Jul 092013
 

Word of mouth is still a good way to find new music, especially when the word comes from Iceland’s Sólstafir. They wrote something in Icelandic on their Facebook wall a few days ago about a band named Saktmóðigur who are scheduled to perform at the Eistnaflug festival this summer, and provided a link to a song. Figuring that it would take less time to listen to the song than to grapple with Google Translate’s mutant efforts to render Icelandic into English, I listened.

The song turned out to be one of three on a free digital EP released by Saktmóðigur last month. The EP’s name is Demetra er dáin, which means “Demetra has died”. I got that from a posting by the band, not Google Translate. I also read that Saktmóðigur are based in Reykjavík and were formed in 1991 (!). Their first release was the tape cassette Legill in 1992, followed by two 10″ vinyl EPs in 1993 and 1996. They’ve also released three full-length CDs, Ég á mér líf (1995), Plata (1998), and most recently Guð hann myndi gráta (2011).

The EP grabbed me by the throat, but I have to tell you that it’s off the beaten path at this site. The music is more punk than metal, and the vocals aren’t the usual bestial growls or acidic shrieks that tend to rip through most of the music I write about. I also really wanted to sing along with these three tracks, if only I had a phonetic guide to the Icelandic lyrics. But none of that means the music is pretty or sweet. Continue reading »

Jul 052013
 

Apathia Records is an independent French record label founded in 2009.  They say they have only one rule: “We sign what we like.” The truth of this statement is demonstrated by a digital compilation of music entitled Compendium: Year I – III that Apathia has just released for free download.

The compilation consists of 11 tracks by 11 different bands, and stylistically the music is all over the place (and includes bands that are outside the realm of what we usually cover at NCS). It includes groove/thrash from Heart Attack; death metal from Genital Grinder and Como Muertos; gothic avant garde by Wormfood;  ambient rock/metal from Përl, Lyan, and Blien Vesne; post-rock by What Mad Universe; and mind-fucking music that there’s simply no easy way to describe from PryapismeÖXXÖ XÖÖX, Abstrusa Unde.

I managed to track down embeddable streams of all the songs on the comp except the one by Heart Attack and I’m including them after the jump (for Heart Attack, I’ve got a different song from the same album that includes guest vocals by Shawter of Dagoba).

To get the compilation, go to THIS PAGE. When you get there you will have to like Apathia on Facebook, tweet them, or give them a +1 on Google Plus to unlock the download. The digital file includes a digital booklet. Check out the song streams next. Continue reading »

Jun 212013
 

This is a round-up of carefully selected items I saw and heard yesterday while prowling through the filthy chambers of the interhole. As usual, I’ve made an effort to include a variety of metal, so you don’t get too comfortable. Comfortable isn’t what we aim for around here.

CRIMINAL ELEMENT

Criminal Element is a band that until yesterday had completely slipped beneath my cracked radar screen. I learned about them from my NCS compadres TheMadIsraeli and DGR. They came into existence in the vicinity of 2005, and at the time of their first EP (Career Criminal), the line-up boasted two members from Suffocation (Derek Boyer and Terrance Hobbs) and one from Dying Fetus (Vince Matthews, and when the band first began Sparky Voyles from Dying Fetus was also on board)).

In the current incarnation of Criminal Element, Boyer, Hobbs, and Matthews are joined by Darin Morris from Misery Index (at one point Adam Jarvis and Mark Kloeppel from Misery Index were also part of this project). With a line-up like that, you can understand why I paid attention when I learned that Criminal Element released a new album (Modus Operandi) in April. Continue reading »

Jun 202013
 

Crypt Sermon are the second doom-oriented band with a new debut release named Demo MMXIII that I’m reviewing today (the first was by Temple of Void). This is a new project, and I know only a small amount of information about them: By snooping around I’ve learned that they are from Philadelphia, the membership apparently includes Steve Jansson (Infiltrator, Grass, Trench Rot), Brooks Wilson (Grass), and James L. (Labyrinthine), among others, and the demo was mastered by Chris Grigg (Woe).

I’ll say up-front that the demo is an Exception To the Rule around here — no howls, growls, guttural vomiting, or hair-raising shrieks on this release. But  the clean vocals — whoever is doing them — are definitely one of this demo’s strengths. The music is strong in many other respects as well.

The three songs are an offering of traditional doom — the kind of music that put me in mind of Candlemass, Saint Vitus, and The Gates of Slumber — but less theatrical than some of the music from the bands I just name-dropped. I will also say up front that I have never been a die-hard fan of any of those bands, yet Crypt Sermon struck a chord, and twanged it really hard. Continue reading »

Jun 192013
 

I’ve written about California’s P.O.O.R. (Point of Our Resistance) before, but not as much as they deserve. Their debut album Extinction of Trust, released earlier this year, is a goddamn pulverizing grind assault. The riffs are massive and crushing, the off-the-hook drumming packs a visceral punch, and the songs deliver a ton of groove to go along with a vicious beating.

Extinction of Trust is a genuine sonic rampage, but it never falls prey to same-iness. P.O.O.R. pick just the right moments to shift into lower gears before opening up the flamethrower again and shooting a blast of ignited gasoline straight to the listener’s head. And despite the generally balls-to-the-wall attitude of the whole thing, there are some memorable melodies and a lot of rhythmic and riffing variety woven into the mayhem. It’s definitely a grind album, but you’ll get the feel of death metal, thrash, punk, and even a bit of Motörhead and Bolt Thrower along the way.

All of which is to say that P.O.O.R. do what a lot of grind bands do not do: They give each of their songs its own personality — which is saying something, because Extinction of Trust includes 24 songs. Continue reading »

Jun 172013
 

I know a lot of NCS readers have got a taste for doom. I’ve developed quite a strong taste for it, too, and my mouth juices started filling up my gob when I saw this piece of news: Our blog brethren at CVLT Nation have compiled a free doom mixtape that’s loaded with killer bands who specialize in the slow and low.

There are 19 tracks on offer, including music by the likes of Dopethrone, Bongripper, Loss, Primitive Man, Graves At Sea, Batillus, Atriarch, and Seattle’s own Bell Witch. There’s a lot of strong, devastating music on this comp (2 1/2 hours of it to be precise), and it’s even sweeter because, as mentioned, it’s FREE!

Go HERE to download it, and if you’d first like to see the whole tracklist and listen to the tunage, move on past the jump. Continue reading »

Jun 152013
 

Here’s a nice piece of news that I missed when it happened a few days ago: Prosthetic Records has created a free summer sampler that includes 13 songs from 13 new and forthcoming albums by members of the label’s roster. I won’t take the time to list them in the body of this post since you can see them quite clearly in the graphic above. I’m familiar with 12 of the 13 bands (Zodiac being the outlier) and they are all very good (and the music’s very diverse)

I mentioned that the sampler includes tracks from forthcoming albums as well as new ones released earlier this year. To be specific, it includes songs from yet-to-be-released albums that we’re eagerly anticipating from Sweden’s Darkane (due on July 2), Denmark’s Mercenary (out July 30), and Boston’s Ramming Speed (to be released June 25).

To get the sampler, you’ll need to go to Prosthetic’s Facebook page via THIS LINK and download a .zip file of the music. When I tried it, it didn’t require surrendering of an e-mail or anything else — just a straight, immediate download of the file. In other words, painless. And that’s a hell of a line-up of songs.

Jun 132013
 

We’ve mentioned The Violitionist Sessions twice before, but you may have forgotten. In the words of the site’s proprietors: “The Violitionist Sessions are 3 questions and 3 songs with bands from Denton and passing through Denton, Texas. The sessions are all recorded live in a living room with no overdubs and no fancy tricks. The goal is to document a moment in time. This is what happened in Denton, Texas.

Yesterday, The Violitionist Sessions put up videos of the three songs recently performed in that living room by Savannah’s Kylesa. They also made the live recordings available for free download on Bandcamp. And they also included an interview of the band. The three songs are “To Forget” (Spiral Shadow), “Said and Done” (Static Tensions), and “Hollow Severer” (Time Will Fuse Its Worth). All of that is collected here, though I’m also going to embed the videos after the jump.

As has been true of every recording I’ve heard from The Violitionist Sessions, the sound quality is outstanding, and Kylesa were really hitting it hard in these sessions — tight, tough, trippy, and plenty heavy. I’m not well-versed in Kylesa’s music — hadn’t heard any of these songs before — and it was an eye-opener for me. “To Forget”, in particular, made a big impression when I watched and listened to these videos. Continue reading »

Jun 102013
 

The first time I listened to Evolve by Chicago’s Of Wolves I had more “what the fuck?” moments than I’ve experienced with any other album this year. I listened to it as the band wants it to be heard — straight through, letting each song run right into the next one. It was a breathtaking (and breathless experience), with something unexpected lying in wait around every corner, and with more corners than a roller-coaster ride.

These three working men in Chicago are fed up, frustrated, and pissed off. They vent their fury at everything from churches to governments to pervasive greed to the treatment of Native Americans to the mass of their fellow citizens (aka “sheep”) who allow themselves to be brainwashed, duped, and distracted from protecting their own self-interests — and they don’t mince words about it. As they say, “Life has been rough, the music is therapy.”

Apparently, the therapy consists of taking a whole kitchen sink’s worth of musical influences and interests and letting them spill out in a flood of exuberant creativity. Continue reading »

Jun 062013
 

Sometimes the hands of blind coincidence shuffle the cards of life and deal you a flush. And so they did for me last night. In addition to other blog-related activities, I had time to listen to four new songs, and by happenstance they all turned out to be from the same suit — and they were also a winning combination. I know four cards don’t make a flush, but one of the songs is 18 minutes long, so I think that counts as two cards (at least).

The songs are actually from somewhat different genres of metal, but when I say they’re from the same suit I mean that they have this in common: BASS

I’m dividing this post into two parts, with two songs in each one. The next post will come later this morning.

GERYON

The first song I listened to was brand new, the first track released by a new band named Geryon. I listened to it mainly because Geryon is composed of two members of Krallice, Nicholas McMaster and Lev Weinstein, and the song was produced by a third, Colin Marston. I do like me some Krallice. But there were two other reasons, and you’re looking at one of them at the top of this post. Continue reading »