Once again Andy Synn sets out to try and capture the best of the year in just ten albums.
Does he succeed? Let’s find out!
For those of you who might be new to the site, allow me to explain.
My “Critical Top Ten” isn’t quite the same as your usual “Top Ten” you’ll find elsewhere.
For one thing, it’s not a ranked list. Rather, it’s purposefully structured to present a – hopefully – broad overview of the year’s best albums, ones which I think exemplify, in different ways, the best of their respective genres, in an attempt to feature as many different faces and facets of the year’s Metal scene as I can fit into just ten selections.
Of course, this is inevitably coloured by my own tastes, no matter how much I might try to be objective about things, and limited both by what I’ve actually heard (I can’t judge it if I haven’t listened to it, after all) and by the fact that ten albums is never enough to fully represent the vibrant variety of the last twelve months (case in point, I had to drop both In Asymmetry and Dordeduh at the last minute in order to keep it down to ten).
But, still, I’ve spent many hours agonising over each one of these choices (including the “bonus” recommendations for those already familiar with my main selections) hoping that, collectively, they at least aspire to being a representative sample of 2021 – the albums which are, you might say, critical, to understanding and appreciating the last twelve months in Metal.
Tomorrow, of course, I’ll be publishing my list of my “Personal” favourites of the year, something which is generally a lot easier and a lot less pressure, but for now… enjoy!