OBSCURITIES – VOLUME XIII: CHAOS AND FINDING THE LIGHT

 Album Reviews, Exceptions to the Rule  No Responses »
Feb 182025
 

(Daniel Barkasi is back, with another monthly selection of new albums and reviews, this time focusing on what January provided.)

It’s been a bit! My last musings at NCS was my overly indulgent 25 For 24! year-end debacle, and since the turn of the new year, unless you’ve been living in a cave (you have my envy if you have – any room for two people and a shitload of animals?), the world has further descended into the toilet. I could write a thesis on all of the wild things that have happened since the turn of the calendar, and most are no doubt aware of these happenings.

Admittedly, I’m a well-established pessimist. I like to say that I’m a realist, but that often leans toward looking at the dire side of things rather than the hopeful. I see chaos, injustice, greed, and sheer stupidity, but struggle to see any light trying to crack through the toxic dump of slime that often gets spewed upon us at the speed and power of a high-pressure hose.

Like we’ve spoken about previously, what we do here is a wonderful distraction from the nightmare that society can be (and often is). I also like getting a little personal in this space. Maybe it’s selfishly therapeutic; a hope that maybe my own struggles can help someone, humanize my monthly musings – who knows? Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): ACROSS THE SWARM — “INVISIBLE THREADS”

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Feb 172025
 

(written by Islander)

At the end of this week Time To Kill Records will release a new album by the powerhouse Italian death metal band Across the Swarm. Entitled Invisible Threads, it follows up the band’s 2020 record Projections, and we’re bring all of it to you today.

Thematically, the album is about as dark as you could imagine. In the band’s words, it “explores human degradation, unspoken fears, and wars that ravage not only bodies but also minds” — depredations and agonies reflected in the album’s cover art. The music is intended to be a raw and unflinching musical exploration of those terrible themes.

But it must be said right away that the music is the opposite of gloomy and grief-stricken. Instead, it’s absolutely exhilarating – though equally cold-blooded. The album delivers pulverizing, pavement-fracturing thuggery and technically impressive high-speed ferocity, all of it accompanied by monster-show vocals that add to the music’s many spine-tingling (and bone-smashing) effects. It’s a top-shelf example of explosive and rampaging musical malice that’s exceedingly well-constructed, expertly executed, and very addictive. Continue reading »

ZOLTAR’S SHORT BUT SWEET: CRANIAL TORMENT, ETERNAL DIRGE, HOROH, PYRE

 Album Reviews, SHORT BUT SWEET  No Responses »
Feb 172025
 

(Our French contributor Zoltar has provided us with short reviews of four recently released records, two of them reissues of music dating to the ’90s and two of them brand new, from just a bit earlier this year.)

CRANIAL TORMENT – STADES OF REPRESSION

There weren’t that many ‘pure’ death metal bands to speak of in Greece in the late ’90s, one of the only notable exceptions being Inveracity and their killer debut Circle Of Perversion released through Unmatched Brutality (who else?) back in 2003. The thing is that most of the leaders of the movement, like Septicflesh – or Septic Flesh in two words as they were called back then – Horrified or Nightfall (the latter featuring a then rather unknown yet super promising drummer called George Kollias who would soon rise to fame with Nile), had all moved on to greener pastures.

So to say that local hardcore maniacs like Vassilis ‘Bill’ Benakis (guitar and vocals) and future Repulsive Echo Records founder Kostas Vaxevanos (drums) were wasting their time talking to a wall would be quite an understatement. Yet as Cranial Torment the pair nevertheless recorded no fewer than three demos – the second being almost album-length, clocking at 30 minutes – in between August 1998 and May 1999 before vanishing into oblivion, until now. Continue reading »

BLEEDING THROUGH – NINE

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Feb 172025
 

(Andy Synn continues his murderous, on-off, love affair with OC Metalcore crew Bleeding Through)

It’s entirely appropriate that the cover for Bleeding Through‘s new album features a solitary figure standing at a crossroads… because that’s pretty much where Bleeding Through have stood their entire career.

Don’t get me wrong, I’ve been a fan of the band for a long time – I think it was their seminal second album, Portrait of the Goddess, which first brought them to my attention, right before they had their big breakthrough with 2003’s This Is Love, This Is Murderous – but that doesn’t mean I’m blind to their flaws.

In particular they’ve always seemed torn between two competing urges – whether to double down on the more blisteringly aggressive and abrasively “blackened” side of their sound (as they did to such great effect prior to their hiatus with their 2010 self-titled and 2012’s blazing The Great Fire) or to take the poppier (and, inevitably, more popular) path by following in the footsteps of some of their more radio-friendly peers (as they did in the aftermath of This Is Love…’s unexpected success).

Their 2018 comeback album, Love Will Kill All found them trying to split the difference (which, to be clear, doesn’t have to be a bad thing) but ultimately resulted in a rather compromised record that didn’t leave much of an impression, and since then the only real insight into the band’s musical direction has been 2022’s Rage EP… all of which means there’s a lot of questions, and a lot of expectations, to be answered by NINE.

Continue reading »

SHADES OF BLACK: CHRISTIAN NECROMANCY, ЗАРЕЗНИЦА, FRAGDA, INOMIATUM KALOUNAPTHRAH, MIDRYASI’S KULT, ALDAARON

 Album Reviews, Exceptions to the Rule, SHADES OF BLACK, SHORT BUT SWEET  1 Response »
Feb 162025
 

(written by Islander)

I hope you’re having a good day. I hope the following music will make it better.

I used roulette-wheel and craps analogies yesterday, and it’s even more fitting today. Without exception, I had never heard the music of any of these bands before, so picking them was a spin of the wheel and a roll of the dice. I did also land on some songs that didn’t bring much payback; those aren’t here, only the winners. Continue reading »

SEEN AND HEARD ON A SATURDAY: DORMANT ORDEAL, LABYRINTHINE HEIRS, CHAOS INCEPTION, DECREPISY, BELNEJOUM, HABAK, PIGPEN, ALLEGAEON, BURIED REALM

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Feb 152025
 


Dormant Ordeal – Photo Credit: Piotr Dzik

(written by Islander)

Another week has gone by and I’ve had another session with the roulette wheel of new releases, watching the bouncing ball land in one pocket after another as I mentally spun. It’s a fair analogy, since there are 37 or 38 pockets on a wheel and that’s in the ballpark of new releases from the past week I thought might be worth checking out. Also fair, because of the general randomness of my choices of what to listen to.

But the process is also a little like casino craps, getting an instinct about a shooter and betting on particular outcomes. And so I mentally bet on some of the bands from last week I thought were likely to be winners – and some were and some weren’t.

To be clear, I’ve never played roulette or craps in my life, only watched without much understanding. I’m not much of a gambler with my own money; I care much more about losing than the chance of winning; I prefer to keep what I have; there are other ways of being entertained when the odds aren’t always stacked against you — like listening to the following songs: Continue reading »

CONTINUUM OF XUL – VORATORE

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Feb 142025
 

(Andy Synn keeps his review streak going with a another killer Death Metal album that just came out)

Death Metal, as we all know, is a global phenomenon these days.

And, if that wasn’t already obvious, our travels this week have taken us first to Scandinavia then to South America and now to Southern Europe where we’re about to discover what delights the debut album from Italian hellions Continuum of Xul (featuring both current and former members of Ad Nauseum, Defacement, and Antropofagus) has to offer.

Continue reading »

16: “GUIDES FOR THE MISGUIDED”

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Feb 132025
 

(Let week Relapse Records released a new album by 16 [aka -(16)-], and this week we’ve got Gonzo‘s review of the record below.)

Outside of the unholy trinity of The Melvins, Eyehategod, and Crowbar, you might be hard-pressed to name another longstanding sludge band that’s left their swampy mark on the scene quite like those three have.

If that’s the case, Southern California’s 16 would like a word. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): CARCOLH — “TWILIGHT OF THE MORTALS”

 Album Reviews, Exceptions to the Rule, Premieres  1 Response »
Feb 122025
 

(written by Islander)

Carcolh is the name of a mythical beast from French folklore, a large snail-like serpent that oozed slime and grasped with hairy tentacles. Carcolh is also the name of a powerhouse French doom metal band from Bordeaux/Herbignac. They have two albums to their credit so far, and are about to have a third one released on February 14th by Sleeping Church Records. Its name is Twilight of the Mortals.

Thankfully, the band and the label didn’t put too much weight on the name of our site — because Carcolh‘s Sebastien Fanton sings the words (in a voice that is truly spine-tingling) — and so we have been invited, and have happily agreed, to premiere the entire album today.

The new album is an honorable devotional to the old gods of traditional doom metal, but with a steadfast orientation toward musical narratives that earn the adjective “epic.” As we discuss in greater detail below, they have created dynamic music that is earth-quaking in its heaviness, pulse-pounding in its surges, and melodically sinister and stricken, glorious and gutting. We venture to predict that it won’t be soon forgotten. Continue reading »

STORM DEATH – CHAOS WILL REIGN!

 Album Reviews  1 Response »
Feb 122025
 

(Andy Synn has a storm of praise for the new album from Storm Death, out now)

One of the great things about writing here (and, trust me, there’s a lot of them) is that we aren’t beholden to anyone or anything – not PR firms, not labels, not advertisers, not deadlines, etc – when it comes to what we cover, or when we cover it.

Case in point, we have the freedom to cover, say, a pretty big name like The Great Old Ones or the highly-anticipated (and much hyped) debut from a band like Retromorphosis, only to then pivot entirely to a much less well-known, but no less deserving, band like Chilean death-dealers Storm Death, whose new album, Chaos Will Reign!, came out just last week.

Continue reading »

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