NO CLEAN SINGING

AN NCS VIDEO PREMIERE: OBBROBRIUS — “LEVIATHAN’S CAGE”

Sep 242026

(written by Islander)

Obbrobrius is an Italian death metal band founded in 2023 who made made their recording debut with a 2024 album named Daisy Creepy Tales. Following that independent release they signed with Over the Border Records for the release of their sophomore album Usurped, which is now due for discharge on November 6th. As a preview of what lies ahead, we’ll share this precis from the press materials that are circulating:

Far from seeking to convey moral or ideological messages, the band focuses on pure, old-school sonic violence, drawing inspiration from historic pillars such as Benediction, Bolt Thrower, and Malevolent Creation. Their lyrics delve unfiltered into dark and brutal themes: death, destruction, social violence, internal crises, and esotericism.

As a further sign of what lies ahead, today we bring you an eye-catching video for a diabolically savage but highly infectious song off Usurped called “Leviathan’s Cage“. Continue reading »

AN NCS VIDEO PREMIERE: CHANTS — “ECHOES”

Premieres No Responses »

Sep 242026

(written by Islander)

Everlasting Spew Records has made yet another astounding discovery, which it will share with listeners who are eager for music that’s off the usual beaten paths and capable of making deep emotional impressions.

This time the discovery concerns a Portuguese black metal trio who call themselves Chants, and their debut album Echoes, which the label will release on November 20th. The band is a new one, having formed only last year, but Chants is led by someone with a long history in the metal underground, and he uses it as a very personal outlet “for emotional catharsis and artistic introspection”.

Today we’re delighted to help spread the news of Chants, and especially excited to premiere a lyric video for the first song to be revealed from the album — which is its title track. Continue reading »

BEST OF BRITISH: JØTNARR / KULK / REMOTE VIEWING

Album Reviews No Responses »

Sep 242026

(Andy Synn once more serves as our in-house ambassador for the UK Metal scene)

Like I’ve said before, many times, it’s impossible for any of us here at NCS to cover all the artists/albums we really want to, which means some hard choices have to be made each month.

This extends, obviously, to these irregular “Best of British” columns, as while I’d love to highlight each and every band from here that I think would be worthy of your time… I just don’t have the time myself to do so.

Case in point, I’m probably not going to be writing anything about the new albums from Green Lung (which is a good album, no doubt, but they already receive enough praise and attention elsewhere), Noctule (simply because I haven’t heard it), or Burner (which, to be totally honest, I thought was a massive disappointment, though I’m sure lots of people are going to love it), so you’ll just have to form your own opinions on those without my penetrating insights (I know, I’m so sorry).

The three bands I’ve chosen to cover here today, however, all have much less exposure, and all skew much more towards the harsher side of the sonic spectrum, which is why I thought it was more important to feature them than some of the more hyped-up members of the scene… a decision which, hopefully, you’ll all agree was the right one after checking them out.

AN NCS ALBUM PREMIERE (AND A REVIEW): HÆNESY — “ESENTIA”

Album Reviews, Premieres No Responses »

Sep 232026

(written by Islander)

At the end of this week, just two days from now, the Hungarian band Hænesy will have their third album released in cooperation with Fractions of Life Records. Its name is Esentia, and we have lots of thoughts about it, but most important we have a full stream of all the music to share with you.

“Atmospheric black metal” is one descriptor of what you’ll hear, but it’s not an entirely satisfactory one, in part because Hænesy’s music owes as much to post-rock as it does to black metal (with other influences also playing roles) and in part because it doesn’t tell you anything about the nature of the atmospheres the band create. We’ll make an attempt to do that below. Continue reading »

AN NCS PREMIERE (AND A REVIEW): RORCAL – MAHRE

Album Reviews, Premieres No Responses »

Sep 232026

(Andy Synn presents an exclusive premiere of one of the darkest, harshest albums of 2026)

Success, or so they like to say, can be a double-edged sword.

And the music business in particular is full of bands who have reached the heighest of heights – whether critical, commercial, artistic, or some combination of all three – only to then have to live in the shadow of their success for the rest of their careers.

For Swiss Black/Sludge/Doom coven Rorcal this sonic apotheosis came in the form of 2019’s demonically intense Muladona (based on the novel of the same name), whose visceral, soul-scarring assault on the senses deserves – in my opinion, at least – be held up right alongside the nastiest, gnarliest works of Dragged Into Sunlight, Primitive Man, and This Gift Is A Curse at their very best.

That’s not to say that the band’s previous output – from the colossal Drone-Doom of Heliogabalus to the grinding attack of Világvége to the asphyxiating, Post-Metallic atmospherics of Κρέων – were in any way lacking (indeed, the latter is, quite rightly, considered to be something of an underground gem), but Muladona raised the bar so much, creatively and conceptually, that both 2021’s Witch Coven collaboration and 2023’s more Blackened Hardcore-leaning Silence still felt somewhat eclipsed by their progidigious predecessor.

This Friday, however, will see the release of the band’s nightmarish new album, Mahre, which doesn’t so much seek to escape the shadow of Muladona as it does dive even deeper into it, pursuing a darker, more disturbing path, and today we have distinct (mis)fortune of presenting the album in its entirety via the medium of a fascinating, and disturbing, full-length video accompaniment for the record, created by the band’s frequent collaborator (and friend of the site) Eeli Helin.

MAUNAH – HJARTA

Album Reviews, Exceptions to the Rule No Responses »

Sep 222026

(Andy Synn delivers another justified “exception to the rule” courtesy of Denmark’s Maunah)

I was today years old (well, actually, by the time you’re reading this that won’t actually be true any more, but just go with it) when I discovered that NCS has an honest-to-god Wikipedia entry.

Which I guess means we’re finally “a big deal” and will need to start charging you all for our services.

That’s how this works, right?

Now, in all seriousness it was legitimately interesting to see what got mentioned, and what didn’t (and suggest a few updates to the text), with regards to the site, our history, and our ethos.

In particular, the original version of the page – now updated – failed to mention the fact that the term “no clean singing” is very much an in-joke these days, rather than an iron-clad dictum, especially since we make so many “exceptions to the rule” on an almost daily basis.

And one of those exceptions we’re so happy to make these days is the debut album from Danish progressive doom-dealers Maunah.

AN NCS VIDEO PREMIERE: BLOEDMAAN — “HAUNTING CALL OF THE WANING MOON”

Premieres 1 Response »

Sep 222026

(written by Islander)

2026 will be an eventful year for the Flemish black metal band Bloedmaan. On October 30th they will have their third album Circle of the Moon released by Immortal Frost Productions, and the day before that — on October 29th — Void Wanderer Productions will release an album-length split by Bloedmaan and the Belgian duo Crypts of Dusk. The name of the split is Curse Of The Emerald Knight, and as you can see, its cover art (created by Bloedmaan mastermind Rönarg) is a fine representation of the title.

Bloedmaan’s side of the split includes four songs, and today we’re premiering an engrossing video for the first of those, “Haunting Call of the Waning Moon“. Continue reading »

AN NCS PREMIERE: BOKKERIJDERS — “CALCINATION PYRE”

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Sep 222026

(written by Islander)

The prime curator of Personal Records continues to prove the depth and quality of his tastes by joining forces with the Belgian black metal band Bokkerijders for the release of their debut album Crush Kill Destroy on October 23rd.

The album’s name points the way to the nature of Bokkerijders‘ concoctions, but not the entirety of their nature. Even the simple label of “black metal” doesn’t tell the whole story, because the band have clearly imbibed other elixirs from the casks of heavy and extreme music while creating their own intoxicating brews.

You’ll see what we mean when you hear the album track we’re premiering today — “Calcination Pyre“. But before we get to that, we should ponder the band’s name, shouldn’t we? Continue reading »

AN NCS INTERVIEW: TORTURERAMA

Interviews No Responses »

Sep 222026

(Today we happily present Zoltar’s interview of the Belgian death metal band Torturerama, whose pleasingly foul and ripping second full-length was released this past July by Memento Mori Records.)

Back in 2010, as in the bowels of the Swedish underground scene a new breed of newcomers were doing their best to take death metal back to its natural habit, aka somewhere dark and ominous, a seemingly new band popped out of nowhere – nowhere being Bilzen, Belgium for you – and gave everybody a lesson in pure classic SweDeath worshipping straight out of 1991, with the help of the legendary producer Tomas Skogsberg, with their debut demo/EP, Left As Remains. A few releases as filled with HM-2 filth followed, until the band went very quiet before dissolving without a fuzz in 2018.

Having returned in 2023 with a reconfigured line-up and a slightly different – yet still as Swedish-obsessed – mindset, they’ve delivered their second and even more putrid sounding second album, The Elaborate Theatre Of The Macabre, through Memento Mori this summer. And it’s collectively that they’ve agreed to answer a few of NCS’ questions, with their tongue firmly in their cheek as you can see… Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): S.C.R.A.M. — “COMA FILAMENT”

Album Reviews, Premieres No Responses »

Sep 212026

(written by Islander)

Pranjal Tiwari, the Oakland-based creator behind the musical project S.C.R.A.M. (which stands for Safety Control Rod Axe Man), was inspired to create S.C.R.A.M.’s new album Coma Filament by a single image — a ghost ship encountered in the outer reaches of space light years away from where any human has been before. He named the album for a galaxy thread that forms part of the Coma Wall, one of the largest known superstructures in the observable universe. And he created the music as an answer to the question, “What if Andrei Tarkovsky had directed the first Alien movie?”

If you’re a fan of science fiction, and more specifically of tales of horrors encountered in deep space, then you should be quite intrigued at this point. If you’ve actually seen Tarkovsky’s 1972 Soviet science fiction and psychological horror film Solaris, based on Stanisław Lem’s 1961 novel of the same title, then you’re even more excited. I certainly was, because in this writer’s humble opinion that’s one of the best sci-fi movies ever made, based on one of the greatest sci-fi novels ever written.

To be clear, Coma Filament isn’t a re-telling of Alien or any other single literary narrative. The idea of what might have resulted if Tarkovsky had directed Alien is more about what kind of soundtrack would best suit such a movie, and more broadly what kind of listening experience would evoke the physical and psychological pressures of a journey through deep space and the terrors we imagine might be encountered there, with Tarkovsky acting as the muse.

We have Pranjal Tiwari’s answers to these questions today through our full streaming premiere of Coma Filament in advance of its release this Wednesday, September 23rd, the Fall Equinox. Continue reading »

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