(written by Islander)
Greetings on another Saturday. I have another globe-hopping-and-genre-hopping selection of new songs and videos filtered from what I was able to check out over the past week.
At the end, I’m also recommending a pair of recent interviews published at locations other than NCS, not just because the bands are favorites of mine but also because the discussions are so interesting.
But we’ll start with the music…. Continue reading »
Pelican – photo credit Mike Boyd
With very rare exceptions, the only times when I’ve managed to put together one of these roundups during the week (instead of waiting for Saturday) is when I’ve unexpectedly had time left over after finishing premieres and the other things I do around here. On this occasion, however, I just forced myself to make the time.
Of course I can’t actually make time – wouldn’t it be wonderful if that were possible! — and so what I mean is that I shoved aside other chores and pleasures because, for varying reasons, I really wanted to spread the word about the following songs without waiting ’til the weekend. Hopefully, when you hear them, you’ll understand the feelings or urgency. (Also, I will have my hands full on Saturday dealing with a ton of other new releases over the past week or two, and this should make that task a bit easier.)
I’ll add that, by coincidence, this collection makes for an extremely varied listening experience. Continue reading »
Dormant Ordeal – Photo Credit: Piotr Dzik
(written by Islander)
Another week has gone by and I’ve had another session with the roulette wheel of new releases, watching the bouncing ball land in one pocket after another as I mentally spun. It’s a fair analogy, since there are 37 or 38 pockets on a wheel and that’s in the ballpark of new releases from the past week I thought might be worth checking out. Also fair, because of the general randomness of my choices of what to listen to.
But the process is also a little like casino craps, getting an instinct about a shooter and betting on particular outcomes. And so I mentally bet on some of the bands from last week I thought were likely to be winners – and some were and some weren’t.
To be clear, I’ve never played roulette or craps in my life, only watched without much understanding. I’m not much of a gambler with my own money; I care much more about losing than the chance of winning; I prefer to keep what I have; there are other ways of being entertained when the odds aren’t always stacked against you — like listening to the following songs: Continue reading »
Revocation – photo by David Brodsky
(written by Islander)
Bookends: solid objects firmly in place, resistant to the pressure of adjacent warped spines, bulging contents, and the changes in atmosphere and time that cause such pressures. I have a pair of musical bookends on each end of today’s musical shelf. In between are a few exceedingly interesting small volumes that caught my eyes and ears this week. I hope you’ll give them all a chance so they can catch yours too.
Surely, Revocation need no introduction, so I won’t provide one. Let’s see and hear what they’re up to now, the focus being on the video released for a new single named “Confines of Infinity“. Continue reading »
These are bathrooms I visited in Port Orchard, Washington
(written by Islander)
It’s been a hell of a week hasn’t it? More like a week from hell. The daily news has become a series of Hieronymus Bosch paintings, the ghastly ones whose details have frequently appeared on the cover of metal albums.
On the other hand, it’s been a heavenly week if you focus on the kind of music that typically makes its way into these Saturday roundups. So let’s forget about the news for now and move right to that!
I’m never going to not rush to check out new music from Mantar. (Forgive the double-negative, I guess I haven’t completely forgotten about the news.) Especially when it’s prefaced by this kind of statement from guitarist/vocalist Hanno Klänhardt: Continue reading »
(written by Islander)
In the early part of this month, as the old year moved into the new, the volume of new album announcements and new songs subsided. For people like those of us at NCS, things got kind of slow and comfortable.
Well, of course that turned out to be comparable to a “negative storm surge,” a phenomenon in which waves recede before a typhoon strikes, the water being pulled away from the coast by the storm’s low pressure system before the ocean comes rushing back when the typhoon strikes in full force.
Which is what is now happening in the music we pay attention to. Everything is in full force, and I’m drowning in new music. I know it gets repetitive and possibly mind-numbing when I share the count, but I’ve got more than 60 open tabs on my computer, each one linked to a song that came out just this past week which I was curious to check out in planning today’s column, on top of a lot more from last week.
Obviously, I didn’t listen to all of them. Obviously, I wouldn’t have liked all of them if I had. I liked the ones below that I did get to. How did I get to them within that great mass of tabs? I admit I gravitated to bands I’ve liked in the past — though I did take a few shots in the dark that also paid off. And I decided to add some music at the end without commentary (due to vanishing time).
P.S. In the early evening I’m going to an annual party in Seattle across the water from my home. I’m sure that if I make it back home, it won’t be until close to 2 am. I’m also sure I won’t make any effort to wake up before noon on Sunday, and will be woozy when I do. So, don’t expect a SHADES OF BLACK column this weekend (I won’t have enough time to pull it together before leaving home this afternoon). Continue reading »
(As the title of this post signifies, our Vietnam-based contributor Vizzah Harri shares some thoughts about new music by kokeshi, Mesarthim, Imperial Triumphant, and Lycopolis, but in this month of beginnings and transitions he also shares a great many other abundantly-linked thoughts before getting there, many of them concerning “theft and intertextuality within music.”)
“The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.” – ultimate guitar user quote… originally by H.P. Lovecraft
It was 210 days left in my 40th year when I started writing this. One of my exes recently said the reason I’ll remain single for life is because I refuse to grow up, probably also why my articles read like they were written by a teenager on crack. 210 is a Harshad number. Harshad originates from the Sanskrit harṣa (joy) + da (give), meaning joy-giver. I for one rejoice in the bliss of discovering new music gushing in from my headphones.
2024 was the year of the dragon, a word which finds its origin in the Greek drakōn or ‘serpent’. 2025 will be the year of the snake, from 蛇 or Shé in traditional Chinese, or Hebi in Japanese Kanji which refers to “the winding thing.” This bodes well for what is to come for the dragon sharing so much of its hoard with us in music. And their etymologies being so linked one could only imagine 2025 to be as prodigious in output. Continue reading »
(written by Islander)
I’m going to a memorial service today for a friend who died of brain cancer. First time I’ve been in a church since the last church funeral I attended, which was pre-covid. During covid I attended two memorial services via zoom, one for my best friend, the other for my most important mentor, both of them killed by the same disease that then kept their friends and family from remembering them in a shared physical space.
The arc of life being what it is, the longer you survive, the more chances you’ll have to show up for those who succumbed before you have. I really don’t want to go to today’s service, or any of them. Who does? But at some point in the distant past I learned from what other people did when I lost family members I loved: I learned the importance to the survivors of showing up, of being present, even if you don’t utter a word. Most of the words you might utter would sound so clichéd anyway that they’d risk coming off as phony even if they aren’t.
I make this dreary report only to explain why I’m late in posting this Saturday roundup and why it’s shorter than I wish it were. My head has been clouded by sorrow and dread since waking up, remembering the last times I sat with my friend when he could no longer speak and now daunted by the prospect of what’s coming later today. All that slowed me way down, though the music I did manage to investigate blew away those clouds, even if only temporarily, and even if sometimes they replaced them with other clouds. Continue reading »
(written by Islander)
Normally I use the “Seen and Heard” title for Saturday roundups of recommended new songs and videos. When the number of picks swells to gargantuan proportions I use “Overflowing Streams,” because the number of streams in the column is overflowing. Get it?
I’ve got a baker’s dozen of bands in today’s collection, too many names to try to cram into the post title. I used the exclamatory word “Chaos!” in place of all the names because I got on a roll with the kind of high-energy, high-intensity, sometimes batshit-crazy, music I was hearing. With just a couple of exceptions, I filtered out everything that wasn’t Chaos!, leaving them for another day.
Stylistically, the Chaos! comes in different packages. Though the opening segment is pretty heavy on tech-death, I arranged the choices so they begin to change. You’ll see. You’ll also see that there’s no black metal in this collection (or at least nothing I’d call black metal or its variants), but I’ve got tomorrow to focus on that. Continue reading »
We’ve reached the end of a long holiday period and that left me feeling glum last night, morose over the realization that the rat race will resume on Monday. I felt much better after going through a big batch of songs I wanted to consider for this Saturday roundup.
Apart from enjoying the music, I’m enjoying the idea of how wobbly these eight selections will leave people who make it through all of them; there are many twists and turns along the way.
I arranged the choices in four two-band blocks. This doesn’t mean the selections in each part sound alike, but I did perceive some connections, except in the final two. Those two are together at the end only because I didn’t want to leave them out. Continue reading »