AN NCS ALBUM PREMIERE (AND A REVIEW): OLAMOT — “PATH OF DIVINITY”

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Apr 262024
 

We’re about to premiere a complete debut album of modern death metal from the Italian band Olamot, one that’s brutish and bludgeoning but also a whirligig for the head and fuel for nightmares.

We’ll explain in more detail what we mean by that, but let’s begin by quoting some of the background information furnished in the press materials offered on behalf of the Lethal Scissor label, which will release the album on April 29th:

OLAMOT started in 2021 from the minds of Daniele Boccali (FICTIO SOLEMNIS) and Edoardo Casini (XENOFACTION, DESOURCE), eager to create a musical concept which develops a story lyrically and conceptually ideated by Edoardo Casini. Continue reading »

THE VISION BLEAK: “WEIRD TALES”

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Apr 262024
 

(Two weeks ago Prophecy Productions released a new album-length song from the German horror metal poets The Vision Bleak, their first new music in 8 years, and below you’ll find DGR‘s attempt to make a review of it.)

The halls of NoCleanSinging are no stranger to groups with a large amount of time passing between releases. Upon awakening from a deep slumber, the halls of this site are many times the first thing that the slowly-awakening-back-to-consciousness groups see. We’ve premiered bands that’ve had decade-plus times of inactivity to their names while members ventured elsewhere, explored with other bands, or even enjoyed the more mundane side of things by maintaining a stable day job.

The resurrected’s first few hesitant steps can be flat-footed and precariously balanced but it has happened enough that it’s a familiar sound by the NoCleanSinging doorstep. That’s why we’re familiar with how a project like The Vision Bleak could’ve entered a near-eight-year hibernation following the release of a pretty goddamned good album in the form of 2016’s The Unknown and how after all this time the project could return to us with something equally as crazy sounding, a forty-one minute single song known as Weird Tales. Continue reading »

LISTMANIA 2023: A POSTSCRIPT FROM SEB PAINCHAUD (TUMBLEWEED DEALER)

 LISTMANIA 2023  No Responses »
Apr 262024
 

(As we have for a long stretch of years, we again included in our 2023 Listmania series an eclectic year-end list of records selected by Seb Painchaud from the Montréal band Tumbleweed Dealer. You can see it here. But turns out the list was incomplete… and so it continues today with a dozen more recommendations.)

Here we are yet again. Some of these I missed, some of these I kept off the AOTY list for brevity, and honestly one of these I just kinda forgot to put on when I wrote up the list.

Let’s keep this short I’ve got a teams meeting in 8 minutes. Continue reading »

AN NCS VIDEO PREMIERE: NOBODY — “PERPETUAL TORMENT”

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Apr 252024
 

The Ohio-based duo Nobody made their advent last year with a pair of EPs (Fading Into Obscurity and Lifeless and Still), and have now recorded a debut album named Despair is Where My Thoughts Swim, which will be released on May 17th by End My Life Records/Tragedy Productions. For the album, the founders Troll and Ulver are joined by new vocalist Void.

You may see the genre labels of “post-black metal” or “post/depressive black metal” affixed to Nobody‘s music, which might be as good a way as any of trying to summarize versatile songs that really don’t fit neatly into any boxes and that draw inspiration from a host of sources, including sources outside of metal altogether.

But it might be better to just forget about labels, because the ones above might prove to be as misleading as they are predictive once you begin listening to the album. Even the terrible sadness and sense of regret and abandonment that the song titles and lyrics convey isn’t the sum total of the moods, and so even the “depressive” label isn’t a complete portrait.

To help you understand this, we’re premiering a lyric video for one of the album’s new songs, “Perpetual Torment“. Continue reading »

AN NCS VIDEO PREMIERE: HELL:ON — “HE WITH THE HORSE’S HEAD”

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Apr 252024
 

Long ago the Ukrainian extreme metal band Hell:On established their musical philosophy, and in the nearly two decades since their formation in Zaporizhzhia they have stayed steady, only sharpening their swords and their magicks and magnifying the power of their delivery.

“Atmospheric death metal” is one way of describing their music, a way of trying to capture their union of high-powered death metal ferocity, oriental melodies, and “tribal” ingredients, which create mystical, shamanic shades of light and darkness.

This union is on full display in their new album, which fittingly is named Shaman. It was intended for release two years ago, but then the brutal Russian invasion of Ukraine disrupted those plans, and of course life as a whole in their country. But now they have a May 17th release date via Archivist Records and we begin to see the fruits of their creative endeavors. Continue reading »

INFESTUS – ENTZWEIUNG

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Apr 252024
 

(Andy Synn dives into the darkness of the new album from Infestus, out now)

I like Black Metal. I’m pretty sure everyone around here knows that by now. But what kind of Black Metal I want to hear varies with my mood.

Sometimes I want it raw and nasty. Other times I want it dripping with orchestral excess. Heck, there’s even times when I want it so proggy and unorthodox that it barely even sounds like Black Metal at all.

But right here, right now, I want it dark, I want it moody, and I want it so sharp that you’re in danger of losing a finger every time you push “play”.

So it’s a good thing a new Infestus album dropped last week.

Continue reading »

AN NCS PREMIERE: HOMUNCULUS — DEMO MMXXIV

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Apr 242024
 

As you can see, we’re premiering a demo today, the first two songs to be revealed from a Seattle band named Homunculus, a word that most dictionaries define as “a very small human or humanoid creature”. It’s an interesting choice of name because, as you’ll soon discover, the music is anything but small, though it most definitely is inhuman.

To begin our introduction of the demo, we’ll share some of the evocative words provided by Cestrum Nocturnum Recordings, which will release the demo on May 1st and brands it “experimental black/death”: Continue reading »

IMPERATUS: “AT THE MERCY OF THE WIND”

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Apr 242024
 

(Our Hanoi-based contributor Vizzah Harri wrote the following extensive and extremely enthusiastic review of the debut album from the Vietnamese black metal band Imperatus, which was released last month. This will be followed in the near future by a two-part interview.)

Imperatus means Order or Command (‘imperiously’ comes from the Latin word imperare, which means “to command.” Other words from this same root include empire, emperor, imperial, and imperative.) In order to kick off this faux-imperious review of a band that I believe will command your attention to the max, one might be allowed to err on the side of believing that this could be the jumpstart to a new empirical anomaly not to be fucked with. Emperor’s debut has always been slated as one of the top first albums ever released and they are mentioned for a reason (aural affinity). Just like Imperatus giving recognition to a sound reminiscent of their childhood, it is this listener’s conviction that the riffs found in this here disc be epically imperial. Continue reading »

AN NCS PREMIERE: COMBAT NOISE — “STALINGRAD IN BLOOD”

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Apr 242024
 

The Cuban death metal band Combat Noise first emerged in 1995 in La Habana, inspired by both Floridian death metal and a desire to render tales of war through their music. Beginning in 1996 they steadily released a sequence of demos, an EP, and eventually three full-length albums, with the last of those appearing in 2013.

There then followed a decade-long hiatus in recordings, a gap that will now end with To the Heart of Battle, a new album set for co-release by Satanath Records (Georgia) and Sanatorio Records (Costa Rica) on May 21st. Today we premiere one of its 12 anthems of war, a song entitled “Stalingrad in Blood“. Continue reading »

CANCER CULTURE OVER NORTH AMERICA TOUR

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Apr 242024
 

(Our friend Ben Manzella made sure not to miss one of the California dates of the ongoing Cancer Culture Over North America Tour, featuring Decapitated, Septicflesh, Kataklysm, and Allegaeon, and he brought us the following report on the show and lots of his photos.)

After going to shows consistently for close to twenty years, I find some venues hold a nostalgic place in my memory. The Observatory in Santa Ana, formerly known as the Galaxy Theater, is one such place. I rarely attend shows there due to the distance from where I live in southern California; but when I heard Decapitated’s tour would be starting there and I knew I’d be out of town for their other date in the area, I knew I had to figure out a way to be there.

As other US/North American fans of Decapitated will be well aware, the band has not been back to this region of the world since an incident that happened 7 years ago. It was pretty well documented and I don’t think it needs to be further mentioned out of respect for the band in moving forward. If anything, it felt sort of celebratory that their tour started at The Observatory because it was also the last venue they played 7 years ago.

So, with a new album released in 2022 and a strong/eclectic lineup featuring Septicflesh, Kataklysm, and Allegaeon, the Cancer Culture Over North America tour started on a high note. Continue reading »

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