Jan 242014
 

Today we reach the 10th part of our list of the year’s most infectious extreme metal songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. To see the selections that preceded the two I’m announcing today, click here. I’m still not positive how many more parts remain, but I have resolved to finish before this month ends.

If you’re not familiar with today’s two additions to the list, you’ll soon understand why I grouped them together. They’re the least “extreme” of the songs featured so far, and I suppose some folks might argue they don’t belong on this list at all. But as different as both songs are from what I usually pass my days hearing and writing about, both of them lodged firmly in my head and have meant a lot to me since I first heard them. So they’re here, and so are you, and on we go…

FALKENBACH

Falkenbach is the German one-man project of Vratyas Vakyas. Since 1996 he has released six albums on an irregular and unpredictable schedule, the most recent being 2013’s Asa. By coincidence, it appeared on a late-breaking year-end list we published this morning, with these words:

“With multiple styles present, Asa sounds atmospheric and epic, Vratyas Vakyas putting forth excellent performances in everything he’s done with this album. The contrasting vocal styles are well done and may rival some of the best bipolar voices in metal, but the use of acoustic guitar may actually be the highlight of the album. I can envision Asa being what campfire stories at night would sound like with backing guitars and drums as others go forward to to do the deeds being sung about back home…. Falkenbach remains one of folk metal’s standard bearers, Asa showing exactly why.” Continue reading »

Jan 232014
 

Welcome to Part 9 of our list of the year’s most infectious extreme metal songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. To see the selections that preceded the two I’m announcing today, click here.

Both of today’s songs are folk-influenced examples of epic melodic death metal — albeit from widely separated corners of the world. They’re both highly infectious, too.

WOLFHEART

When Finland’s Tuomas Saukkonen announced about a year ago that he was shutting down all of his many musical projects — Before the DawnBlack Sun Aeon, Dawn of Solace, Routasielu, and Final Harvest — it rocked me and many of his other fans, and not in a good way. But what Saukkonen put in their place turned out to be something quite excellent — a new solo project named Wolfheart. In the band’s debut album, Winterborn (reviewed here), he took the best elements from what he had done before and interwove them in this new work, while also finding ways to stretch his talents in new directions.

With lyrics full of imagery of ice and snow, deep woods and frozen lakes, wolves and warriors, darkness and frost — and with dramatic, sweeping, intense music that captures the magnificent purity of loss and longing, struggle, and sacrifice — the album is a collection of highly memorable anthems. Saukkonen has always had a talent for writing powerful, often folk-influenced melodies, and Winterborn has them in spades. Sometimes languid, sometimes erupting with compelling urgency, they are woven into the fabric of the music. The album is an epic achievement, and one of the best releases of 2013. Continue reading »

Jan 212014
 

Welcome to Part 8 of our list of the year’s most infectious extreme metal songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. To see the selections that preceded the two I’m announcing today, click here.

BEASTWARS

I thought this New Zealand band’s self-titled 2011 debut was stunning. The fact that they managed to top it with their second album in 2013 was genuinely impressive. Blood Becomes Fire (which I reviewed here) triumphs on the strength of Matt Hyde’s utterly dominating vocals and a phalanx of compelling, sludgy Clayton Anderson riffs. Add in James Woods’ bass lines, which mimic the grinding of tectonic plates deep in the Earth, and Nathan Hickey’s bone-breaking drumwork, and you get metal that’s as apocalyptically heavy as it is neck-snapping.

This was one of many albums released last year that had more than one song I thought was deserving of recognition on this list, but after many replays of this album, “Dune” has come out on top. I wrote in my review that “Matt Hyde has soul, and when he sings it sounds like he’s hacking up hot, smoking chunks of it.” You’ll understand what I mean when you listen to “Dune”. It’s also marked by massive chugging, a bass guitar that grinds like giant grit-encrusted gears about to lock up, and riffs that punch and rumble. It’s an intense song, but one that’s also physically compulsive. Continue reading »

Jan 202014
 

We present Part 7 of our list of the year’s most infectious extreme metal songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. To see the selections that preceded the two I’m announcing today, click here.

BLOOD RED THRONE

Norway’s Blood Red Throne greeted 2013 with a new self-titled album featuring a new line-up of talent. Andy Synn summed it up as follows in his NCS review:

“Marrying the demented aggression of Cannibal Corpse to the teeth-grinding groove of Pantera at their most abrasive, shot through with touches of subtly complex guitar work a la Death at their most focussed and hostile, BRT’s seventh full-length album captures every aspect of their sound in microcosm, while also being their shortest, most refined, record since 2003’s Affiliated With The Suffering….

“…For all their extremity – and there are moments on this album where the mind-bending blast frenzy, the ravenous banshee howls, and the crushing meltdown riffage combine into an eruption of absolute face-melting extremity – Blood Red Throne are a band with real character. That, along with their monstrous, inhuman tightness (and unbelievable ability to consume alcohol) is their key strength.” Continue reading »

Jan 162014
 

Welcome to Part 6 of our list of the year’s most infectious extreme metal songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. To see the selections that preceded the three I’m announcing today, click here.

You can think of this latest group of songs as the “comeback” edition of the series. All three songs come from bands who made incredibly exciting returns to the metal scene during 2013 after extended absences, ranging from to 8 years to 17 years. Their 2013 albums surely must rank among the strongest comebacks in metal history, and they have also been widely recognized as three of the best albums of last year. They’re presented here in alphabetical order.

CARCASS

Did any metal album of 2013 draw more attention than Surgical Steel (reviewed by us here)?  It was so highly anticipated that if it had been merely good, massive disappointment would have been the inevitable result. Yet Jeff Walker, Bill Steer, and Dan Wilding pulled off a tour de force that left all but the most hide-bound doubters smiling. Continue reading »

Jan 142014
 

Welcome to Part 5 of my list of the year’s most infectious extreme metal songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. To see the selections that preceded the two I’m announcing today, click here.

2013 was a banner year for the ongoing revival of old school death metal. Two of the standout releases in that vein are the sources of today’s two additions to this list — but they won’t be the last.

HAIL OF BULLETS

Hail of Bullets returned to the battlefield in 2013 with their third album, III: The Rommel Chronicles. TheMadIsraeli reviewed it for us (here) and it has subsequently appeared on many of our year-end lists. It’s a masterful fusion of scorching-fast death metal and abysmal, suffocating doom. To quote from TheMadIsraeli’s review: Continue reading »

Jan 132014
 

Here’s Part 4 of my list of the year’s most infectious extreme metal songs. I promised that new installments of this list would appear each day (more or less) until it’s finished, but four days have passed since the last one. I’ll make no excuses, but simply make a new promise that from here on I’ll do better.

For more details about what this list is all about and how it was compiled, read the introductory post via this link. To see the selections that preceded the two I’m announcing today, click here.

CNOC AN TURSA

Cnoc An Tursa’s magnificent 2013 album The Giants of Auld made many of the year-end lists we’ve posted at NCS, including this one by Panopticon’s Austin Lunn. He wrote this about the album: “EPIC Scottish metal. This is the album I have been waiting for…” Speaking as someone with only the most remote Scottish ancestry but a strong affinity for almost all things Scottish, it’s the album I’ve been waiting for as well.

I first wrote about this band in October 2012 after seeing the news that they’d been signed by Candlelight Records. In that first post I included all of the music from them that I could then find, including a portion of a song called “The Lion of Scotland”. In all its full glory, it later became the first advance track to appear from the album.  Continue reading »

Jan 092014
 

Welcome to Part 3 of my list of the year’s most infectious extreme metal songs. Each day (more or less) until the list is finished, I’m posting at least two songs that made the cut. For more details about what this list is all about and how it was compiled, read the introductory post via this link. To see the selections that preceded the two I’m announcing today, click here.

SOILWORK

When the members of the NCS staff got the chance for an advance listen to Soilwork’s 2013 album The Living Infinite, it was greeted by the sound of bodies falling off chairs and hitting the floor. Before hearing it, I think it’s fair to say that we were all highly skeptical. It was, after all, a double-album from a band whose recent track record had not inspired tremendous confidence in their ability to create two albums’ worth of high-quality music. Man, were we wrong. Continue reading »

Jan 082014
 

Welcome to Part 2 of my list of the year’s most infectious extreme metal songs. Each day (more or less) until the list is finished, I’m posting at least two songs that made the cut. For more details about what this list is all about and how it was compiled, read the introductory post via this link. To see the selections that preceded the two I’m announcing today, click here.

VREID

Vreid’s 2013 album Welcome Farewell made Andy Synn’s list of the year’s Great Albums as well as his Personal Top 10. It was one of my favorites as well. In Andy’s words: “This is music that deserves to be conquering arenas around the world. Still black as pitch, but with song-writing that goes above and beyond the call of duty, it grooves with grim intent, soars with bleak majesty, and blasts away with freezing, fractured ferocity. Insidiously catchy and ruthlessly aggressive, it thunders away with perfectly focussed, primal force.”

“The Reap” is the catchiest song on Welcome Farewell, and one of the most infectious of the year in my humble opinion. And it was also the subject of one of the year’s best music videos, animated by the wonderful Kim Holm. Enjoy it all over again next, as we add “The Reap” to this list. Continue reading »

Jan 072014
 

At long last, we begin our list of 2013’s Most Infectious Extreme Metal Songs. This is the fourth year I’ve compiled such a thing. With each year, the list has grown longer — last year I made myself stop only after the list had mushroomed to 56 tracks. I don’t know how long the 2013 list will be, because I’m still working on it. But I know what the first 3 songs will be, and if you continue reading you will know, too.

I will continue posting a pair of songs more or less daily until reaching the unknown end. The songs are unranked and appear in no particular order, because ordering them would be too difficult. If you’re wondering what this list is all about, go HERE.

HEAVEN SHALL BURN

Heaven Shall Burn are what you get when you force Earth Crisis and Bolt Thrower to conceive a child, and then have that child raised by At The Gates and Carcass, while supplementing their intellectual development with a steady diet of Kant, Marx, and Baudrillard.” That’s what Andy Synn wrote when he reviewed this long-running German band’s 2013 album, Veto, and it does make a kind of demented sense. Continue reading »