Feb 242025
 

(Andy Synn bows down before the new album from Light Dweller, out this Friday on Avantgarde Music)

It’s pretty well documented by now that, generally, I prefer “bands” over solo projects.

There’s just something about the magic that happens when you get a group of musicians together and they start to bounce ideas off of each other, introducing an element of randomness and quantum chaos as they feed on each other’s energy, which seems to produce (in my opinion anyway) more interesting results.

But the work of Cameron Boesch, aka Light Dweller, has always been an exception to this particular “rule”, as he’s developed such a distinctive creative voice over the years  weaving together bits and pieces of Immolation and Ulcerate, Krallice and Gorguts, and beyond, that there’s never any fear of his work falling afoul of stock tropes and standard clichés.

2022’s Lucid Offering in particular stood out as easily his magnum opus, striking a brilliant balance between atmosphere and dissonance, introspection and aggression, that was always going to be hard enough to replicate, let alone surpass.

Which I suppose begs the question… what do you do when you’ve reached the top of your particular, personal mountain? Where the heck do you go from there?

Continue reading »

Feb 232025
 

(written by Islander)

I’m hurrying to post today’s collection before I have to turn to much more mundane tasks, so I’ll spare you a wordy introduction and just say that I’m extremely proud of these choices, not only because I think all of them are excellent but also because they’re going to give you so many twists and turns, right up through the final choice. Continue reading »

Feb 202025
 

(written by Islander)

“If I have seen further, it is by standing on the shoulders of giants.”

(Isaac Newton, in a letter to Robert Hooke, 5 Feb 1675)

We begin with that famous quotation because it is likely the source of the name that the unconventional international band Seventh Station gave their forthcoming new EP, On Shoulders Of Giants. They chose that name because the five songs on the record honor five great musical artists of the 20th century, many of them classical composers. Standing on those shoulders, Seventh Station have given the compositions their own distinctive twists, transforming the original works into expressions of contemporary metal that are as unorthodox, indeed mind-bending, as Newton’s theories must have seemed when he envisioned them from the shoulders of the giants in his own fields.

At the very end of this admittedly very long feature we’ve included a track-by-track commentary (a fun-loving one) by Seventh Station vocalist Davidavi (“Vidi”) Dolev that sheds light on what inspired each song on the EP and what the band sought to accomplish with each one. Although it’s at the end, you should really read it first if you want want a deeper understanding of what you’re about to hear. Just reading it, without listening, is also kind of a dazzling experience, and undoubtedly will leave adventurous listeners intensely curious about what’s coming. (That was certainly the effect it had on us before we started listening).

But Vidi Dolev‘s comments only hint at what the songs are going to sound like, leaving the door open for someone rash like me to offer up some descriptive verbiage, while humbly acknowledging that there’s really no substitute for listening first-hand. Continue reading »

Feb 192025
 

(Andy Synn has a busy week, but had just enough time to write about Cross Bringer‘s new album)

It’s funny how things sometimes line up, isn’t it?

Case in point, just as last week I had no prior intention of writing about three killer Death Metal albums in a row – it just happened that way – this week I’ve ended up writing about not just one, but two Black Metal/Hardcore crossover outfits.

But although the Blackened Metalcore of Bleeding Through and the crustier, punkier sound of Cross Bringer certainly possess a few superficially similar features those similarities are rarely more than skin deep, with the former obviously opting for a more polished (these days, anyway) and cinematic sound while the latter keeps things that little bit rougher and gnarlier, and derives its darkness not from sinister symphonics but from layers of rough-textured distortion and ragged, raw-boned emotion.

Anyway, seeing as how this will probably be the last thing I write/publish this week (I’ve got a short run of shows with my own band I need to focus on) let’s not waste any more time and dive right in to see what Healismus Aeternus has to offer, shall we?

Continue reading »

Feb 182025
 

(Daniel Barkasi is back, with another monthly selection of new albums and reviews, this time focusing on what January provided.)

It’s been a bit! My last musings at NCS was my overly indulgent 25 For 24! year-end debacle, and since the turn of the new year, unless you’ve been living in a cave (you have my envy if you have – any room for two people and a shitload of animals?), the world has further descended into the toilet. I could write a thesis on all of the wild things that have happened since the turn of the calendar, and most are no doubt aware of these happenings.

Admittedly, I’m a well-established pessimist. I like to say that I’m a realist, but that often leans toward looking at the dire side of things rather than the hopeful. I see chaos, injustice, greed, and sheer stupidity, but struggle to see any light trying to crack through the toxic dump of slime that often gets spewed upon us at the speed and power of a high-pressure hose.

Like we’ve spoken about previously, what we do here is a wonderful distraction from the nightmare that society can be (and often is). I also like getting a little personal in this space. Maybe it’s selfishly therapeutic; a hope that maybe my own struggles can help someone, humanize my monthly musings – who knows? Continue reading »

Feb 172025
 

(written by Islander)

At the end of this week Time To Kill Records will release a new album by the powerhouse Italian death metal band Across the Swarm. Entitled Invisible Threads, it follows up the band’s 2020 record Projections, and we’re bring all of it to you today.

Thematically, the album is about as dark as you could imagine. In the band’s words, it “explores human degradation, unspoken fears, and wars that ravage not only bodies but also minds” — depredations and agonies reflected in the album’s cover art. The music is intended to be a raw and unflinching musical exploration of those terrible themes.

But it must be said right away that the music is the opposite of gloomy and grief-stricken. Instead, it’s absolutely exhilarating – though equally cold-blooded. The album delivers pulverizing, pavement-fracturing thuggery and technically impressive high-speed ferocity, all of it accompanied by monster-show vocals that add to the music’s many spine-tingling (and bone-smashing) effects. It’s a top-shelf example of explosive and rampaging musical malice that’s exceedingly well-constructed, expertly executed, and very addictive. Continue reading »

Feb 172025
 

(Our French contributor Zoltar has provided us with short reviews of four recently released records, two of them reissues of music dating to the ’90s and two of them brand new, from just a bit earlier this year.)

CRANIAL TORMENT – STADES OF REPRESSION

There weren’t that many ‘pure’ death metal bands to speak of in Greece in the late ’90s, one of the only notable exceptions being Inveracity and their killer debut Circle Of Perversion released through Unmatched Brutality (who else?) back in 2003. The thing is that most of the leaders of the movement, like Septicflesh – or Septic Flesh in two words as they were called back then – Horrified or Nightfall (the latter featuring a then rather unknown yet super promising drummer called George Kollias who would soon rise to fame with Nile), had all moved on to greener pastures.

So to say that local hardcore maniacs like Vassilis ‘Bill’ Benakis (guitar and vocals) and future Repulsive Echo Records founder Kostas Vaxevanos (drums) were wasting their time talking to a wall would be quite an understatement. Yet as Cranial Torment the pair nevertheless recorded no fewer than three demos – the second being almost album-length, clocking at 30 minutes – in between August 1998 and May 1999 before vanishing into oblivion, until now. Continue reading »

Feb 172025
 

(Andy Synn continues his murderous, on-off, love affair with OC Metalcore crew Bleeding Through)

It’s entirely appropriate that the cover for Bleeding Through‘s new album features a solitary figure standing at a crossroads… because that’s pretty much where Bleeding Through have stood their entire career.

Don’t get me wrong, I’ve been a fan of the band for a long time – I think it was their seminal second album, Portrait of the Goddess, which first brought them to my attention, right before they had their big breakthrough with 2003’s This Is Love, This Is Murderous – but that doesn’t mean I’m blind to their flaws.

In particular they’ve always seemed torn between two competing urges – whether to double down on the more blisteringly aggressive and abrasively “blackened” side of their sound (as they did to such great effect prior to their hiatus with their 2010 self-titled and 2012’s blazing The Great Fire) or to take the poppier (and, inevitably, more popular) path by following in the footsteps of some of their more radio-friendly peers (as they did in the aftermath of This Is Love…’s unexpected success).

Their 2018 comeback album, Love Will Kill All found them trying to split the difference (which, to be clear, doesn’t have to be a bad thing) but ultimately resulted in a rather compromised record that didn’t leave much of an impression, and since then the only real insight into the band’s musical direction has been 2022’s Rage EP… all of which means there’s a lot of questions, and a lot of expectations, to be answered by NINE.

Continue reading »

Feb 162025
 

(written by Islander)

I hope you’re having a good day. I hope the following music will make it better.

I used roulette-wheel and craps analogies yesterday, and it’s even more fitting today. Without exception, I had never heard the music of any of these bands before, so picking them was a spin of the wheel and a roll of the dice. I did also land on some songs that didn’t bring much payback; those aren’t here, only the winners. Continue reading »

Feb 152025
 


Dormant Ordeal – Photo Credit: Piotr Dzik

(written by Islander)

Another week has gone by and I’ve had another session with the roulette wheel of new releases, watching the bouncing ball land in one pocket after another as I mentally spun. It’s a fair analogy, since there are 37 or 38 pockets on a wheel and that’s in the ballpark of new releases from the past week I thought might be worth checking out. Also fair, because of the general randomness of my choices of what to listen to.

But the process is also a little like casino craps, getting an instinct about a shooter and betting on particular outcomes. And so I mentally bet on some of the bands from last week I thought were likely to be winners – and some were and some weren’t.

To be clear, I’ve never played roulette or craps in my life, only watched without much understanding. I’m not much of a gambler with my own money; I care much more about losing than the chance of winning; I prefer to keep what I have; there are other ways of being entertained when the odds aren’t always stacked against you — like listening to the following songs: Continue reading »