Oct 232013
 

A reminder about the rules of MISCELLANY:  These are the only posts on this site that feature music which hasn’t been filtered in advance by me or any of the other writers. I randomly pick bands whose music I’ve never heard before, I listen to a recent song or two, I write down immediate impressions, and I stream the music that I heard. When I play this game, I try to focus on bands who are under the radar. It’s a good way to discover and spread the word about new music, but it’s a bit of a crap shoot.

Here’s how I picked the bands in this edition of MISCELLANY: I saw a Facebook post by my friend Prof. D. Grover the XIIIth urging me to pay attention to a St. Louis band named Black Fast and their recent album Starving Out the Light. That became my first pick for this expedition. After hearing a few songs, I liked them on Facebook, and not long after that I saw a status they posted recommending a song that premiered yesterday which was a collaboration between two more St. Louis bands — Indian Blanket and The Lion’s Daughter. I listened to that song, which became my second stop on this MISCELLANY tour. And then I discovered that The Lion’s Daughter have an album on Facebook named Shame On Us All — and that became my third and final pick for what turned into a St. Louis edition of MISCELLANY.

BLACK FAST

The Black Fast album was released via Bandcamp in August of this year and it follows a self-titled EP from 2011. The featured song on Bandcamp is the album’s fourth track, “Obelisk”, and I listened to that one and then checked out the album opener, “Levitations”. They’re both head-whipping riff machines with bounding bass lines, jaw-dropping guitar solos, and caustic vocals. “Blackened thrash” is a start at a genre description, but doesn’t do justice to the intricacy or the strong progressive leanings of the songwriting. It’s kind of like a mash-up of Vektor and Blotted Science. Continue reading »

Oct 212013
 

(Andy Synn reviews the debut EP by Seelenmord, which is now available for free download on Bandcamp.)

It’s important to start off your week right. Most of us are heading back to work, and the Monday morning blues can easily get you down. So what better than a slice of darkly melodic, spirit-crushing black metal from Argentina, whose name roughly translates to “Soul Murder”?

And it’s free too!

The five tracks that make up this EP pick and mix a variety of influences from the black metal spectrum, melding the earthen grandeur of primordial Ulver with the relentless dominance of Anaal Nathrakh and the raw ferocity of early Gorgoroth, taking the listener on a wild journey of penitence and paranoia.

Though all the more overt trappings of the genre are present and correct – blitzing tremolo guitars, sacrilegious snare blasts, a raging undercurrent of bile and scorn – it’s the more subtle and artful touches which really make this EP stand out. Continue reading »

Oct 162013
 

Herein, a collection of recommended music I discovered over the last 24 hours.

INQUISITION

Last night brought the premiere on three European sites of the title track from Inquisition’s forthcoming album, Obscure Verses for the Multiverse, which Season of Mist plans to release on October 29. Lambgoat then premiered it this morning for the North American market. Yet none of these sites chose to say anything about the actual song. It was just sort of “here’s a song, listen to it”. Maybe they know something I don’t know, i.e., that most people skip over words and go right to the music? Man, if that’s right I’ve sure been wasting a lot of time. But I can give it a shot:

Go HERE if you want to listen to “Obscure Verses for the Multiverse”. Continue reading »

Oct 082013
 

Here’s a collection of recent items that seemed worth sharing with our esteemed readers, as well as you.

ARTILLERY

I know we have thrash heads in the audience, and for you we present as a public service a new song from Denmark’s Artillery. For those of you born after 1982, Artillery have been recording music since before you were born. For those of you who don’t look both ways before crossing the street, they may still be recording music after you have left this veil of tears. Their seventh album, Legions, will be released by Metal Blade in the US on November 26, and on somewhat earlier dates elsewhere. It features a new vocalist, Michael Bastholm Dahl, and a new drummer, Josua Madsen, along with original guitarists Morten and Michael Stützer and longtime bassist Peter Thorslund.

Yesterday, an advance track was made available for streaming. The introduction to “Chill My Bones (Burn My Flesh)”, with its hand drums and exotic melody, is a surprise, and an immediate hook into the rest of the song. Thrash lives or dies by the power of the riff, and this song has got some good ones going on. I’m also told by a long-time fan of the band that the new vocalist is reminiscent of former vocalist Flemming Rönsdorf, last heard from on the band’s fourth album in 1999. Continue reading »

Oct 022013
 

Relapse Records has released a free fall 2013 sampler that includes 26 songs by 26 bands from the Relapse roster, including an exclusive new track by Toxic Holocaust. It’s an extremely diverse range of metal from an extremely solid line-up of groups. To download the sampler without charge, transport yourself over to Amazon via the link below — and to see which bands are on the sampler, keep reading.

RELAPSE SAMPLER

Red Fang
Toxic Holocaust
Windhand
Revocation
Exhumed
True Widow
Nothing
ASG
Ulcerate Continue reading »

Sep 272013
 

(In this milestone 40th edition of THE SYNN REPORT, Andy Synn reviews the discography of Argentina’s In Element.)

Recommended for fans of: Darkane, Mnemic, After The Burial

 

It seems we’ve reached another big round number in the annals of this column, and as a result I thought I needed to do something a bit special to celebrate. Because that’s just how I roll.

So today’s artist not only hails from Argentina –  receiving its first visit from The Synn Report – but they also offer all of their studio releases (3 albums and one EP) for free download over on their website! That’s right, if you like what you hear you can go straight over to www.in-element.com and download to your heart’s content. Though I’d appreciate it if some of you also bought some physical albums and/or merch, because they definitely deserve your support!

Formed in 2003 and releasing their first album in 2005, these Argentinian antagonists combine state of the art, cybernetically-enhanced melodeath with punishingly technical metalcore flourishes, vicious death metal vocals, and a glorious atmosphere of star-kissed, celestial ambience. Continue reading »

Sep 142013
 

(DGR brings you a collection of goodies from The Amenta (Australia), Death I Am (Japan/US), and Exhale (Sweden).)

THE AMENTASoundtrack To A Hidden Earth

In my mind, The Amenta are one of the most interesting and challenging bands out there right now. They play an industrialized style of black metal and write songs that challenge even the most traditional metal listeners. They’re probably doing the most metal thing you can do by presenting music so unlikeable and abrasive in its sound that even though the music underneath is actually pretty approachable, it still causes people to shy away.

I thought their release earlier this year, Flesh Is Heir, was pretty good, so if you haven’t had the opportunity to check these guys out, this is not the article to do so with, go read that. However, I do find what the band posted earlier this week fascinating, and if you’re looking for stuff that definitely isn’t music and is mostly a collage of distorted sound that would go perfectly in a horror film then continue on – because the band is giving away a (formerly) rare five-song collection from their very early days of writing music known as Soundtrack To A Hidden Earth. The band explain on their Facebook page:

“Soundtrack to a Hidden Earth” was originally released on the initial pressing of “Occasus”, the debut album by The Amenta, released by Listenable Records in 2004. The tracks were hidden in the data encoded on the disc.

The recordings were experiments in sound destruction and contextualization of sounds. These experiments led directly to some of the methods used in the follow up album, “n0n”.

Few people have heard these tracks. Continue reading »

Jul 302013
 

Many of you already know how this unfortunately infrequent MISCELLANY game works, but for everyone else, here’s what it’s about: I randomly pick bands whose music I’ve never heard (usually bands whose names I’ve never heard either), I listen to one recent track from each of them (though sometimes I cheat and listen to more than one), I write my impressions, and I stream the music for you so you can judge for yourselves.

Every other musical feature on this site, other than this one, involves metal that I or the other writers have heard in advance and want to recommend. MISCELLANY, on the other hand, is a shot in the dark. I don’t know what these selections will sound like. We’ll both find out together. Today’s bands are a trio from the U.S. —House of Atreus, Zud, and Sloths — plus one from The Netherlands (Control Human Delete). They all turned out to be winners.

HOUSE OF ATREUS

I learned about this Minneapolis band via an e-mail from ex-TNOTB writer Tr00 Nate. That makes this selection less random than usual, since I’ve learned through experience to trust his recommendations. And this one turns out to be no exception. Continue reading »

Jul 292013
 

(NCS contributor Austin Weber looks back again at 2012 albums he first discovered in 2013, putting the spotlight on three U.S. bands — SystemsEpistasis, and Singularity.)

I know I already did one of these posts but here’s one more with the three bands I found after my first Remnants article. Each band is completely different but worthy of your attention. All of them have new music or tours in the works that makes them relevant in the present as well. Unfortunately, this post was delayed by a few months since I’ve been too busy to work on writing much. Without further ado, on to the bands and enclosed music!

SYSTEMSTERRASOMNIUM

A lot of bands are djenting it up these days, and understandably patience grows thin due to the gluttony of mimicry. Most djent bores me because a lot of bands are not bringing anything of their own to the table. One of the best djent bands I’ve heard recently has to be Systems. Sky-high on their own supply and clearly off on their own insidious, shred-heavy, groove-structured tangent.

Systems is technical, lead-heavy djent with a death-metal flavor and spacey jazz interludes and more solos then you can shake several sticks at. Their uniquely mechanical, overflowing guitar leads further set them apart from your average djent and are often what propel the songs forward, though their groove-centered backbone is earth-shakingly heavy as well. Continue reading »

Jul 112013
 

We do like to keep our eyes open for free shit worth recommending to you, and here’s one that comes highly recommended. It’s a “mixtape” of death metal compiled by CVLT Nation — 25 songs by 25 bands, with a total run time of 2 hours, 18 minutes. It’s a mix of older and newer songs and includes a variety of death metal styles.

You’ll find some Immolation and Ignivomous, some Mithras and some Mitochondrion, some Cryptopsy and some Ulcerate, some Spawn of Possession and some Wormed, some Antediluvian and some Ævangelist, and much more. I really like the selection of music picked for this thing, which is why I’m pimping it.

The compilation is divided into two files that are downloadable via the Soundcloud players you’ll find at CVLT Nation or here, after the jump. Enjoy. Continue reading »