AM I IN TROUBLE? – SPECTRUM

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Jan 072025
 

(Andy Synn officially kicks off a new year here at NCS in colourful style)

The big question at the start of every new year is… where do we start?

Should I tell you what I think about the new one from The Great Old Ones? Or This Gift Is A Curse? Maybe Imperial Triumphant?

All big names, in their own way, and ones which I’m sure we’ll get to cover at some point in the near future (I’m definitely going to be writing something about the latter two myself) but our modus operandi here has always been to favour the unsung artists first and foremost.

And so, I thought, why not kick things off with something a little bit more provocative – though, I’d imagine, much of that will depend on how restrictive your view of the term “Black Metal” is – from a brand new artist attempting to put their own artsy, avant-garde spin on a genre more famous for its monochromatic malevolence.

Continue reading »

SHADES OF BLACK: SKALDR, STELLAR FOREST, JZOVCE, SPECTRAL LORE

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Jan 052025
 

I had a decision to make that I knew would have a significant impact on how many new releases I could cover in this Sunday column. That decision is discussed in the intro to today’s last item. I made the decision in a way that forced me to cut down the total, and leaves a lot of other songs buzzing in the back of my head as if clamoring for the attention I didn’t give them.

But I better truncate this opening verbiage before I have to further truncate the selections. In short, I’m beginning with three singles, and then moving to a very long demo at the end.

SKALDR (U.S.)

The first single today is a song from this Virginia band’s new album Saṃsṛ (their second full-length overall). I’ve been meaning to include it in one of these columns for weeks, but one thing or another has kept delaying the follow-through on my intentions. The song’s name is “The Crossing.” Continue reading »

SEEN AND HEARD ON A SATURDAY: SABHANKRA, ANDE, HOLY DEATH, MEGATON COMMUNION, CRACKWHÖRE, GASH FAITH, THE FALL OF MOTHER EARTH, ЧЕРНОПЛОДЬ

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Jan 042025
 

 

We’ve reached the end of a long holiday period and that left me feeling glum last night, morose over the realization that the rat race will resume on Monday. I felt much better after going through a big batch of songs I wanted to consider for this Saturday roundup.

Apart from enjoying the music, I’m enjoying the idea of how wobbly these eight selections will leave people who make it through all of them; there are many twists and turns along the way.

I arranged the choices in four two-band blocks. This doesn’t mean the selections in each part sound alike, but I did perceive some connections, except in the final two. Those two are together at the end only because I didn’t want to leave them out. Continue reading »

TWO MORE FOR 2024: FRONTIERER AND SACRAMENTO

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Jan 032025
 

(Though we’ve turned the corner into 2025, DGR has a couple more records from 2024 he wants to recommend, through the reviews below.)

Ah, it’s the most wonderful time of a website’s year. That brief breather where we get to both get started on stuff coming out in 2025 and kick ourselves in the shins over stuff we missed over the course of the previous year – usually in about equal measure.

It is imagined then, that I shall not be the only one with a few demons still resting on my shoulders that I felt compelled to acknowledge before fully launching myself into the inevitable shitshow that will be the new year. This time around, I’ve managed to dig up two more – one which saw very late release at the end of the year and another that I am in awe I did not come across during my many bandcamp and youtube music rabbit hole tumbles.

So, I shall attempt at the very least to see that they get some sort of spotlight here lest the guilt overwhelm me to the point where I become locked in a paralysis unknown to man up to this time. Continue reading »

THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

 Album Reviews  1 Response »
Jan 022025
 

(Andy Synn isn’t quite ready to say goodbye to 2024 just yet)

Well, here we are. It’s 2025 and time to start looking towards what this new year has to bring.

Or, should I say, almost time… because first I want to highlight a quartet of releases which – for various reasons (namely that either they hadn’t actually come out, or I hadn’t stumbled across them yet) – I didn’t have chance to include in my annual “List Week”, but which all definitely deserve some extra attention before we finally consign 2024 to the gaping maw of history.

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SEEN AND HEARD ON NEW YEAR’S DAY: AVULSED, CRAWLING CHAOS, ARGWAAN, SERPENTS OF PAKHANGBA, AWRIZIS, STRESS TEMPLE, GROUND SWEAT, HUSMANSKOST, BYFROST

 Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  4 Responses »
Jan 012025
 


Fireworks at the Seattle Space Needle last night (photo by Sigma Sreedharan / KOMO #SoNorthwest Photography)

(written by Islander)

Happy New Year to all of you! May the turn of the calendar page begin leading you to many good things over the coming year, even if it mainly leads you to still write “2024” in your date entries over the next few weeks.

Yesterday we finished the main part of our annual LISTMANIA series, and I posted a “wrap up” for it earlier today. All those lists verified what we already knew as the past year crawled by, i.e., that 2024 was another great interval for metal, even if it was a garbage fire in many other respects.

We have abundant reasons to expect that 2025 will also bring us abundant metallic goodness and greatness, and some of those reasons are already concretely apparent, witness the music I picked for this New Year’s Day roundup (though some of it also comes from the later days of December — and a couple songs are from 2010!). Continue reading »

BEDSORE: “DREAMING THE STRIFE FOR LOVE”

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Dec 302024
 

(Our South Africa-born, Vietnam-resident, contributor Vizzah Harri wrote the following fascinating essay. It includes a distinctive review of Bedsore‘s new album, but also uses it as a springboard to other connections and reflections.)

“As you read a book word by word and page by page, you participate in its creation, just as a cellist playing a Bach suite participates, note by note, in the creation, the coming-to-be, the existence, of the music. And, as you read and re-read, the book of course participates in the creation of you, your thoughts and feelings, the size and temper of your soul.” –Ursula K. Le Guin

“This means that every person brings themselves to every piece of art. It means we all experience a different piece of art. Each time we return to a story we are creating a different story. Rereading is good actually.” – saxifraga-x-urbium (from Tumblr)

If you didn’t know anything about this album prior to clicking on this article and did not want to go into it entirely blind, then I can attempt to sum it up for you sonically in 34 words: This band’s waking dream of an album is like Hail Spirit Noir alchemized with giallo; Emerson, Lake and Palmer; the most serene Italian chamber orchestra; and a few doses of the holy trinity of proggy-death in Skeptic, Cynic, and Atheist. Continue reading »

SHADES OF BLACK: BEEHIVE REVOLT, EDEN RAYZ

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Dec 292024
 

I had ideas ready for this weekly post today, and notes about the music I’d selected. When I was ready to begin writing this morning, my desktop computer shit the bed (basically, it wouldn’t start up and showed an error symbol).

I spent the next two hours following a variety of Apple instructions sourced from my laptop, none of which worked. Now I have to take the computer to the nearest Apple Store this afternoon, which is about a 90-minute commute from where I live. This is a much more miserable way to spend the day than I’d expected, but of course you and I can imagine worse ways.

In a state of extreme mental frustration and with much of the morning gone, I thought about abandoning this column for today, but as you can see, I didn’t. However, it doesn’t included all the selections I wanted to cover, or even all the words I wish I could have written about the ones below. Continue reading »

SEEN AND HEARD ON A SATURDAY: MEFITIS, CLOUDS, SIKARIO, LABYRINTHUS STELLARUM

 Album Reviews, Metal News, RANDOM FUCKING MUSIC  3 Responses »
Dec 282024
 

(written by Islander)

This is a good time to take stock of where we are (“we” being NCS, not the squirming hive of humanity that continues spinning helplessly through the void). I thought we would have the final installment of our year-end lists from writers and other friends on Monday, but a late-breaking e-mail creates the possibility there will be one more after that. Whether we finish Monday or a bit later, there’s one more segment of LISTMANIA still to come, i.e., my own list of 2024’s Most Infectious Extreme Metal Songs. More on that in a minute.

Next week we’ll also have Andy‘s monthly Synn Report and five song premieres (at last count), plus at least a couple of interviews that have been patiently (or impatiently) waiting for an opening. After next week, most of which will still be a holiday for most people, things in metaldom will ramp back up into the usual churn of news announcements and new releases, and we’ll again have the usual weekly volume of premieres, reviews, and interviews from then until 2025 starts winding down. Continue reading »

MÖRK GRYNING: “FASORNAS TID”

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Dec 262024
 

(Below you’ll find a review by our Oslo-based contributor Chile of the new album by the Swedish black metal band Mörk Gryning, which was released earlier this month by Season of Mist.)

The times of horrors are truly upon us. With the approach of everything everywhere gnawing all at once, there is something comforting in the knowledge that we as a civilization are still capable of putting out almost nine thousand metal albums each year. Listening to all of them, well, that’s a different story, maybe it will go down as a New Year’s resolution for the coming turn of the calendar. Until then, you are welcome to all the great writing on this very site.

Among those thousands, we are first and foremost focused on the quality in our selection, a logical statement if there ever was one. Enter Swedish band Mörk Gryning which has been around for some time now, and saying that would be an understatement, at the very least. Three decades deep into their career (although with a decade lost in a hiatus from activities), they have released some bona fide classics in albums like Tusen år har gått… or Maelstrom Chaos cementing their place in the pantheon of Swedish metal and surely black metal in general. 

The well-received comeback album Hinsides vrede released in 2020 has put the band back into the spotlight and with it also hopefully brought a new generation of fans. Since fans only want one thing, Mörk Gryning are returning after four years with their new album titled Fasornas tid out now on Season of Mist. The album, more or less, keeps the format of the previous one with twelve tracks in total, although with fewer interludes and a bit longer running time of 44 minutes. Continue reading »

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