So far, the experimental black metal band MRTVI, which is the solo project of Serbian musician Damjan Stefanović, has released two albums — Perpetual Consciousness Nightmare (2015) and Negative Atonal Dissonance (2017). Both are fascinating, and well off the usual beaten paths of black metal. As we wrote around the time that the second album was released (by Transcending Obscurity Records), MRTVI “makes a determined effort through this music to fracture reality into a shower of sharp shards and splinters, to plow madly through the constrictive channeling of experience through our perceptions, in search of an inner cosmos”.
MRTVI is at work on a new album (and you can listen to a track from it via a Transcending Obscurity label sampler HERE), but in the meantime has decided to release two cover songs, and we’re premiering one of those today in advance of its release by MRTVI’s label, Life Is A Dream Records. As you can already see from the title of this post, it’s a surprising choice — Portishead’s song “Machine Gun” from their 2008 album Third.
Thanks to the performance of a talented guest artist, MRTVI‘s cover preserves the vocal stylings of Beth Gibbons in Portishead‘s original, and the song is still anchored by the driving machine-gun rhythm that moves the original, albeit with a different and more abrasive tone. Around those pivotal ingredients MRTVI layers an array of different noise components that deepen the tension-filled, surrealistic atmosphere of the song, and make it more harrowing, more ominous, and ultimately more feverishly and frighteningly deranged.
In addition to furnishing our own impressions about MRTVI’s cover, we’re also sharing the following statement by MRTVI:
“This cover had been sitting half-finished on my hard-drive for a couple years when I rediscovered it while sorting old projects and folders. This is one of two covers I decided to finish and release, the other will be premiered by Black Metal Daily in Australia on the 26th May.
“Originally I enjoyed playing it on the drums; it’s a very percussive song and translated well as a short blast-beat exercise, especially for alternating between leading with the left and right side. I then got the idea to cover it but make it much darker; one of the main elements for MRTVI has always been the atmosphere, and Portishead are pros at creating atmosphere. I wanted to add the darkness of metal but also some of the chaos of the hardcore bands I was listening to at the time, while still doing justice to the mechanical beat of the original. Also in the production I wanted to add some effects and flavours representative of the newer MRTVI material.
“The main vocals were performed by Serbian erotic portrait artist SkvrtAna who I met through underground artist markets in Belgrade while representing Life As A Dream Records. Her work also concentrates on creating a specific atmosphere, and we found a lot of common ground in our tastes for music, film and art. For her vocals we aimed at replicating the original as closely as possible, while with the backing vocals we wanted to add another dimension to the lyrics and the overall feel of the song. I think with the backing vocals the themes of the lyrics become wider and more open to interpretation.
“The picture she drew for the cover was a quick small sketch, a nod to Francis Bacon, and a take on the meditative, existential theme of the lyrics. She had this to say:
“’This song was a real challenge, Beth Gibbons is not only a great singer but also has a very recognisable, individual style. It’s also been a while since I’ve been involved with music so this has been a great chance to experiment outside of my comfort zone. My aim was to get as close to the original as I could in order for the instrumentation and production to be able to create its own atmosphere. For the artwork we used a small sketch from a recent series of drawings I have been working on that I felt really fit with the mood of the song.’
“Both of the cover songs will be released for streaming and free downloads via my label – Life As A Dream Records, on the YouTube channel, and Bandcamp page. To find more of my music and SkvrtAna’s art here are some links. I Hope you enjoy it!
“MACHINE GUN” COVER:
https://lifeasadreamrecords.bandcamp.com/track/machine-gun-cover
MRTVI:
https://www.facebook.com/sustainedthroughdeath/
LIFE AS A DREAM RECORDS:
https://lifeasadreamrecords.bandcamp.com/
https://www.facebook.com/laadrecords/
SKVRTANA:
https://www.instagram.com/skvrtana/
First Bombs of Hades ‘Bridge of Sighs’ then ‘Machine Gun’. For a minute there I was having a 60’s/70’s flashback 🙂
(For those of you that weren’t around back then, that would be Robin Trower and Jimi Hendrix respectively. Ask your parents 🙂 . Or better yet, listen to them on Youtube. Who knows, you might like them. )
I just did a little math. That should probably be ‘Ask you grandparents’. Man, I am gettin’ old! (Just turned 64 a couple of days back.)
Hendrix ‘Machine Gun’ live 1970
https://www.youtube.com/watch?v=qc2gZmcCAEk
Trower ‘Bridge of Sighs’ live 1975 (I was at this show. Like I said, OLD!)
https://www.youtube.com/watch?v=7ynEWXg91A0
I loved Trower and Hendrix (still do, as a matter of fact). And since we’re talking about Trower, let’s not forget about Procul Harum.
https://www.youtube.com/watch?v=1TQuvfTE8Ro
ah –i saw Robin Trower in the early 80s. awesome!! i recently went back and listened to him again. Hendrix, well unfortunately nevere saw him (i’m not that old) but grew up listening perennially to him. i lve the album “Jimi Hendrix Blues”. have you heard that one?
Nice to hear that you young folk listen to some of the oldies now and again 🙂
I have seen Trower quite a few times now. The last time was around 2006. I was going to go see him a couple of years ago but he got sick and had to cancel. Let’s hope that he makes it back around.
I have the Hendrix Blues cd somewhere. I will have to dig it out. I tend to listen more to the bootlegs. I especially like the Berkeley and Albert Hall shows. There is also a great BBC (Bootleg) compilation. You can usually find these things for free on Guitars101.
Enough of that though. Time to re-enter the 21st century…whilst civilization still exists.