AN NCS INTERVIEW: SACRIFICE

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Jan 222025
 


photo by Kelly Clark Fotography

(On February 21st Cursed Blessings Records and High Roller Records will release Volume Six, a new album by the ’80s-era Canadian thrash metal band Sacrifice — their first one in 16 years and with their original lineup intact. Yesterday we published Wil Cifer’s review, and today we bring you Comrade Aleks‘ interview of Sacrifice vocalist/guitarist Rob Urbinati.)

It’s always cool to know that there are veterans of the metal scene who keeps its fire burning, who are able to give it hot and strong. Sacrifice is one such band.

They started in 1984 as one of the first Canadian thrash/speed bands and evolving at the same time as bands like Anvil, Exciter, and Razor did. Torment in Fire (1986), Forward to Termination (1987), Soldiers of Misfortune (1990), and Apocalypse Inside (1993) left their impact on the world’s scene, but Sacrifice disbanded in 1993 on the peak of their activity, as one may say.

The band returned in 2006 in its original lineup, and they keep on rocking until today. Scott Watts (bass), Joe Rico (guitars), Gus Pynn (drums), and Rob Urbinati (guitars, vocals) haven’t forgotten how to do aggressive, technical, and highly tense metal. Their new album Volume Six easily proves it, as well as this interview. Continue reading »

AN NCS INTERVIEW: MACERATION

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Jan 172025
 


Photos by Anna Vibeke Johansson – Nation North

(Following their It Never Ends… comeback album in 2022, which arrived 30 years after their debut, the Danish death metal band Maceration will soon return with a new one named Serpent Devourment that’s set for release by Emanzipation Productions on January 31st. What we have for you today is a very good interview by our contributor Zoltar of Maceration‘s Jakob Schultz.)

So yeah, fuckin’ sue me: I never really liked Maceration‘s 1992 debut A Serenade in Agony. Ok, let me correct this: I liked it but I never loved it you know? It felt exactly like what it was supposed to be, that is, an almost too-ambitious-for-its-own-good attempt by some locally popular thrashers (in that case, Invocator), after having sniffed in the air that the tide had turned to catch up with the times and thus what was THE thing back then, aka death metal.

But the production somehow didn’t fit and the songs were too long, the biggest draw for me being the presence of then nineteen-years-old Dan Swanö from Edge of Sanity and the fact that his trip to Denmark to meet up and record his vocal parts allowed him to quickly snap a picture of an eerie layer of clouds from the plane’s window which ended up as the cover artwork for Pan.Thy.Monium’s debut album Dawn Of Dreams (yes, I’m that kind of nerd, sorry not sorry).

So even with the surprising return, yet still as a session member only, of Swanö three decades later on their comeback album It Never Ends… I didn’t have high expectations to be fair. That is until I saw Ola Larsson‘s sublime Cthulhuesque artwork and listened to its opening track, “Lost In Depravity”. Full of, wait, freakin’ drenched in, HM-2 delight and far more in-your-face and damn brutal than its clumsy predecessor, it simply ripped. And on the top of it, Swanö gave one of his (and it seems last as a growler) vilest performance ever, as if wanting to show his former friends in Bloodbath how it’s done. Did I like it? Boy, I freakin’ worshipped that album from the get-go. Check mate. Continue reading »

AN NCS INTERVIEW: CAPILLA ARDIENTE

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Jan 142025
 

(Last October the Chilean doom band Capilla Ardiente released their newest album, and it led our Comrade Aleks to conduct an interview with one of the founding members, Claudio Botarro Neira, last fall. Due to our own delays while focusing on year-end traditions, we are late in publishing their very good discussion, but now we do.)

Chilean epic doom band Capilla Ardiente was founded in 2006, and since then its crew gained a proper reputation releasing rare yet remarkable albums. Each of the band’s members is occupied with different tasks and different bands, so each album of Capilla Ardiente is something you need to wait for.

Claudio Botarro Neira (bass), Felipe Plaza Kutzbach (vocals), Francisco Aguirre (drums), Julio Bуrquez (guitar), and Igor Leiva (guitar) know how to play any kind of metal, but the new Capilla Ardiente album Where Gods Live and Men Die released by High Roller Records in October 2024 is a four-song-long epic journey, or rather pilgrimage, to the peaks of doom metal. We got in touch with Claudio, and here’s the interview we conducted. Continue reading »

AN NCS INTERVIEW: MOONDARK

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Jan 102025
 

(In December NCS contributor Zoltar introduced our full streaming premiere of the long-awaited debut album by Sweden’s Moondark, which was released in that same month by Pulverised Records. And now he follows that with an interview of Moondark‘s Johan Jansson.)

Remember what your mom always said back when you were a kid: good things always happen to those who said innit? She probably hadn’t Moondark in mind when she told you that but I’m sure you get the point as, indeed, those Swedes’ first proper album The Abysmal Womb is one titanic, heavy-as-fuck doom/death monster, with the emphasis on the DEATH part if you will.

And the fact it only took them almost thirty-two years (!) to complete it and that they somehow perdured over the years despite having recorded until then only one demo tape and played one single show is a testimony to how freakin’ good this is. Continue reading »

AN NCS INTERVIEW: BLACKDEATH

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Jan 092025
 

(We like to think that we’ve never published a “bad” interview, but of course some are better than others. The one below that Comrade Aleks brought us from his discussion with Para Bellum from the Russian band Blackdeath is one of the best ever. You’ll see.)

If we take into account the pre-Blackdeath projects Draugwath and Black Draugwath, then it’s easy to count that the band will reach its 30th anniversary in 2025.

For almost three decades, brothers Para Bellum (vocals, bass) and Abysslooker (guitars) keep on producing their own black metal with absolute dedication and some tendency to experiment, remaining one of the oldest Russian bands in this genre. With Maya on drums since 2007, this time Blackdeath enlisted the support of the second guitarist Der Nukleare Herjann (better known as Arjan Peeks), who spread the heathen malice through the Netherlands bands Cultus, Heimdalls Wacht, Uuntar, and more.

Naturally, an enhanced lineup produced the recording of a different kind, and the band’s eleventh album Mortui incedere possunt proves its firm position in the black metal underground. Even though Blackdeath never dealt with Lovecraftian beliefs directly, the interview with Para Bellum turned out great. Continue reading »

AN NCS INTERVIEW: MONOLITHE

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Jan 062025
 

(Last November Hammerheart Records released the fantastic tenth album by the ever-intriguing French band Monolithe, and that led our Comrade Aleks into an interview with the band’s new vocalist/guitarist Quentin Verdier — a very good one that you’ll find below.)

The Parisian long-running doom band Monolithe continues its mission to explore the boundaries of the genre and this time they’ve turned to the theme of futuristic noir. They have already recorded a series of albums loosely based on the work of Stanley Kubrick, the Soviet cosmic program, and their own fantasies. Now they approach the cultural and philosophical legacy of Blade Runner and The Matrix.

Monolithe’s lineup went through some changes shortly before the album’s recording, but the founding members Sylvain Begot (guitars, keyboards, programming) and Benoit Blin (guitar) are still at the helm. Their tenth full-length Black Hole District ​​consists of ten tracks: five instrumentals exactly one minute each interspersed with five ten-minute long compositions. Continue reading »

AN NCS INTERVIEW: THE GREAT OLD ONES

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Dec 122024
 


Photos by ©Daphnea Doto / Solweig Wood

(We proudly present Comrade Aleks‘ excellent interview with Benjamin Guerry from the French band The Great Old Ones, whose new album is set for release in January by Season of Mist.)

As you noticed, there were almost zero interviews with Lovecraft-influenced bands in the previous two months. Hard times for those who follow the Cult, indeed! But the patient ones will be rewarded, as Season of Mist proclaimed that the fifth release of French black metal heroes The Great Old Ones, Kadath, will be released on January 24th!

Fifteen years of boiling activity, four full-length albums behind, a damn lot of live rituals served – the band has solid luggage and this entire experience was reworked and channeled through a concept album based on Lovercaft’s most psychedelic and bizarre Dream Cycle.

Benjamin Guerry (guitars, vocals) is the only founding member who stood at the dawn of The Great Old Ones and who remains its mastermind; it was sheer luck that we’ve caught him and got the interview done in the most operative way. Continue reading »

AN NCS INTERVIEW: BECERUS

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Dec 092024
 

(On December 20th Everlasting Spew will release the second album by the Italian death metal band Becerus, and in anticipation of that event our contributor Zoltar conducted the following highly entertaining interview with Becerus guitarist Giorgio Trombino.)

Granted, death metal can be smart. But you can add as many lengthy lyrics and concepts about quantum physics or ancient philosophy as you want, and at the end of the day, nothing beats good ol’ in-your-face and fuck-good-taste death freakin’ metal, innit?

To those willing to go back to the stone age, Becerus would be more than happy to provide the soundtrack to your journey while banging two stones together. Three years ago, their debut Homo Homini Brutus proved to be one of those guilty pleasures for anybody looking for that kind of US thrash-infused early ’90s inspired death metal à la Broken Hope, full of palm-muting riffs and sudden blasts which don’t even pretend to be looking for an excuse to practice what they preach.

Although ‘preach’ might not be the most fitting word here as their first album bore a massive ‘no fucking lyrics’ stamped all over its inside booklet, with Balatonizer vocalist Mario Musumeci using his larynx as an actual instrument to convey strange, menacing sounds instead of delivering a so-called message.

Unsurprisingly, due on December 20th in the ever-reliable Everlasting Spew imprint, their new album Troglodyte – whose title song premiered on NCS last October – is as ruthless and savage, yet not short of rhythmic left turns and groove either. Proof that those Sicilians may not be as caveman-like as they want you to believe, even if guitarist Giorgio Trombino, former Haemophagus and Morbo and now steering both Assumption and Bottomless, enjoys covering his tracks and fucking around… Continue reading »

AN NCS INTERVIEW: ACCU§ER

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Nov 292024
 

(About one week ago MDD Records released a new album by the German thrash band Accu§er (or Accuser), whose roots extend back into the ’80s. In advance of the release Comrade Aleks reached out and conducted the following very good interview with the band’s founding (and still) vocalist and guitarist Frank Thoms.)

Teutonic thrash was a blast back in the ’80s; this entire movement inspired many metal bands around the world in a lot of ways. And this movement still rocks despite the passing of time, space, and whatever.

Accu§er joined the German thrash wave in 1986, and you see – they’re more than alive! The band’s 13th album Rebirthless came out on the 21st of November, and you’ll easily notice that this band has power in its veins and aggression in its fists.

So feel the wrath of Teutonic Titans! (and read the interview with one of the band’s founders, Frank Thoms) Continue reading »

AN NCS INTERVIEW: DEATHWIND

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Nov 272024
 

(In this new interview Comrade Aleks conversed with vocalist Elina from the Moscow-based death-doom metal band Deathwind, whose debut album was released last year — and who plan to record a new one in 2025.)

Deathwind is a collaborative product of five musicians from different Moscow-based metal bands. Andrey (drums) and Vladimir (guitars) came from the black/death outfit Anotherside; Elina (vocals) previously sang in the doom band Gbvrh; Lepeha (bass) does speed/black metal in Unholy Night; and David (guitars) is from Vendel, with whom we did the interview two months ago or so.

All of them are united now by their passion for Bolt Thrower, Sacrilege, and Candlemass, and Deathwind is a product of this love. The EP Fall of the Phaeton (2023) and the full-length Triumph of Fear (2023) demonstrate that they’re good at writing and performing quite catchy and tense doomed death metal with a lady on vocals. And here she is. This interview with Elina will reveal some facts about the local underground and its life. Continue reading »

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