Aug 102024
 

(written by Islander)

What’s a good metaphor for having too many attractive things to choose from? A kid in a candy store? Maybe, except a lot of the sweet things I’m looking at this morning are also poisonous.

Wandering the aisles of an animal shelter trying to make a connection with a small feline you might adopt? Yeah, but some of these small beasts I’m seeing will suddenly swell up and try to claw out my jugular.

How about a child wide-eyed at a pile of presents under a tree on Christmas Eve, wondering what to open first? Sure, except some of these gifts will explode when touched, or might break your heart.

Here’s what I chose to share from the array of musical delights and dangers I surveyed today. As you can see, I grabbed with both hands, pockets stuffed and both hands overflowing. Presented alphabetically, because trying to figure out how to organize this in any other way was too damn taxing. Continue reading »

Aug 032024
 


Opeth photo by Terhi Ylimäinen

Raise your hand if you’re surprised that I’m starting this Saturday’s roundup with Opeth‘s new song.

Okay, I see no hands. Well, almost none; I see my own because I’m a self-taught typist and therefore hunt and peck.

But I’ll try to be more surprising after we talk about Opeth.

OPETH (Sweden)

Based on the small dose of social media I’ve seen, Opeth‘s first single from their next album is proving to be divisive. (I can only stomach social media in small doses, like beets or eggplant). In one camp are people who are unhappy with the dominating return of Mikael Åkerfeldt‘s death growls for the first time since Watershed. In the other camp are those who’ve welcomed the return with open arms and gleeful grins. Can you guess which camp I’m in? Continue reading »

Jul 272024
 


photo by Weiyi Cai/The New York Times

Yesterday was a day of firsts. Among other things, it was the first time a heavy metal band performed in the opening ceremony of the Olympic games. And the first time memes took off about a U.S. vice-president candidate fucking a couch. Less exciting, I’m also pretty sure it was the first day since I started this blog 14 1/2 years ago that we failed to post anything on a weekday.

I made a whirlwind driving trip with a friend to Vancouver, heading north on Thursday and coming back to Seattle yesterday. In between, we attended a blowout celebration related to our day jobs that left me not enough clear-headed time yesterday morning to do anything before beginning the trip home, even though I had a couple of interviews ready to publish.

I’m getting a late start today, and that whirlwind trip didn’t give me any time for listening to the kind of music we focus on here (my road-trip companion isn’t into that kind of music, and anyway, I didn’t bring with me my list of new stuff I wanted to check out). So I did some whirlwind catching up today, and here’s what I hurriedly picked to share with you. Continue reading »

Jul 202024
 


Photo Credit: Francesco Esposito

For those of you who don’t treat our posts as among your daily essentials of life, or at least like a free oxygen mask in the vicinity of a chemical train derailment, I’ll mention again that I won’t have much time for metal this weekend.

Today is the start of an annual two-day outdoor gathering of toilers at my day job and their families. For some of us it began last night, something akin to an alcohol-fueled pre-fest for concert-goers. It was jolly, and left me somewhat jumbled this morning.

That relatively mild mental affliction, coupled with the fact that the real festivities will begin soon, have left me constrained in what I can do in this Saturday roundup. If you don’t see a Shades of Black collection tomorrow, you’ll know that my Sunday-morning affliction was more severe and my sleeping-in more prolonged. Continue reading »

Jul 182024
 


Photo Credit: Chantik Photography

I’m so far behind in pulling together roundups of new songs and videos for NCS that I can’t even think of an appropriate metaphor. Maybe like a marathon runner who takes an arrow to the knee just as the starting gun goes off and is still writhing on the ground when the last runner crosses the finish line — but I’m even more behind than that.

Another metaphor comes to mind, the one about a journey of a thousand miles beginning with a single step. This is a journey I won’t finish, if finishing means catching up, but here’s a single step (actually 7 steps, to be less metaphorical and  more precise).

P.S. I decided to lean pretty hard into black, death, and blackened death metal on the especially incinerating and obliterating end of the spectrum, with something dark and hallucinatory more or less in the middle. Continue reading »

Jun 292024
 

Last weekend I didn’t pull together new music for a Saturday SEEN AND HEARD or a Sunday SHADES OF BLACK. I was away from home at a Pacific Northwest beachfront on a short vacation with family and friends. That led to late nights and late mornings and a desire to pay attention to physically-present human beings instead of communing with headphones and computers.

The consequence is now staring me in the face: Two weeks’ worth of new songs and videos to choose from for today and tomorrow, instead of one, when even one week’s worth is usually overwhelming. I made lists of links but of course could only listen to a small fraction of them. I was first drawn to some familiar justified names and then just threw mental darts, though the aim was not completely random. Here’s the result:

GOD DETHRONED (Netherlands)

No matter how deafening the racket or how urgent the whispers around the mouldering halls of the NCS HQ, we’ll always make time for new God Dethroned, and count ourselves lucky that Henri Sattler & co. are still alive and kicking. Continue reading »

Jun 152024
 

For this currently foggy-headed writer yesterday was a hell of a day and last night was a hell of a night. There was food grilled near hot coals, copious drinking, fire, and conversation far into the night among people who could barely understand each other. Deep underground with the oxygen cut off, a bigger bed of hot coals started cooking some things; today we will reconvene to discover the results.

Depending on those results we may eat grass and go our separate ways early, or it may be another late night. But yeah, it’ll probably be a late night regardless; there’s still plenty of beer, wine, and dry wood on hand.

And that’s an explanation for why this usual Saturday roundup is appearing so late and is so short, and a preview that Sunday’s black metal roundup may befall the same fate.

Continue reading »

Jun 082024
 

Welcome to another Saturday roundup of new music and videos. Confronted again with the daunting task of choosing from among a vast array of new releases to check out, I defaulted this time to bands I already like, and that decision didn’t steer me wrong.

The music mainly consists of variants of death and black metal, but with some interesting twists along the way.

HAIL SPIRIT NOIR (Greece)

Whenever I think of Hail Spirit Noir I usually think of their 2012 debut album Pneuma, not because it’s their best one but because it was so different from everything else I was listening to at that time, and because so many of those songs got so quickly and firmly stuck in my head (I listened to it a lot).

Since then, they’ve followed their wandering muse in different and usually unpredictable directions. They now have a new album on the way, four years after Eden In Reverse and almost three years after Mannequins, and of course the upper-most question is: What have they gotten up to this time? Continue reading »

Jun 032024
 

Void Witch is a doom/death collective out of Texas/US, formed from ex-members of Azoth, Shitstorm and Drainbow during the Years of Great Plague and conceived as a collective project to give unearthly voice to the gruesome maunderings of our corrupted and degenerate minds.”

That is how Everlasting Spew Records introduces Void Witch and their forthcoming debut album Horripilating Presence to people who may not yet have encountered them through their 2021 first demo or their daunting and deleterious self-titled debut EP, which crawled from rotten black earth in 2022. The label’s preview continues this way:

Void Witch’s aesthetic is an unholy marriage of classic doom metal, old school death metal, and grunge sensibilities with themes of body horror, gruesome myth, murder ballads, and other cautionary tales.”

But Void Witch have provided their own introduction: Continue reading »

Jun 012024
 


Oranssi Pazuzu – photo by Rainer Paananen

Look at this, a true rarity: two NCS posts on a Saturday. If you haven’t yet read the first one, Andy‘s Synn Report for the merry month of May, you should do that (here) and then come back for what follows below.

If you had only listened to three new songs this past week it would be easy to choose what to recommend and to explain why. You’d pick three, two, or one of them. Or maybe you’d just keep quiet if they left you lifeless.

But what if you had listened to 20 new songs? How would you choose among then? Maybe you would listen to all 20 several times and then start ranking them. By the time you’d narrowed it down, the day would be gone. Which is why I didn’t do any of that with the 20 new songs I wanted to hear for purposes of this roundup.

What I did instead was to focus on singles from a few bands who have already proved themselves dependable (there were other such bands on that list of 20, so mood and impulse played a role too), and then took one chance on a newcomer to these ears. Continue reading »