Nov 062024
 

(Here’s DGR‘s review of Swallow the Sun‘s new album, which was released a couple weeks ago by Century Media.)

Listening to Swallow The Sun‘s newest album Shining, you get the sense that this is the sort of album every doom band has in them and one that they’d slowly been building toward for some time. In that sense, Shining is a fascinating release because after hesitantly testing waters more and more with each record, much of the material on Shining sounds like the band themselves were finally ready to make the jump.

Of course, with Swallow the Sun it is always going to feel like there is an overarching narrative because – credit to the band for being as brave as they are – they haven’t really been shy about personal struggles and tragedies over the years. Maybe, Shining is an album that Swallow The Sun needed to make, as a chance to escape and set themselves free of the artistic frost that they’ve long called home. Continue reading »

Nov 052024
 

(written by Islander)

Think of things you’ve witnessed that have astounded you, things that have shocked and surprised you but also popped your eyes and dropped your jaw in wonder. And not just sudden experiences that end after moments, but continuing cavalcades that catch you quickly, swallow you up, and allow no quick release.

Maybe a circus (when such things still existed)? Maybe a riot? Maybe a brazen symphony? Maybe blizzards and floods that weren’t forecast?

Asking you to recall such events is the best and briefest way I can think of to prepare you for Ploughshare‘s new album, Second Wound. Listening to their previous releases would be another kind of preparation, but not entirely adequate because on the new album these Australian experimental extremists have looped together both newer and older phases of their output to create an even more elaborate and more mind-lacerating (but wondrous!) experience.

Here’s how they briefly describe what they’ve done: Continue reading »

Nov 052024
 

(Andy Synn dives back into the Death Metal scene)

I’ve been accused, not entirely unreasonably, of being a little jaded and cynical when it comes to Death Metal these days.

Don’t get me wrong, I love Death Metal, in all its different forms – ok, maybe not all its different forms – but… you’ve got to admit… it can get a little tiresome being told that [X] band is “the next big thing” or “the saviour of the genre” when all its doing is rehashing the same old HM-2/Swe-Death/OSDM revivalist tropes as the last band to get the exact same sort of hype just a few months previously.

Thankfully there are lots of bands out there who – while not necessarily breaking the mould or reinventing the wheel – are still more than capable of reminding us all, me included, just why we like what we like, hype be damned, and I wanted to highlight three bands, with three distinctly different flavours, for you today.

PS – while I couldn’t find time/space for them you should also check out the extremely promising debut albums from Weeping and Recidivist (though, at just over fourteen minutes, calling the former an album seems like a little bit of a stretch) as well as the riff-tastic new one from Ripped to Shreds (which contains one of my favourite Death Metal songs of the year in the form of the irresistibly hooky “冥婚 (Corpse Betrothal)”)

Continue reading »

Nov 042024
 

(Andy Synn presents four of October’s most outstanding releases you may not have checked out)

Time’s arrow marches ever forwards my friends, and soon enough – sooner than you think – it will be “List Season” all over again, where we look back and take stock of the year gone by before we turn our attentions to 2025.

As a result I’m having to be incredibly selective about where and how I spend my precious time in regards to reviews, which means that I’ve had to make some fairly lamentable omissions this past month, including the new album from Cosmic Putrefaction (though hopefully I’ll get to that one in more detail in one of my end of year retrospectives), plus both the new Doedsmaghird and Iotunn releases (though you can find excellent write-ups of both over at AngryMetalGuy), and many more besides.

But let’s not focus on what we may have missed and instead focus on what we shouldn’t, shall we?

Continue reading »

Nov 032024
 

(written by Islander)

I included a fair share of black metal in Part I of yesterday’s large cross-genre roundup despite having this column looming in the near distance. I did that on purpose because the bulk of the verbiage below (and it is bulky) is devoted to an album that doesn’t really fit the usual bill on Sundays, or any other bill, though I have my reasons for including it here.

Yet fear not, ye black metal zealots, because I’m following the opening act with some music that will be more in line with this column’s typical focus, though some of it gets out of line too. Continue reading »

Nov 022024
 


Unreqvited

(written by Islander)

In Part I of this Saturday’s roundup of new songs and videos I likened the flow of them, as I’ve arranged them, to a river that twists and turns through passages of greater and lesser turbulence and gloom. Now you’ll have a better idea why I wrote that.

In this Part, as compared to Part I, our musical river begins to make a bend into increasingly less turbulent and more haunted environs, though it will prove to be a long curve and not a sudden one — and the river also leaves the earth at first. Continue reading »

Nov 022024
 


Lömsk

(written by Islander)
Halloween (or Samhein if you prefer) is in the calendar’s rear-view mirror but not out of my head yet. That’s the best way I can explain why I picked some of the selections for this roundup, and not just the ones that sound hellish but perhaps especially the ones that are carried by (gasp!) clean singing. Many of the songs were actually released on Halloween.

There’s again a lot to see and hear today, so much so that I again divided the collection into two Parts, with Part II coming in an hour or two from now. But rather than default to alphabetizing the picks, I organized things based on what I was hearing, to create a little flow, a river of greater and lesser turbulence and gloom.

P.S. Happy Día de los Muertos.

P.P.S. If you live in the U.S., don’t forget to roll your clocks back an hour before you go to sleep tonight. Also, fucking plan to vote if you haven’t already voted early! Continue reading »

Nov 012024
 

(We present Christopher Luedtke‘s review of a new album by PDX-based The Body, which will be released by Thrill Jockey Records on November 8th.)

There are not many bands out there you can truly call unique. Cheesy as it may sound, it is the reality of things. Genres are built and maintained by many different bands sharing a similar sonic sound and expounding on it on a smaller scale. Usually there is a slow branching out of things, though some buck tradition. But there are certain bands out there that exist in broader terms. The Body has been one of those bands for the better part of their existence now.

Originally beginning as a more straightforward heavy, doom sound, by the early stage of the aughts and 2010s The Body was less than interested in maintaining orthodoxy. As such they have occupied a unique space that few other bands share. And their latest solo release, The Crying Out of Things, continues to solidify this space they have made. Continue reading »

Oct 312024
 

(written by Islander)

As we all know, lyrics are almost always secondary or tertiary attractions in extreme metal, even when they mean the world to the lyricist, in part because they’re usually indecipherable and in part because they’re often just not very compelling. And so when the lyrics are as fascinating and gripping as they are on Everto Signum‘s new album Beastiary, they warrant special attention — which we’re giving them even before we turn to the main focus of this article — a premiere stream of all the music packed into the album by this avant-garde black metal duo from Portugal.

Here is the album’s thematic concept, as described by the Monumental Rex label, which will release Beastiary tomorrow (November 1st):

“The band stays true to their elemental background by writing an immersive story that guides the listener through a chain reaction of natural disasters. These calamities are beastialized – manifested as wild uncontrollable beasts exhibiting intrinsic animalistic shapes, traits and behaviours.

“The plot is comprised of seven chapters, each consisting of a contextual introduction that describes the scenery and sets the mood for the destruction to come, and an interpretation of the actual cataclysm.

“Written in English, the expressively poetic lyrical narrative portrays a journey from an ice-covered mountain top through a valley, down to the depths of a meromictic lake and finally into a perennial forest to witness the dreadful wrath of ancient forces.” Continue reading »

Oct 302024
 

(written by Islander)

This Halloween will mark five years of Holy Death, the doom-drenched death metal crushers who call Long Beach, California home. To commemorate the anniversary, and to tide fans over while the band work on their next album, they’re releasing a new EP of cover songs.

The EP leads with Holy Death‘s rendition of Metallica‘s “Sad But True“, and that’s the name of the EP as well. It’s the group’s way of paying respects to a band and a song that have been a “massive influence” on them, and we’re premiering that cover today.

The EP also includes re-mixed and re-mastered versions of two other cover songs they’ve previously released — Metallica‘s “Creeping Death” and Entombed‘s “Wolverine Blues“. Altogether, the EP makes for an excellent way to make your Halloween more electric — and more horrifying. Continue reading »