AN NCS PREMIERE: XENOSIS — “SEA OF TEETH”

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May 122026
 

(written by Islander)

We heartily welcome the return of Connecticut-based Xenosis, who will have their fifth album Hermetic Transmutation released by Transcending Obscurity Records on June 5th.

We also enjoy imagining the looks on people’s faces when they get their brains scrambled by the music. Brain-scrambling will likely occur even among listeners who got their heads spun and bodies bruised by the band’s last album, Paralleled Existence, in 2021 — because Xenosis have somehow managed to level up the madness.

As proof of that, we offer you today an album track named “Sea of Teeth“. Continue reading »

AN NCS PREMIERE: TOOMS — “LOWLANDER”

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May 122026
 

(written by Islander)

The cover image on Tooms‘ new album Karst might make most people wonder about the musical direction this trio from the west of Ireland decided to follow over the years that have passed since their 2020 full-length debut, The Orb Offers Massive Signals. It doesn’t seem to match up with the band’s reputation for creating progressive sludge metal that delivers punishing heaviness and oppressive gloom, digging deep into the muck of life.

It might make a bit more sense in the context of what the press materials circulated on behalf of the band’s label Cursed Monk Records say about Karst, referring to the guitars’ “rich, snarling effervescence beneath a crust of dried blood and dirt” and the music’s “sense of life, in all its glorious, torturous, filthy, vivid vibrancy”.

But Tooms’ appreciation of life’s gritty vibrancy and their perception of beauty within it is clearly quite different from what’s represented in a floral arrangement. To understand that, listen to “Lowlander“, the song from Karst we’re premiering today. Continue reading »

EPIGRAM: “OBSOLESCENT”

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May 122026
 

(This is DGR’s review of the debut album from Epigram, the SoCal-based project of musician Luis Echevarria, who is accompanied on the album by drummer and additional vocalist Mikey Wilson.)

Believe it or not, the album you see before you here is not the first time we have reached across the expanse of the internet to discuss Southern California death metal group Epigram. While it is tempting to act as if we made it on the ground floor of their newest release Obsolescent, in actuality we spoke of the band way back in the horse-drawn cart days of 2017, briefly mentioning them among an absolute wall of releases in our year-end roundup, in the segment we dedicate to writing about all the EPs of the year.

Eight and a half years is a long time though, enough that we can cycle back around to the exact same dogshit world state – and the people running it – and yet the band themselves had, up until early March, been radio silent. Their re-emergence in early March with Obsolescent is – thanks to time – almost a relaunch of the band. With only an EP to their name before, it can seem as if the Los Angeles based crew are fresh faces on the scene, but surprisingly, even with that vast expanse of time between releases it sounds as if Epigram have taken the route of natural maturity on their previous sound as opposed to full-blown relaunch, creating blackened death metal with a very, very light symphonic touch that could easily have fought blow for blow with the mid-2010’s releases from Hour Of Penance like Paradogma and Sedition. Continue reading »

AN NCS VIDEO PREMIERE: HALTER — “HOLOCAUST JACKALS”

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May 112026
 

(written by Islander)

Six years after their last album, the Russian band Halter are returning this month with a new full-length. Titled Another Strong Hand For A Damned Land, it’s set for co-release on May 25th by Symbol Of Domination (Moldova) and the Russian labels Wroth Emitter and Arx Productions.

It brings to the table old-school death/doom tinged with touches of sludge, stoner, and gothic metal. It was written and recorded during difficult times in Halter’s country, times marked by the Covid pandemic, the strengthening of a tyrannical regime, and of course the brutal war.

Unavoidably, all of those events affected the music and the lyrics. The labels tell us: “Lyrically, through profound symbolism, the songs are filled with the experiences of recent years, an anti-war message, a desire for freedom, and bitterness over the fate of people in the region.”

What we have for you today is the premiere of a video for an immediately infectious and powerfully moving track called “Holocaust Jackals“, which is powerful on multiple levels. Continue reading »

OBSCURITIES — VOLUME XXVII: A DREAM OF SPRING

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May 112026
 

(We present another monthly collection of reviews by Daniel Barkasi, who focuses his attention this time on albums released during April 2026.)

Spring – that lovely time when the cold goes away and I don’t need thermal undergarments to go outside. Alas, Mother Nature can’t seem to make up her mind – freezing one day, gorgeous the next. One day, we experienced the conditions of all four seasons in a single day. Those kinds of swings have been common all over – ask the poor iguanas in Florida – so we just have to push through it.

When titling this edition, yes, of course we’re parodying the A Song of Ice and Fire book series that’ll seemingly never finish, so with a lack of judgement in the humor department, this is where we landed. At least this column will be done before the next book comes out.

Also, totally unrelated – the horses are finally home! It’s good to have them back, and by the time we’re writing about May releases, we’ll hopefully be able to announce the arrival of our girl Naru’s foal.

The beginning of festival season is of course upon us, and NCS’s very own Northwest Terror Fest is literally days away as I write this. To all attending, have the absolute best time, and thanks for making it and this lovely place what it is. I’ll join the group someday. Maryland Deathfest follows, of course, with a lineup that’s difficult to imagine being real. For me, Fortress Festival immediately follows, so stay tuned for a documentation of my adventures in the town of Scarborough. Continue reading »

APOLAUSTIC: “NO PLENITUDE WITHOUT SUFFERING”

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May 112026
 

(We begin a new week at NCS with DGR’s review of the debut album from the Swiss band Apolaustic, which is out now on Transcending Obscurity Records.)

Often when a band splits with a long-tenured vocalist it can feel like the group have hard-capped themselves at about eighty percent of their potential. While the reasons why long-time vocalist Romain Negro stepped down from Swiss tech-death group Stortregn are likely out there, that sort of muckracking – while amusing – has never been something we’ve been too interested in here. Instead, we exist in a series of zeroes and ones: is person in band? is person not in band? and we roll from there.

Sometimes, lineup changes can even be refreshing; a new perspective can recharge a band. But when you have a creature created already so strong, it can feel a bit like you’ve hobbled yourself on both fronts. and the respective projects that form afterwards always land at “pretty good” but never the “spectacular” heights of old. Thankfully, Stortregn’s One Eternal release went far in assuring us that would not be the case and now we also have Apolaustic, a new solo effort from Romain Negro handling all of the songwriting and vocals while recruiting Nicolas Muller on drums and Merlin Bogado for bass and guitar work for an album that is not all too dissimilar from the high-speed extremity of Stortregn, except for the much, much larger taste for melodic black metal. The result is in an eight-song, forty-minute release entitled No Plenitude Without Suffering, and thankfully Apolaustic have also dodged the eighty-percent potential cap with an absolutely killer album. Continue reading »

ARCHITECTURAL GENOCIDE: “MALIGNANT COGNITION”

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May 092026
 

(Because Islander is goofing off at the NCS-sponsored Northwest Terror Fest this weekend, we won’t have his usual weekend columns, but we will have some reviews by DGR, including this one devoted to a new album by Houston-based Architectural Genocide.)

It took way too long to achieve this monk-like state of enlightenment but listening to Architectural Genocide’s newest release Malignant Cognition via Comatose Music all the way back in the middle of January, revealed that perhaps twenty-three minutes is the exact amount of this style of brutal death metal that you need in your life. Continue reading »

HANGING GARDEN: “ISLE OF BLISS”

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May 082026
 

(We present DGR’s review of the ninth album from Hanging Garden, released on March 20th by Agonia Records.)

I have struggled with how I wanted to start writing up Finland’s Hanging Garden and their newest album Isle Of Bliss. They’ve been “blessed” enough to join the club of groups whose opening review paragraphs have seen more rewrites each year than your standard superhero movie. It’s not any fault of their own either; the blame lies entirely at my feet.

I think a large part of the difficulty comes from the fact that although Hanging Garden have been active for the better part of two decades and have been very consistent in releasing albums or EPs (they seem to thrive on album-EP- album cycle with little breath in between), I haven’t been one to yell from the rooftops about them,  in spite of how much I’ve enjoyed everything they’ve done. So, in a roundabout way, it feels like any time I want to write about Hanging Garden I need to begin with an apology of sorts for not using my pulpit to preach their gospel to the masses.

Hanging Garden are one of the best out there in a saturated genre of melancholy-infused doom and goth-rock groups. Even when the band have been experimental – which surprisingly is where they first caught my attention with the very Paradise Lost-leaning Blackout/Whiteout in 2015 – before fully adopting a very melodramatic death and doom persona, their releases have been some of the most steady-footed, good-to-great collections you can find. There are athletes who would kill for Hanging Garden’s sort of batting average.

The even better part of all of this, now that the guilt of not being as loud about them as I could’ve been has been waylaid somewhat until their next release, is that the group’s newest album Isle Of Bliss – which saw release in late March via Agonia Records – is absolutely stunning and only reinforces the fact that the Hanging Garden collective are stealthily one of the best out there at this particular style. Continue reading »

IN RUINS: “WE ARE ALL TO PERISH”

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May 072026
 

(Our Norway-based writer Chile prepared the following eloquent review of a new album by the Romanian band In Ruins, which was released in March by Meuse Music Records.)

What is it which really matters in our lives when we spend our whole existence staring right at death’s hollow face? Coming ever closer to its unjudging oblivion with each passing day, always taking us unexpectedly under its dark wings, death has been a fascination for the duration of all human civilization. 

It is certainly a wonder that all aspects of our lives are so influenced by the only thing which lies outside of our living experience, and of which we know nothing. As the old saying goes, if there is us, there is no death, and if there is death, there is no us.

As the questions of death have been on the minds of philosophers, writers, and artists throughout history, it is not surprising that the concept of ending themes has found its strong foothold in music also, and since we are here, metal music particularly.

Now, it is not necessary to go into details of how metal embraces the ideas and the mystery of death, we have all heard our share of varying viewpoints through various genres (death metal, anyone?). So, we turn our spotlight to a singular example, and by involving literature in this equation, some bands do pique our interest on the very first listen. Continue reading »

BEYOND THE STYX – DIVID

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May 072026
 

(Andy Synn is in Seattle right now… which makes it the perfect time to talk about ferocious French furies Beyond the Styx, righr?)

If you’re reading this… and you must be, because you’re seeing these words… then I’ll be in Seattle attending this year’s edition of Northwest Terror Fest, which means I won’t be online as much or available to respond to your queries and comments as quickly.

That being said, I don’t expect too much in the way of controvery or complaints with regards to the upcoming new album from French Metallic Hardcore firebrands Beyond the Styx (set for release this Friday via Innerstrength Records), as if you were a fan of their previous album (which you can read more about here), then you’ll be happy to learn that DIVID is all about giving you more of what you love… even if it’s tough love.

Continue reading »

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