
(Before DGR and others around here embarked on two weeks of recent festival activity, he pollinated our archive of drafts with a great many reviews, and today we’ve plucked another one. This time his focus is the latest album from L.A.-based Dawn of Ashes, released in March of this year.)
Many, many moons ago – like last year for instance – I wrote about Dawn Of Ashes’ return to the industrial and electronic sound on their album Infecting The Scars. The group have gone through a few metamorphoses over the course of their career, careening into a symphonic black metal sound for two albums before settling on a harsher industrial metal approach for a few and creating something of a ‘scars’ trilogy, of which the current final act was the aforementioned return to the sound they started with on Infecting The Scars.
In listening to it, you could still hear parallels between the abrasive electronics, immensely catchy multi-layered keyboards, and effects-riddled vocals, and the more traditionally heavy metal influences that’ve played on the band’s shoulders for a while now. The distance between where they had started, where they wound up, and black metal’s taste for theatrics suddenly did not seem all that far from one another, and Dawn Of Ashes were acting as a bridge of sorts. Continue reading »









