran members.)

French death-metal duo Horoh consists of Sébastien (vocals) and J. (all instruments). Both men live in different parts of France, so I doubt that Horoh will outgrow its status of a studio project. And yet the fresh Horde of Horror is their new album released only two years after the debut Aberration. Crypt of Dr. Gore released this 39-minute-long knot of gore, death, and unspeakable horrors in a form of quite old fashioned death metal.

Sébastien and J. spent many years performing different kinds of metal, so… an old horse doesn’t spoil a furrow… or how do you pronounce that? However, here we have a quite lively and fun conversation with both men. Hi there! Continue reading »