Apr 202025
 

(written by Islander)

I didn’t think I would do this column today. First, because yesterday I agreed to an emergency request for a premiere today in celebration of the high holiday. And second, because I didn’t go to sleep until 2 am this morning due to an alcohol-fueled reunion with old friends last night.

But so far I haven’t received what I agreed to premiere, and though my brain is very fuzzy I’m thinking some blackish music might clear away the fuzz. So, blaze and praise, here we go. Continue reading »

Apr 172025
 

(written by Islander)

We’re about to present a new EP that’s a prime example of music that’s vitriolic and vicious, ferocious and vile, yet as catchy as whatever respiratory virus is now asserting its dominance over a pitiful humanity. It doesn’t play to the cheap seats — it hates you and wants to eat you alive — but even while it’s ruthlessly gutting its listeners and ravenously consuming the remains behind truly abominable vocals, it does so with a flair that’s viscerally compelling.

We’re talking about a new four-track barrage from the Swedish death metal band Övervåld (though it wouldn’t be wrong to brand the new EP “blackened death metal”). The EP’s name is Vigrav and it will be released on CD and digitally by the band on April 20th, with a vinyl edition expected in May via Seven Metal Inches Records. Here’s how Övervåld introduce it: Continue reading »

Apr 132025
 

(written by Islander)

Biting off more than you can chew: I came real close to doing that yesterday. All the songs by those 14 bands tasted so good, I had to bite into them, though I don’t know how many other people listened to them all, much less read all the words I frantically spilled out.

I guess my mental jaws were sore this morning because, after starting to get caffeinated, I stared at what I’d planned to do for today’s black roundup and backed off. I hadn’t planned an extravaganza on the scale of yesterday’s sonic storm, but it still seemed like a lot, or at least a lot more than I could manage without spinning like a top again, so I pulled out the paring knife and started shaving it down. (Man, that’s a lot of metaphors already and I’m still just in the intro!).

A painful process it was, deciding what to go with and what to leave behind. I hope the pain you’re about to experience below is only the kind of pain you seek. Continue reading »

Apr 122025
 


Heaven Shall Burn – photo by Candy Welz

(written by Islander)

Fanatically determined to get both Parts of this roundup posted today, I took a 10-minute break after launching Part 1 and then dived into this one. I haven’t gone to the bathroom yet, but like Cory Booker I’m depending on Depends.

As discussed in Part 1, today’s already-large roundup mushroomed into an even bigger one after my pals Andy Synn and DGR threw 4 more songs into a mix that already included music from 10 bands.

As also discussed there, for you criminals who didn’t bother to read it, I used those 4 as bookends, 2 at the start and 2 at the finish. The 2 at the end have stressed out my usual NCS site-title boundary lines to the breaking point, but not for the first time. Continue reading »

Apr 112025
 


Artwork by šaška

(On May 30th Drowning Sea God Records will digitally release the debut EP from the London-based metallic hardcore band ButcherBird. Wil Cifer has had a chance to hear it, and sent in the following positive review.)

I’m always up for checking out a hardcore band that is willing to venture off the beaten path. So here we are with ButcherBird, a hardcore band from London that has a metallic groove to their feedback-squealing attack.

The angry shout of the vocals is the most straightforward thing about the overall sound this band is throwing at you. They do use breakdowns, but these cropped up in less expected places. There is a more rock n roll vibe underlying the whiplash of angular riffs, making them more of Rollins Band than Full of Hell when it comes to the sonic scope these guys have crafted. Unwieldy sections of choruses collide to create a celebratory ambience. They are not fueled by a singular mood, but express a wide range of varied emotions with little pretense. Continue reading »

Apr 052025
 

(written by Islander)

I don’t have a “physically active lifestyle” these days, yet some nights my body acts like I just ran a marathon. Last night was one of those. I conked out and woke up more than 9 hours later. Not even the part of my brain that always nags me, even asleep, about the need to get this Saturday column in shape could resist the bear-like compulsion to hibernate.

So, a very late start today, made later by the time needed to overcome grogginess. Still groggy, even after reading godawful global news stories while inhaling a cocktail of caffeine and nicotine, I glanced at the godawful big NCS in-box. Here’s the first message I saw:

Please take a moment out of your day to listen to the new track from Casa Mondo “Same Words.” It is a taste of Afro Reggae Summer Niceness and would give your followers a warm fuzzy feeling 🙂

I nearly wrote back to ask how in the world we got on this person’s list. We must be on many lists that have zero to do with what we do, because I see dozens of e-mails like this every day from musically remote planets (remote from our own ugly little asteroid).

Of course I didn’t write back, but I thought, the only warm fuzzy feeling our followers might want from music at NCS would be a feeling of fungal infection. And “niceness”? I think our definition of “nice” is not what Casa Mondo had in mind. Continue reading »

Apr 042025
 

(written by Islander)

I keep an electronic calendar and a paper calendar of premieres I agree to run for NCS. Belt and suspenders, as people use to say before suspenders went the way of the Dodo. But sometimes my pants fall down anyway, like when the plans of a band or label change and I’m being distracted by something else when I see that and then forget to change either calendar.

That’s what happened today. I had an album premiere on the calendar, but when I went hunting for the “assets” for the premiere I saw the e-mail chain where a schedule change had happened. So I found myself with time I didn’t expect to have today, and decided to make this roundup of new songs and videos as a bit of a head-start on the weekend roundups. My selection strategy was to pick the newest things I saw that I liked this morning. Hope you enjoy what I chose.

(In case you’re wondering, I do have assistants in my NCS work, but mainly they delete things I’ve written and introduce typos by walking across the keyboard. They’re less useful in keeping my pants up.) Continue reading »

Mar 222025
 

(written by Islander)

As usual, I had an enormous number of things to choose from for today’s collection. As usual, I had no preconceived idea how to do it. I just put one foot in front of the other, stumbling along until I ran out of time.

As I sit here and look at what I chose, I see that I defaulted to some old favorites but also went with debuts from some bands I’d never heard of. (I also siphoned off a few that will make good shades for the usual blackening of the Sabbath tomorrow.) I also added a couple of live-performance videos at the end, one of which is a genuine brain-scrambler. Continue reading »

Mar 192025
 

(written by Islander)

On March 21st Fiadh Productions and Snow Wolf Records will co-release Four Sorrows, a four-way split among bands around the world who deserve your close attention. Those bands, who are carving their own path through the realms of black metal, are Starer (USA), Myrvandrer (Norway), Ambergaze (Mexico), and Mistral (Poland). As an explanation of how the split came to be, we’ve seen this statement by the person behind Starer (and Snow Wolf):

I have been a huge fan of Mistral since both our debut albums released together on Folkvangr Records back in January 2021. Janek has become a good friend and I’m thrilled to be working together. All credit to him for introducing me to two amazing bands Ambergaze and Myrvandrer and convincing them to share their incredible music with us.

What we have for you today is a premiere stream of this new split, which includes one new song from each band, preceded by a bit of background about the artists and some thoughts about what you will hear. (Here’s a hint: the music is quite diverse and mostly beyond the bounds of traditional/conventional black metal.) Continue reading »

Mar 162025
 

(written by Islander)

I’m afraid I have a self-imposed deadline to finish this weekly collection of music from the blacker arts so I can turn to other obligations, and so I’ll dispense with an introduction and dive right into all the quite varied music I’ve picked for your entertainment and edification.

DROUTH (U.S.)

To begin, here’s “False Grail“, a startling new song from a new album named The Teeth of Time by Portland’s Drouth. Continue reading »