AN NCS ALBUM PREMIERE (AND A REVIEW): ALTAR OV ASTERIA — “ÉNA”

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Nov 222024
 

If you’ve heard the first single released from Altar Ov Asteria‘s debut album you know these two German women (Satyra and Melpomene) aren’t cautiously feeling their way forward, haltingly trying to figure out who they are musically. They named that song “Kataklysm“, and a sonic cataclysm is what they made — a devastating, exhilarating, and wholly engulfing experience.

The rest of the album, entitled Éna, is equally self-assured, both in its music and in its conception. Altar Ov Asteria liken it to “a storybook of hellish Sodom”, imagining (as Dante and Homer did) “a world full of mysteries and realities woven into each other”, creating allegories of human dystopia through an intertwining of viscerally assaulting, immensely heavy black metal and unorthodox atmospherics.

What we have for you today is the premiere stream of Éna as a whole, all five songs, in advance of its release by the Dusktone label on November 29th. Continue reading »

DJEVEL: “NATT TIL ENDE”

 Album Reviews  1 Response »
Nov 192024
 

(Today we welcome to NCS a Croatian metal writer currently based in Oslo, Norway, who goes by the name Chile. He brings us the following review of the new album by the Norwegian black metal band Djevel, just released by Aftermath Music.)

Yes, talk about being on a roll. While some bands would take their sweet time to release an album or two, Norwegian forces of otherworldly nature and all things black in the form of Djevel, have come back to us with their ninth album in just fifteen years of existence. Some would raise an eyebrow or two to this prolific manner in this day and age, but we are raising our glasses and horns to another devilish masterpiece.

Appropriately titled Natt til ende (Night to the End) and released in the middle of the dark November by Aftermath Music, the album packs a punch so fierce that the fury unleashed can be felt up to high heavens, which makes even more sense when we heed the words of T. Ciekals, the creative force behind Djevel: Continue reading »

BEST OF BRITISH: CODESPEAKER / HIDDEN MOTHERS / STILL

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Nov 182024
 

(Andy Synn presents three more high quality cuts of pure, A-grade British beef)

Let me tell you something… I love my band, and I love the music that we make (did I mention that we have a new EP out this Friday?) but the truth is we’ve never really found where we belong in the UK Metal scene.

Don’t get me wrong, we’ve played with and befriended some great bands, and at one point even had our own little mini-clique of others like us (Rannoch, Talanas, Spires, Luna’s Call) who also didn’t really “fit in”.

But we’ve always felt like (and, as far as I can tell, been considered) “outsiders”.

However, the three bands I’m talking about today are not only three of the most promising acts in the UK scene (two of whom recently released their long-awaited sophomore albums, with the third being about to release their highly anticipated debut) but could all easily fit together on one bill without sacrificing their own distinct identities.

Which, I guess, also makes them the perfect picks for this edition of “The Best of British”!

Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): FURZE — “COSMIC STIMULATION OF DARK FANTASIES”

 Album Reviews, Premieres  3 Responses »
Nov 142024
 

(written by Islander)

In April of this year the Trondheim-based “black psych metal” project Furze released a new album named Caw Entrance, its first full-length in six years. (We featured some crazed insights about it in our Comrade Aleks’ interview of Woe J. Reaper last July.)

Surely some significant amount of time would be necessary before he did something else under the banner of Furze, some period of recovery before his head could begin spinning again, and spinning ours — but NO! He quickly began musically self-medicating again, and the result is a second Furze album that’s now set for release tomorrow by Devoted Art Propaganda and Polytriad Fingerprints.

The new one is named Cosmic Stimulation of Dark Fantasies, which is a good description of the music and its apparent intent. You’ll see, because here on the eve of its release we’re presenting all the songs. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): TOXAEMIA — “REJECTED SOULS OF KERBERUS”

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Nov 132024
 

(written by Islander)

Four years ago we premiered a couple of songs from Where Paths Divide, the eye-opening debut album of the Swedish death metal band Toxaemia that was ultimately released by Emanzipation Productions. We began one of those premieres with the following paragraphs, which four years later are still relevant:

“What causes a cult Swedish death metal band to come back to life after almost 30 years of silence? Not fame and fortune, at least not in the case of Toxaemia. Their roots go back to 1989, and their early demos and other recordings in 1990 and 1991 can legitimately be considered part of the pioneering sound of early Swedish death metal, but they’re not a household name in 2020. Rather than trying to cash in on a name, it’s a much better guess that this revival was spawned by one thing and one thing only: passion for the music.

“Sure, you might guess that nostalgia had something to do with it, but when you hear the music they’ve now made on a debut album that gestated this long, what you feel is fire and fury.”

Why are those words still relevant? Because the creative fire that fueled Where Paths Divide didn’t die away to embers. If anything, it has blazed higher in a new Toxaemia album named Rejected Souls Of Kerberus that we’re proud to present today, in full. Continue reading »

HALIPHRON: “ANATOMY OF DARKNESS”

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Nov 122024
 

(We present DGR‘s review of the sophomore album by the Dutch symphonic black/death metal band Haliphron, which was released a few weeks ago by Listenable Records.)

Truth be told, I hadn’t expected to see a second release from Haliphron to go sliding across my desk so soon after the first album had hit. Of course, it is often said that you have forever and a day to write your debut, and sometimes you have people who can’t seem to stop writing once that initial spark has been lit, and they burn brighter than a star lightyears away. Sometimes you’ll have people join the band with a bevy of ideas already percolating in their heads, as in Soilwork and Aborted‘s tendencies to have someone join and release a new EP soon after. And sometimes groups will wind up with an excess of material and it would be a shame to let that go to waste.

There’s a multitude of the cases available with Haliphron‘s lastest release via Listenable Records, Anatomy Of Darkness, but picking one certainly does help to mentally square the fact that we’re looking so soon at a second album. Continue reading »

GORGING SHADE – INVERSIONS

 Album Reviews  4 Responses »
Nov 112024
 

(Andy Synn refuses to throw any shade at Inversions)

So my weekend definitely did not go to plan.

Late Friday night my mum was taken to hospital due to severe and unexplained stomach pain, and then early Saturday morning was rushed into emergency surgery to prevent her from, well… dying.

Thankfully the surgery was successful and she’s now recovering well, but she’s not entirely out of the woods just yet, which means I’m going to be spending quite a bit of my time away from home for the next month or so.

As a result my posting schedule may be a little irregular for the foreseeable future, but hopefully I’ll still be able to bring you one or two gems a week that you might otherwise have overlooked.

Gems like Inversions, the long-gestating debut album from Atlanta’s Gorging Shade.

Continue reading »

SHADES OF BLACK: KILDONAN, ATRA HAERESIS, DEWFALL, HORNWOOD FELL, THULCANDRA, SAMMATH

 Album Reviews, SHADES OF BLACK  No Responses »
Nov 102024
 

(written by Islander)

This column comes later in the day than usual, just like yesterday’s did. Yesterday’s was late because I went overboard with how much I tried to cover. Today’s is late because I spent a bunch of time this morning reading things that have nothing to do with music, still trying to process “current events”.

It’s also late because I still tried to cover as much as I could, though not quite as overboard as yesterday. Like yesterday I’ve alternated between recent singles and complete new records, and at the end I’ve added a couple of new videos for songs that aren’t new, though in different ways they’ve been made new again. Continue reading »

SEEN AND HEARD ON A SATURDAY: EZOV, DIZZINESS, [4672], THE SUN’S JOURNEY THROUGH THE NIGHT, SLUG SALT LAVA, SAHG, DAEDRIC SHRINE, KTANA

 Album Reviews, Metal News, RANDOM FUCKING MUSIC  No Responses »
Nov 092024
 

(written by Islander)

I was going to begin by sharing some thoughts about “current events”. I started writing them. Then it dawned on me that if you wanted to read some dude’s thoughts about current events right at this moment, you wouldn’t be here. You might even be trying to forget about current events, to put off thinking about them until another hour, another day, another month.

And anyway, trashing what I started writing rather than finishing it provided more time for thoughts about another couple of songs. You might not want to read those either, but you might listen, and that’s good enough.

Once again, there’s a lot here. I’ve alternated between complete albums and preview tracks from forthcoming records, followed by a couple of clean-singing head-knockers and something quite out of the ordinary at the end. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): FIASKO — “AMOK ꓘOMA”

 Album Reviews, Premieres  No Responses »
Nov 082024
 

(written by Islander)

The Polish blackened sludge metal band Fiasko gave the world the first tastes of their new album AMOK ꓘOMA through videos for two of the album tracks, “Wniwecz” (“Into Naught”) and “Sztuczne kwiaty” (“Fake Flowers).

In the first of those, Fiasko showed their current colors in a slow-moving display of miserably moaning and wailing melody, backed by gut-punching percussive blows — and then they shock the listener with a sudden detonation of blasting drums, frantically swarming riffage (which still sounds dismal but vastly more deranged), and furious screams.

In that typhoon surge of sound you can still detect the grim opening melody, but it has been spun up into something substantially more frightening, and as the riffing evolves, it becomes both more feverishly unhinged and more disturbingly agonized. Even the sudden singing sounds emotionally shattered, elevating into screams again. Continue reading »

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