March 2013 - Page 2 of 8 - NO CLEAN SINGING

RISABOV: “RISE”

Mar 282013

(TheMadIsraeli reviews the debut album by Risabov.)

Progressive death-thrash is the S.O.P on the debut of Risabov. Rise is another example of the goldmine streak that indie metal is on. Hailing from Greece, these guys with maturing and evolution could turn out to be real heavy hitters. Rise has the first-album energy and intensity. The sound needs a tiny bit of work, but it doesn’t change the fact that they have a solid, intelligent debut on their hands.

There is a heavy Death, Kreator, and Coroner feel going on here. The opening of opener “Blood on the Sky” is going to really confuse the fuck out of people, with its odd acoustic intro that sounds less like something meant to be played acoustically and more like the playing of harmonized metal riffs. It really throws you off, in a good way, as the acoustics fade out and the kickass riffage kicks in. Risabov make it immediately known they like their riffs technical, fast, and with lots of flair. There is a definitive articulation and refinement to the riffs of guitarists Max and Andreas, while retaining that punky thrash edge. It’s an impressive dichotomy going on. Continue reading »

FOLLOWING UP: BEASTWARS GIVES AWAY A NEW SONG

Mar 272013

For the second time today I realized I was a day early with a couple of yesterday’s posts. Yesterday I posted a review of the forthcoming second album by New Zealand’s Beastwars — Blood Becomes Fire — which in my opinion will stand as one of the best albums of 2013 when this year draws to a close. And then today Beastwars began giving away a song from the album.

As it happens, that song is one of the two I like best out of a collection that’s very strong from start to finish. Its name is “Caul of Time”, and it’s a good example of the power and the passion that runs throughout the album. It’s also heavy as hell.

Go HERE to stream and download the track on Bandcamp. I also want to stitch it into the fabric of NO CLEAN SINGING, so it’s also streaming at this site right after the jump. Continue reading »

THE FIRST TASTE OF DARK TRANQUILLITY’S NEW ALBUM: “CONSTRUCT”

Metal News, RANDOM FUCKING MUSIC 3 Responses »

Mar 272013

Dark Tranquillity were one of my first loves as a budding fan of extreme music, and you never forget your first loves. And so although I was not as thoroughly bowled over by their last album as I wish I had been, I’ve still been eager to hear their new one. Entitled Construct, it’s due for release via Century Media on May 27 in Europe and May 28 in North America.

In addition to that welcome news, today also brought the first taste of music via an album trailer. In addition to ambient orchestration, the trailer includes a snippet from a new song, and I’m really liking what I hear — because what I hear sounds downright vicious. Increased viciousness from Dark Tranquillity happens to be just what I want.

You’ll also see variant artwork for the different formats of the album, and they all look damned cool to me.

Check out the trailer right after the jump, and feel free to share your thoughts about what you hear and about whether this band still gets your motor running. Continue reading »

SEEN AND HEARD: WORMED, NEGATOR, AND MONOTHEIST

RANDOM FUCKING MUSIC 9 Responses »

Mar 272013

We keep our eyes and ears open so you don’t have to. Except when you’re crossing the street. You should keep your eyes and ears open when you do that. Also when driving and performing open-heart surgery. There might be a few other exceptions that I’m not thinking of at the moment, but otherwise we can be your eyes and ears. And here are a few recommended things we’ve seen and heard this morning: new music from Wormed (Spain), Negator (Germany), and Monotheist (Florida).

WORMED

“Tautochrone” is a fuckin’ great song. It’s by Spanish death metal band Wormed and it appears on their excellent new album Exodromos. It’s a brutal, blazing song, but Wormed add both technical and near-ambient melodic elements that most purveyors of brutal death don’t even dream of doing, and Wormed do it superbly.

And I’m thinking of that song why? Because yesterday Wormed released an official video for it. I haven’t yet figured out whether it’s the video that’s strobing and shaking, or my eyeballs. Either way, it’s cool. Continue reading »

FOLLOWING UP: TARDIVE DYSKINESIA – “CRAWLING IN THE MUD”

Free Shit, RANDOM FUCKING MUSIC 1 Response »

Mar 272013

Yesterday, in a post devoted to recent metal art, I included the piece you see above (created by Manster Designs). It mysteriously appeared, without explanation, on the FB page of a Greek band I admire named Tardive Dyskinesia. If I’d only waited a day . . . because now the band have revealed what it’s all about.

The artwork was created for a “new” single named (of course) “Crawling In the Mud”. The song was originally recorded during the 2008 studio sessions that produced the band’s 2009 debut album, the terrific The Sea of See Through Skins, but it was not included on the official release of that album by Coroner Records. As of today, the band have made the song available for free download in a package that also includes two live tracks — “We, the Cancer” (from the band’s latest album Static Apathy In Fast Forward) and “Complicity” (from The Sea of See Through Skins) — plus a high-res version of the above artwork and a band photo and logo.

I’m just going to focus on that “ghost” song “Crawling In the Mud” because I hadn’t heard it before today. Continue reading »

NOEIN: “INFECTION-ERASURE-REPLACEMENT”

Album Reviews 6 Responses »

Mar 272013

(In this post TheMadIsraeli reviews the recently released debut album by French metal band Noein.)

Noein are a fun discovery I stumbled upon by pure accident. That album art you see above intrigued me, the fact they were female-fronted caught my attention, but most attractive of all was the fact that they labeled their music Industrial Death metal. I’m always into shit with this tag, even if I almost always disagree that its death metal in scope.

Noein are definitely not death metal, but they display a feral insanity that’s comparable to the likes of old Strapping Young Lad. Besides SYL influence, what you get is sort of a combination of Threat Signal, Chimaira, and Fear Factory. Their newest album Infection-Erasure- Replacement is a ballsy, brutal, and savage assault full of industrial-tinged groove and frantic explosions of chaos.

The mood established by this album’s opening track “I.E.R” really sets the tone for the record. The atmosphere channeled here is futuristic and cold, but with an odd sense of grandeur to it, with swelling synthesizers and ambient guitars. When the metal kicks in, the track is like a machine revving up to full power, preparing for mass carnage. Continue reading »

THE CORE-LESS BREAKDOWN: A LIST

RANDOM FUCKING MUSIC 29 Responses »

Mar 272013

(I wish I had thought of this cool idea for a post. But BadWolf beat me to it — and this is his piece.)

It’s not news to anyone reading this ( I hope) that heavy metal culture has an elitist streak. In fact, read enough comment threads on this blog and others, and you will notice a tiered system of elitism, false barricades that we, as fans, erect to keep ourselves distanced from a perceived wasteland that is ‘the mainstream.’ By virtue of reading a metal blog, I’d wager you’re already a step or two up on the elitism pyramid. By definition, as a metal blogger, I am MORE than a few steps up on the elitism pyramid. But I’m not far enough up to lose my sense of perspective.

There is an appropriate amount of ironic self-distancing when appreciating art. The top of the elitist pyramid? Probably black metal purists, and look how even the mainstream lambasts the true corpsepaint-set as clowns. Those folks would do well to remember that most of the Norwegian attack bands abandoned the strict black metal template quite rapidly. Ihsahn is in a prog band now. Mayhem put electronica all up in their second album.

But at the same time, from where I stand, the lowest rung of elitism is abjectly deserving of ridicule as well. And what constitutes that bottommost rung? Probably the bias against breakdown-centric bands. You can even see it on No Clean Singing—we’re covering a lot more black metal than deathcore these days. Continue reading »

EYE-CATCHERS: TARDIVE DYSKINESIA, PENTAGRAM (CHILE), ASG, AND ENTRAILS

Exceptions to the Rule, Eye-Catchers, RANDOM FUCKING MUSIC 5 Responses »

Mar 262013

Here’s another installment of things I saw and heard over the last 24 hours while merrily rambling along the by-ways of the interhole. The theme of this installment is METAL ART RULES!

TARDIVE DYSKINESIA

This Greek band’s debut release The Sea of See Through Skins was one of my favorite albums of 2009. One version of the album apparently included a bonus track named “Crawling Through the Mud”, though I don’t think it was on the copy of the CD I bought; at least I don’t see it on my iPod, which is where I transferred the music from the disc before eventually storing the CD away with a gazillion others that my spouse made me remove from our cluttered house.

And that’s all I can say about the wonderful artwork above that mysteriously appeared on Tardive Dyskinesia’s Facebook page yesterday. I don’t know who created it, and I don’t know what music it will eventually accompany. Maybe the band is about to release that bonus track as a single?

Anyway, the band’s 2012 album Static Apathy In Fast Forward ain’t too shabby either. Here’s TD’s cool official video, released earlier this month, for “Time Turns Planets” from that album. Prepare for a spine-jolting, head-scrambling experience. Continue reading »

TODAY IN THRASH: EVILE AND ESSENCE

Metal News, RANDOM FUCKING MUSIC 6 Responses »

Mar 262013

While wandering the interhole last night and this morning I came across many items of interest — too many to pack into a single round-up post. So I’ll subdivide my findings and start here, with two discoveries that should interest thrash heads far and wide.

EVILE

You’re looking at the first item above. It’s the recently revealed cover art for Skull, the forthcoming fourth album by the UK’s Evile, which is due for release on May 27 by Earache Records and Century Media. The artist is none other than NCS favorite Eliran Kantor. Like all of his art, this piece snags the attention and pulls it into the details of the work — which are mysterious. Evile explain that the artwork embodies a concept that’s connected to the music . . . but what that is we’ll have to learn later as more details trickle out.

As for the music, Evile drummer Ben Carter is quoted as saying, “Our fans can expect this album to be a return to our thrashier roots, as well as exploring new ground in typical EVILE form.”

And now it’s time for some actual music instead of musical forecasts. Continue reading »

BEASTWARS: “BLOOD BECOMES FIRE”

Album Reviews 3 Responses »

Mar 262013

Matt Hyde has soul, and when he sings it sounds like he’s hacking up hot, smoking chunks of it. And while he vomits up his own soul in a vocal conflagration, his bandmates in Beastwars will pull yours down into an abyss. But you won’t mind. You’ll be too busy banging your head, caught up in the power of the riff.

I don’t mean to take anything away from the united contributions of the band as a whole, but when I think back on Beastwars’ stellar second album, Blood Becomes Fire, those are the two ingredients that leap to mind first — Hyde’s utterly dominating vocals and a phalanx of compelling, sludgy Clayton Anderson riffs. Add in James Woods’ bass lines, which mimic the grinding of tectonic plates deep in the Earth, and Nathan Hickey’s bone-breaking drumwork, and you get metal that’s as apocalyptically heavy as it is neck-snapping.

As far as I’m concerned, this New Zealand band had nothing else to prove after only one album. Their 2011 self-titled debut was that good. But although Beastwars may not have needed to prove anything after their first album, they have proved that they will have staying power, because their second one is even better than the debut. Continue reading »

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