2025 – A YEAR IN REVIEW(S): SHORT BUT SWEET

 LISTMANIA 2025  No Responses »
Dec 052025
 

(Andy Synn kicks off “List Week” a little early with a round-up of all the EPs he’s checked out this year)

All going to plan today is Friday 05 December, which means that tomorrow I’m heading to Switzerland for a mini-honeymoon (the proper one will be sometime next year).

Don’t fret though, as while I won’t be “physically” around the site as much I’ll still be taking over NCS entirely next week to publish my annual lists of everything I’ve listened to (enough to have formed a solid opinion, at least) this year, beginning with the “Disappointing” albums on Monday, then the “Good”, “Great”, “Critical Top Ten”, and “Personal Top Ten” (in that order).

Before then, however, I wanted to round-up all the various EPs (and related short-form releases) I managed to get in my ears this year (more than last year, I think, which is always nice), which also includes – at the end of the article – my personal favourites of the year.

As always you’ll find links to stream every single release here – which, I suppose I need to stress, is not in any way a definitive list! – so hopefully at least some of you will have the good sense to bookmark this page and spend some time over the next couple of weeks checking out some very deserving bands!

Continue reading »

THE SYMBOLIC HEALING TOUR 2025: DEATH TO ALL, GORGUTS, PHOBOPHILIC (SANTA ANA, CA 11/29/25)

 Concert Reviews  1 Response »
Dec 052025
 

(Our friend Ben Manzella caught the November 29 stop (at The Observatory venue in California) of Death to All’s Symbolic Healing Tour 2025, with support from Gorguts and Phobophilic, and he gave us the following report, along with his own great photos of the event.)

Sometimes, a mixed lineup is good and needed. I’d say more often than not, I enjoy seeing a three- or four-band lineup so that I don’t know what to expect at the beginning of each set. This past Saturday was not a night without surprises, per se, but there was a definite focus. The focus this Saturday in Santa Ana was Death Metal, and Death to All’s now-finished Symbolic Healing Tour had arrived to provide a few hours of deadly music to a variety of ages in the crowd.

I think I saw one person arrive with around three or four of his kids for the show, and you could tell he was a diehard fan of the genre. It is fun to see a night that used to be an escape when I was a kid become a family night out for some, and I would have never guessed it would be possible. Continue reading »

OBSCURITIES – VOLUME XXII: NOVEMBER TRANSFORMATIONS

 Album Reviews  No Responses »
Dec 052025
 

(Daniel Barkasi has delivered another monthly collection of reviews, and in this installment he recommends six records released in November 2025.)

An occurrence that comes along with this time of year – other than a lot of holidays – is an uptick in touring and shows. For the last month, we could have gone to at least 3-4 shows per week if able – a fine way to bow out of the Sunshine state. One of the last of which was Cattle Decapitation’s headline run (you can read the review and see my photographer wife’s photos here at NCS). She’s damn good, and it’s a blast to cover shows with her. We make a great tandem, both in this scenario and every other. With the US Thanksgiving holiday in the rearview, this serves as a reminder that I’ve got a ton to be thankful for. Don’t take anything for granted, folks! Continue reading »

CATTLE DECAPITATION, ABORTED, FROZEN SOUL, TRIBAL GAZE — NOV. 25, 2025 — THE ORPHEUM, TAMPA, FL

 Concert Reviews  4 Responses »
Dec 042025
 

(Our contributor Daniel Barkasi was lucky enough to catch the Tampa stop of Cattle Decapitation’s still-ongoing No Fear For Tomorrow North American Tour, with support from Aborted, Frozen Soul, and Tribal Gaze, and he sent us the following enthusiastic report, accompanied by terrific photos made by Brittany Barkasi @Turn off the Thunder.)

To say that we’re supporters of Cattle Decapitation could be the understatement of the day. Having followed this band ever since hearing Homovore 25 years ago – how is it that long – it’s been a constant evolution for the death/grinders with the ironic name. For these ears, The Harvest Floor displayed a bit that was really on to something special, which was fully realized with Monolith of Inhumanity, at this point not being solely a grindcore act, but a homogenization of the best elements of that style smashed together with roaring, energetic death metal.

From there, the band has been on a steady trajectory of phenomenal records, whose subject matter has also gotten bleaker in their vision of the human condition. Each album since the aforementioned Monolith has given added flavor to their already signature sound, with 2019’s Death Atlas being a personal standout – a well-assembled record that digests best as a whole, whilst being more poignant than the band could have imagined, considering what was about to happen with the dreaded COVID times.

With this tour, the band are playing Death Atlas in full, so if we couldn’t have already been more excited for another romp through the slaughterhouse, anticipation was at a fever pitch. Bringing along a notably weighty trio of Aborted, Frozen Soul, and Tribal Gaze along for the ride, an unabashedly crushing of an evening was set. Continue reading »

AN NCS VIDEO PREMIERE: HARVESTED — “GATHERED AND DELUDED”

 Premieres  No Responses »
Dec 042025
 

(written by Islander)

In August of this year the Ottawa-based death metal band Harvested released their debut album Dysthymia. We were very happy to help spread the word in advance of the release by premiering a playthrough video for one of the album’s most electrifying groove-monsters, a song called “Synaptic Confusion” — very happy, because the album is such a killer release.

We weren’t the only people who thought so. Lots of other metal writers and fans have heaped praise on it both before and after its release. But of course, because Harvested is an independent and unsigned band there’s undoubtedly a lot of people who still don’t know what they’ve missed. We’ll make a further effort to help clue them in today with another video premiere, this time for a song off Dysthymia called “Gathered and Deluded“. Continue reading »

AN NCS VIDEO PREMIERE: SPLENDIDULA — “ECHOES OF QUIET REMAIN”

 Exceptions to the Rule, Premieres  No Responses »
Dec 042025
 

(written by Islander)

Loss and remembrance… these are the overarching themes of a new album by the Belgian atmospheric black/doom band Splendidula. Fittingly, the album’s title is Absentia, an apt name because the music’s emotional core lies in the tragic absence of loved ones.

No one can avoid the death of friends and family members. It’s only a matter of time. It’s rarely foreseeable, and often it seems unjust because it’s so random. Splendidula went through such a period beset by loss, and in the making of this new album they dedicated themselves to remembering, and to mourning.

As a new sign of what they achieved in their music, today we’re premiering a video for a song called “Echoes of Quiet Remain“. It includes a guest vocal appearance by Aaron Stainthorpe, known of course for his iconic role in My Dying Bride (and High Parasite). We’ll begin with Splendidula’s own statement about the song: Continue reading »

AN NCS INTERVIEW: DAVID GEHLKE

 Interviews  No Responses »
Dec 042025
 


photo by Shane Mayer

(We are thrilled to present Comrade Aleks’ interview of metal journalist David Gehlke —  because it’s such a great discussion with such an experienced, articulate, and humble documenter of metal history. The ultimate focus is his new fully authorized biography of Chuck Schuldiner published by Decibel Books, but the conversation delves into many of Gehlke’s other important works as well.)

David E. Gehlke has been researching the metal underground and its suburban vicinities since 2002, and if you’re old enough, then you may have read his publications in Throat Culture, Snaggletooth and Metal Maniacs. Nowadays he’s better known for his collaboration with Dead Rhetoric and Blabbermouth as well as being the author of a few books. The titles of Damn the Machine – The Story of Noise Records and The Scott Burns Sessions – A Life in Death Metal speak for themselves, and the biographies of Paradise Lost and Obituary were something that needed to be written.

David keeps a good creative pace, and this year he released the authorized biography of Death’s founder – Born Human: The Life and Music of Chuck Schuldiner. We have prepared an extensive interview with David, so without wasting any time, I invite you to join our conversation. Continue reading »

DAMNATION FESTIVAL 2025: A REPORT

 Concert Reviews  No Responses »
Dec 032025
 

(With this feature we welcome a new Seattle-based NCS contributor who goes by the moniker KAOS_Agent. What he has provided in his debut is an extensive report on the recently completed 20th anniversary installment of Damnation Fest in the UK, as well as lots of his photos from the event.)

“If you go, you might as well go big.”

I could not imagine a better way to put the mentality of this year’s Damnation Festival, celebrating its twentieth year of existence and fourth year of bringing the best of black, sludge, death, and post-metal to the Bowler’s Exhibition Center in Manchester, UK. This was my first time attending Damnation, following a few bucket list items of volunteering at Roadburn last year, as well as attending Ascension festival in Iceland, where I serendipitously met an unexpected amount of folks from the Seattle metal community, including the lovely proprietor of this site.

What impressed me about Damnation this year was its ability to maintain a small festival vibe while at the same time acknowledging their own success and gradual expansion. Organizer Gavin McInally and the extended team have gone through great lengths to create a roster that brought back long-standing repeat favorites along with emergent acts that tiptoe the line of underground appeal. And as far as a milestone year, Damnation has ensured the local scene was well-represented, with a coincidental 20 bands being based in the UK and Ireland. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): RAUMORDNUNG — “STEWARDS OF EON”

 Album Reviews, Premieres  No Responses »
Dec 032025
 

(written by Islander)

The German metal band Eremit has followed an unusual path. Beginning with their 2018 debut album Carrier of Weight, they have narrated an unfolding fantasy tale set in a universe created by the band’s mastermind Moritz Fabian. That tale has continued over the course of two more monumental albums and a pair of EPs. Fabian has also been writing the story in book-length “Pamphlets,” with each musical release providing multi-faceted soundtracks to various chapters of the evolving saga. Moreover, the artwork accompanying the records and other merchandise has all been equally integral to the narrative.

The album that we’re premiering in full today in advance of its December 5 release by four labels is an even more ambitious undertaking designed by Moritz Fabian. The name of this project is Raumordnung, and the project’s debut album Stewards of Eon is also a multi-media narrative that’s set in the same universe as Eremit’s albums and described as “a dismal, heart-breaking story,” but represented as a science fiction concept.

How ambitious is it? The Raumordnung collective includes the work of 20 artists of different crafts, among them a wide variety of musicians, as well as authors, photographers, visual artists, illustrators, models, and costume designers. The album is being released along with a graphic novel that provides insight into the album’s narrative.

And the music itself brings together elements of war metal, power electronics, dark ambient, psy trance, and even opera, drawing influence from such disparate acts as Lingua Ignota, Full of Hell, Tsutomu Nihei, Chelsea Wolfe, Caldon Glover, and Antichrist Siege Machine.

On paper, those genre references wouldn’t seem to work together very well — but remarkably they do, in mind-bending ways. Continue reading »

MATALOBOS: “PHANTASMAGORIA: HEXED LANDS”

 Album Reviews  1 Response »
Dec 032025
 

(This is DGR’s review of the third album by the Mexican band Matalobos, released by Concreto Records in February of this year.)

We cannot be the heavy metal spelunkers we imagine ourselves to be if we do not drive ourselves insane chasing after album after album. The result, admittedly, is a segment of blindspots so large that it often seems like we’re using a laser pointer to illuminate an underwater cave. We have one fine dot of light that we manage to cover and everything outside of there either doesn’t exist or is well within “here be dragons” territory.

It just doesn’t seem right, especially when we have a giant content dragnet absorbing potential releases throughout the year and now it seems as if by virtue of being caught in said net, we are driven to discuss something about said capture. That does however also afford us some tremendous opportunities to discover bands we would’t have otherwise crossed paths with, and if we are to live up to our imagined heavy metal Indiana Jones persona then this is something that is an exciting prospect every time.

Mexico’s Matalobos is one such group, a band who captured our eye by way of not just the album art of their third album, suggesting a pulpy goth adventure with tons of leather-draped swagger, but also by title alone. It’s not too often one is going to pass on the opportunity to at least try to listen to something with a title as grandiose as Phantasmagoria: Hexed Lands.

Otherwise, as metal fans, what the hell are we even doing here? Continue reading »

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