Jan 092026
 

(written by Islander)

As someone who tries to keep a very close eye every week on the emergence of new metal across a range of sub-genres, I can tell you that the holiday break is well and truly over. Since last week, the relative trickle has become a flood. I now find myself staring at dozens of computer tabs I opened in just a handful of days for songs and complete releases I thought I might want to check out.

I haven’t yet made my way through all of them, and doubt that I can. But with no premieres on our calendar today, I thought I ought to at least make a start, so that the task of compiling our two usual weekend roundups won’t be completely overwhelming, just moderately overwhelming. Here’s what I unearthed from the underground and enjoyed this morning. Continue reading »

Jan 092026
 

(written by Islander)

As a reminder to people that our site’s name isn’t really the ironclad rule that it pretends to be, I always include songs on this list that include… singing.

I mean, the site’s name isn’t a complete joke. The vast majority of the music we feature has no singing in it — only growls, howls, or screams — and most of the time sung vocals don’t hold a lot of appeal for me. Given my tastes in metallic extremity, I find that they often tend to diminish or distract from the emotional and sonic intensity I’m after.

On the other hand, I readily admit that singing can enhance a song’s power, or add contrasting or complementary “colors” that elevate a song’s impact beyond what it could achieve with harsh vox or no vocals at all. The three songs I’ve added to this list today are examples of what I’m getting at. Of course, there are other aspects to the songs which make them addictive, but the voices — which are dramatically different from each other — are a key reason why they got their hooks in me last year. Continue reading »

Jan 092026
 

(Last August Personal Records released the second album from the multi-national doom band Anchorite, whose lineup is full of veteran names. Their music features singing (remarkable singing), but of course that won’t stop us from publishing Comrade Aleks’ interview of Anchorite’s vocalist, Leo Stivala.)

After a five-year hiatus, the international project Anchorite is ready to remind us of themselves with their second full-length album, Realm of Ruin. Anchorite’s strengths extend beyond the fact that Forsaken frontman Leo Stivala is on vocals; the entire lineup is remarkable. Leading the charge is bassist Peter Svensson, whom we recently wrote about in light of the new album from his main doom band, Void Moon, and who is known for countless other projects he’s involved in! Behind the drums is Void Moon’s drummer (and vocalist), Marcus Rosenqvist, and on guitar is Martin Andersen from the Danish heavy metal band Meridian.

The professionalism of Anchorite’s members guarantees the quality of Realm of Ruin, but if you’re familiar with Svensson’s discography, it’s time to ask: Is it physically possible for a person to produce so much metal without wearing himself out? Especially since three more albums featuring his most active contributions were released in 2025. True, two of the three (Furnace and War Magic) are death metal, and one (Bardo Thodol) is heavy metal, but jokes aside, Anchorite delight the ear with solid, never-failing doom metal with a leaning toward traditional, combative heavy metal. Continue reading »

Jan 082026
 

(written by Islander)

In this fifth installment of my Most Infectious Song list I’ve concentrated on tracks that create varying intersections of black and death metal. No two of them are quite alike, but all three have left lasting impressions. I’ve included the first one despite the fact that the album it comes from will be a 2026 release, because the song itself was released as a single last August.

Without further ado, let’s get straight to them. Continue reading »

Jan 082026
 

(written by Islander)

The world will end. All life will end. Each life will end, tomorrow, or the next day, or millions of years from now. What comes next? That question has occupied human thought almost more than any others — right after thoughts about what we must do to keep ourselves alive for one more day. What comes next?

The question remains the same, and it still evokes the same answers — either some vision of life everlasting or the acceptance of oblivion, with the fear of the latter seeding the growth of the former. But given how much suffering human lives must endure, one might wonder whether bringing new life into existence is a worthy act, regardless of what comes after its end.

That question lies at the heart of the new song by Ennui (from Tbilisi, Georgia) that we’re premiering today along with a captivating lyric video in conjunction with the announcement of the band’s new album Qroba, their first full-length in more than seven years. It will be released by Meuse Music on February 27th. The name of the song we’re presenting today is “Antinatalism“. Continue reading »

Jan 082026
 

(written by Islander)

The death metal band Banisher was formed in Rzeszów, Poland, in 2005 by Hubert Więcek (DIETH, ex-Acid Drinkers live, ex-Decapitated). Since then, the band’s full lineup has also included members of such well-known groups as Fleshgod Apocalypse, Belphegor, Vital Remains, and Hate.

They have released four albums over the last 20 years, and now, after a six-year hiatus, a fifth one is set for release on January 30th by Selfmadegod Records. Its title is Metamorphosis.

To help introduce the new album, today we premiere a song from it named “Manifest of Justice“, presented with a lyric video. Continue reading »

Jan 082026
 

(Andy Synn has loved Kreator for a long time… but does he love their new album, out 16 January?)

Let’s get one thing straight… Krushers of the World is one of the best albums of the year so far.

Of course, we’re only 8 days into the year, so if you really think about it the above statement isn’t really saying much, but it’s a nice way to start the review, right?

Maybe it’ll be more helpful to say this… Kreator have been going for over 40(!) years now, and are considered living legends for a reason, but on their 16th(!!) album they somehow still come out swinging with the energy and intensity of a much, much younger band.

And, really, at this stage in their career, what more could you ask for than that?

Continue reading »

Jan 072026
 

(written by Islander)

The last time we hosted a premiere by Philadelphia’s Necrosexual (damn, have seven years really gone by since then?) we immediately urged people to set aside any reflexive skepticism that might have been spawned by the band’s name, their shock-rock appearance, and the often macabre storytelling within their songs, and instead to dive into their multifaceted musical nastiness with open minds.

Yes, seven years have gone by since then, years that saw Necrosexual release a couple more EPs, a split, and a live album, but no new songs for roughly the last five of those years. As you can see from this post’s title, however, Necrosexual are returning. They have a new album set for release in late February, and its title pretty well sums up the current path of the world, at least as perceived by anyone who reads the daily news: Road To Rubble.

To help introduce the new album, what we have for you today is the premiere of its second single, “The Brimstone Brothel“. But before we get to that one, we have some thoughts about the first one, the aptly named “High Times In Hell” — as well as the same urging expressed in the first paragraph above. Continue reading »

Jan 072026
 

(written by Islander)

We haven’t forgotten that the full name of Eximperitus is Eximperituserqethhzebibšiptugakkathšulweliarzaxułum. How could we forget? And it’s obvious from their logo up there, isn’t it? But we’ll play along with the abbreviation, especially since that seems to be the preference of the band’s label Willowtip Records.

We also haven’t forgotten the 36-word title of this Belarusian band’s 2016 debut album, though we couldn’t recite it even at gunpoint, any more than we could recite Eximperitus’ full name. Their 2021 sophomore album — Šahrartu — was easier on the tongue, as were all the one-word song titles. Their forthcoming third album, Meritoriousness of Equanimity, is pronounceable, even though it quadruples the number of syllables compared to the title of the second full-length.

However, Eximperitus have mostly reverted to form in their song names on the new one. Many are quite long, and all of them are, for want of a better word… mysteriously exotic. Take, for example, the name of the song we’re premiering today — “Golden Chains for the Construction of Individual Greatness” — although it’s tidy compared to Track No. 7 on Meritoriousness of Equanimity:

“Molecular Disintegration of an Unattainable Solitary Will in a Vessel of Wisdom…as a Result of the Soul’s Aspiration to Break the Summed Up Set of Delusions of Reason… in the Course of a Personal Experience of Accepting the Imperfection of the World and Proving that Time Gets Rid of the Fragile and Leaves Invulnerable” Continue reading »

Jan 072026
 

(written by Islander)

There will be days when an installment of this list has a theme, something that connects the songs, at least in my head. The connections may not mean the songs live in the same musical time-zone or camp out in the same sub-genre territory. There might be some similarities of sound, but there might not. It might just be that the bands went off on their own unexpected and hard-to-classify jaunts. Yesterday’s installment was an example of that.

But even in my own addled head I had no connecting theme for today’s trio of songs. I was just scanning my long list of candidates and for no identifiable reason (other than the fact that they’re infectious) I decided to put these three together. If you perceive some connecting theme, please speak up in the Comments. That would be cheaper for me than booking time with a psychotherapist. Continue reading »