Oct 032012
 

This is another “Seen and Heard” post. I just got tired of calling them “Seen and Heard”. I thought about spelling it “Scene and Herd”, just to fuck with people a bit, except those words would really send the wrong message about today’s bands.

Dead Beyond Buried (UK), Ghoulgotha (U.S.), and Shades of Retribution (India) are underground collectives who are each doing their own thing their own way (and by my lights, the right way). They will draw fans not from scene kids or those who travel in herds but from metalheads with discerning taste. You’ll see (and hear) what I mean. Their music makes me want to do my part to help elevate their visibility.

So without further ado, here are the items I came across yesterday via e-mails to NCS and perusal of the interhole that I thought were worth spreading around.

DEAD BEYOND BURIED

I really liked this London-based band’s last album on the Seige of Amida label, Inheritors of Hell (2010), but I had kind of forgotten about them. Their name popped up on my radar screen again recently as one of the bands highly recommended by Ageless Oblivion guitarist David Porter in the Porter interview conducted by our Andy Synn not long ago. Not much later I saw that they would be self-releasing a new album (The Dark Era) in the near future, and that was welcome news. And then I saw that they had released a music video a few days ago for one of the new tracks, “Cold Black Stars”, and I got even more interested.

Man, what a surprise! The video, which was filmed, animated and edited by Joe Slatter (www.thedarkpower.co.uk), is one of the best I’ve seen this year. The animation, and how it alternates and eventually merges with the band performance, is fascinating. And the song itself . . . Continue reading »

Oct 022012
 

From Exile are an Atlanta progressive metal band we’ve written about frequently at NCS. You can see a collection of all our previous features via this link. The last time we checked in with them, they had released a new, freely downloadable song called “A Desperate and Willing Enslavement” and a music video to go along with it. The video was a live performance of the band filmed at the studios of Digital Arts Entertainment Lab on the Georgia State University campus in downtown Atlanta. It was filmed as part of a video series focusing largely on Atlanta-based bands called indieATL (check out their web site here).

At the time of that last post, From Exile had disclosed that they recorded a second song as part of the indieATL session and planned to release it (along with a video of the performance) at some future date — and last night they did that. The new track is called “Martyr’s Gambit”, and man, is it cool.

As in the case of “A Desperate and Willing Enslavement”, it’s not as extreme as most of the music we cover at NCS, and all the singing is clean. But the song is heavy, intricate, and superbly rendered, and it features a powerful, oh-so-memorable chorus. The dual vocal harmonies are beautiful, as is the interplay between the triad of guitarists, the nimble bass player, and the hard-hitting drummer. And as the icing on the cake, the instrumental jam in the song’s back half is a galvanizing flow of compulsive energy. Continue reading »

Sep 272012
 

Well, despite my predictions earlier today, I managed to find time to write another post. To be more accurate, I came across a new discovery that compelled me to make time for another post.

Dead River Runs Dry is an Australian band who e-mailed me early this morning. In fact, the e-mail was the first thing I saw when I fired up my computer after dragging my sorry ass out of bed following a grand total of 3 hours sleep. In a fit of impulsiveness I decided to listen to their music before moving on to anything else because I liked their name. It didn’t hurt that they also linked to a laudatory feature about themselves, with an accompanying interview, that appeared at DECIBEL magazine’s web site (though I read that only after listening to the music).

They’ve self-released a four-song demo entitled Winter that they’re distributing for free, and that of course was another plus. And the final plus is that Winter kills.

With their music, Dead River Runs Dry paint a portrait of a torn and blasted wasteland — damned, desolate, and dangerous. Yet it’s a landscape with its own bleak beauty and vibrance. Continue reading »

Sep 242012
 

This is another daily collection of things I saw and heard this morning that I thought were worth sharing. It’s heavy on the death metal, because the death metal is heavy on me.

GOATWHORE

This is a big Goatwhore day. First, I saw the news that Goatwhore will be touring the U.S. and Canada with High On Fire and Lo-Pan. The tour begins on Nov. 15 in Austin and concludes on Dec. 22 in San Francisco. On selected stops, Primate (featuring Brutal Truth vocalist Kevin Sharp) and Corrosion of Conformity will also be performing.

This should be an ass-mauling, face-lacerating show. I’m happy that it’s stopping in Seattle, because it’s important to be happy for yourself in order to be happy for other people, or so I tell myself whenever I see stupendous tours that stop in Seattle but may not stop where you live. The full schedule is after the jump.

I also saw that Goatwhore have today premiered a new official lyric video for “Death To the Architects of Heaven”, a killer song from their 2012 album, Blood For the Master. You can watch that after the jump, too. Continue reading »

Sep 232012
 

Our Sacramento-based contributor DGR hit me with a flurry of e-mails this morning, bringing to light a multitude of musical developments for your entertainment. I’ve now packaged them in this Sunday edition of the “Seen and Heard” post.

THE NEOLOGIST

DGR began covering the work of this East Coast duo during the days of the sadly departed The Number of the Blog, and he introduced their work to NCS beginning last January. In addition to creating their own original songs, The Neologist have also been recording cover songs as tributes to their influences. They’ve made an entire In Flames cover album titled In Flames We Trust: Volume I, and they’ve also been releasing tracks from a work in progress by the name of Working the Soil, which will eventually become a complete album of Soilwork covers. And everything they’re doing is . . . free (or available on Bandcamp with a “name your price” option).

Today’s news is that The Neologist have just released their sophomore album of original music, The Promise of Eternal Separation.  This new album comes with a variety of “extras”, including a cover version of “Red Clouds” by Disarmonia Mundi, a dub-step remix of “A Call To Harms” by Jester Strikes, and two bonus tracks from the band’s Kazakhstan release and Vatican City release (both of which are due in October 2012).

DGR promises a review of The Promise of Eternal Separation, but the music is already streaming and available for download on Bandcamp (here), so go check that out. But that’s not all we have from The Neologist camp. Continue reading »

Sep 232012
 

Good lord, has it really been two months since the last MISCELLANY post? I knew I had neglected this series, but didn’t realized how pathetically neglectful I’d been. With that much of a lag, I ought to remind everyone of the rules of this game: I randomly pick a few bands whose music I’ve never heard and whose names are new to me. I listen to one recent song by each band (I try to limit myself to just one song, but I sometimes I get carried away). I record my impressions here, and then I stream the song(s) I heard so you can make up your own minds about whether to explore the music further.

I try to limit this game to newer DIY bands as one way for us to help give some visibility and support to underground upstarts. We get so many e-mails and FB messages from bands and fans these days, and so much time has passed since the last time I played this game, that there are dozens and dozens of bands I could pick from. So, how to choose? This time I decided to just pick the last three bands who contacted us on Facebook.

This may lead to even more bands messaging us on Facebook. I wish I had time to give all of them a fair listen and some visibility on our site, but unfortunately I don’t. So I’ll just say in advance: Don’t think I’m a douchecannon for ignoring you. I may be a douchecannon for lots of other reasons, but being unable to expand the number of hours in the day isn’t one of them.

Onward to today’s bands: Limb From Limb (Australia), Inset (Poland), and To Dust (Sweden). Continue reading »

Sep 172012
 

You may have noticed that we’ve had fewer than the usual number of posts on the site over the weekend and again today. This is because your humble editor has (a) been devoting extensive time to other extracurricular activities that involved (i) heavy drinking, and (ii) screaming himself hoarse at an NFL game; and (b) hacking into his mother-in-law’s new computer, while recovering from (a)(i) and (a)(ii), in order to reset a password that she must have mis-typed when doing the initial set-up.

All of this proved to be a significant diversion from the demands of NCS. Things should be at least somewhat back to (ab)normal around here by tomorrow. However, I did want to add one more post today to share a few items I saw and heard over the last 24 hours. Fair warning: the shit I found will peel back the skin from your face like a bloody onion.

UNFATHOMABLE RUINATION

This London-based band is a delicious new find for me. This past spring, they recorded their debut album, Misshapen Congenital Entropy, at 16th Cellar studios in Rome with Stefano Morabito, who has produced albums for bands such as Fleshgod Apocalypse, Hour of Penance, Vomit the Soul, Inherit Disease, and Blasphemer. It will be released on October 1 by Sevared Records, and limited edition pre-orders are now being accepted at this location.

Recently, the band have uploaded two songs for streaming — “Carved Inherent Delusion” and “Edges of Disfigured Atrocity”, which features Konstantin Lühring from Defeated Sanity and Despondency as a guest vocalist. (Giulio Moschini of Hour of Penance also provides guest vokillz on the album.) Both songs are available as “name your price” downloads on Bandcamp. Both songs will also smash your cranium into tiny little fragments and chop up the goo inside like minced garlic. Continue reading »

Sep 142012
 

Sociopathic Sound is a project that apparently has been 10 years in the making, with the objective of launching a metal-focused web site. The launch hasn’t happened yet, though the under-construction site can be viewed here. As part of their effort to build an audience base for the planned web site, the folks behind Sociopathic Sound have been compiling metal mixtapes for free distribution. I just discovered the project this morning, after seeing news about the release of a brand new mixtape — which turns out to be the third of these things.

Sociopathic Mixtape Vol. III is kind of mind-blowing. First, it includes songs from 81 bands (actually, there are 9 more “hidden” tracks that are included in the file for those who download the entire mixtape — which brings the total to 90!!!).  It adds up to more than four hours of music.

Second, I recognize a lot of the bands on the 81-song track list, and the ones whose names I recognize are killer; we’ve featured many of them at NO CLEAN SINGING. Here are just a few: Hypno5e, Gaza, Ad Patres, Analdiktion, Vimana, Severed Crotch, haarp, Maruta, Plague Widow, Trepalium, Withered, Hivesmasher, Tiger Flowers, Co-Exist.

As even this very small listing of names indicates, the music on the mixtape spans a really diverse array of metal.

And to repeat: It’s FREE.

To stream the music and get the download if you so choose, use this link:

http://sociopathicsound.bandcamp.com/

 

Sep 142012
 

Because I was too busy yesterday doing things I actually get paid to do and writing about vaginas, I didn’t get around to hunting the web for new shit to recommend until last night, by which point some of what I found had already spread around metal blogville like herpes at a swingers’ convention. But some people only seem to read this humble blog for their metal injections, so I’m including that stuff anyway. Also, because of my delay, I found way too many nuggets to cram into a single post, so there will be two this morning, this being the first. Here we go:

A LIFE ONCE LOST

This is one of the items that spread rapidly around blogville. And here’s a back story about our connection to Philly’s ALOL:

Back in the day, I was massively hooked by their debut, A Great Artist. The intricate polyrhythmic interplay between the drums and the bass, the mid-range moaning of the guitar leads and assorted other guitar noise, and the high-end howling vocals made for a sweet combination.

I liked the next album, Hunter, even better — more deeply-carved Meshuggah-esque grooves, and even more incurably infectious riffs. I probably listened to that album as many times as I’ve listened to anything. The last album, 2007′s Iron Gag, was good, too, though I’d gotten so hooked on the band’s style that the musical course changes on it were personally disappointing — less Meshuggah and more Pantera, and a throatier vocal style from Bob Meadows.

Then, it appeared the band had broken up, and that was a huge bummer. But I discovered at the end of 2009 that ALOL wasn’t really history after all. At the end of that year, I read that the band was reviving and planned a new album in 2010 — and on the strength of that news, I put them on our January 1, 2010, list of the 21 albums I most wanted to hear in 2010.

Well, it took a bit longer than that. Continue reading »

Sep 062012
 

Here we are, still rounding up new music (and a new video) that debuted yesterday or early this morning. If you missed the last post because you were doing something unimportant by comparison, like performing open heart surgery, there are killer new songs from other bands in that one, too. In this one we have new music from Eyehategod (New Orleans), Klone (Poitiers), and Slash Dementia (Äänekoski), plus a new video from De Profundis (London).

EYEHATEGOD

NOLA sludge legends Eyehategod have released a new 7″ single via A389 Recordings, who will sell it to you here on laser-etched green vinyl. Its title is “New Orleans Is the New Vietnam”, and it’s apparently the first new track the band have released since the demo tracks on 2005’s Preaching The End Time Message.

The song is now streaming on the A389 Bandcamp page. It’s a cool song, and by “cool” I mean it will punch you in the spleen. Fat stoner riffs duke it out with pachydermal stomps and Mike Williams somehow rises up in the middle of all that heaving weight spewing pure pissed-off punk invective. Give it a listen after the jump, and begin preparing yourselves for the band’s next album, which is in the works. Continue reading »