Aug 222024
 

(Andy Synn recommends a quartet of short but sweet recent releases to check out)

We’ve featured a bunch of pretty big and/or up-and-coming bands this week – Spectral WoundFleshgod ApocalypseLeprous – so maybe it’s time to shift focus back on some lesser-known names?

And since I also haven’t covered anywhere near enough EPs so far this year I was thinking… why not kill two metaphorical birds with one proverbial stone and write about a bunch of short-form releases that, perhaps, haven’t gotten enough attention?

Continue reading »

Aug 182024
 


Häxenzijrkell – photo by Sophia W

(written by Islander)

Two days ago I woke up with a burst blood vessel in one eye. The entire space in the sclera between the iris and the inner corner of the eye had turned a deep and solid red, as if some devil-worshiping artist had figured out how to photoshop the real me.

It doesn’t hurt, nor has it affected my vision, but it looks hideous. The Mayo Clinic’s website says this condition (a “subconjunctival hemorrhage”) will heal itself in a couple of weeks, as the conjunctiva slowly absorbs the blood over time. The same site lists potential causes, but none of them seem to fit my situation, unless I rubbed that eye really hard in my sleep.

For the sake of symmetry, I’ve wondered if there is a non-painful way to burst a blood vessel in the other eye. I thought if I played today’s selections of black metal extra-loud, that might do the trick. So far, no luck; a blown-out eardrum is more likely, but blood draining from the ear canal would also create a kind of symmetry, yes? Continue reading »

Aug 042024
 

It’s been tough sledding to pick music for this Sunday’s column. Not because of moguls — there’s no snow outside here in the Pacific Northwest, other than in the black metal, where it’s always snowing or sleeting somewhere. No, the sledding has been tough for the usual reason — too damn many options and not enough time.

Here’s what I chose for today before being thrown into a drift, head down, ass up. I think they will keep you off-balance.

SWAMPWORM (Germany)

Based on their name you might think Swampworm play some kind of murky, rotten-to-the-core death metal, but on their new EP Architeuthis they instead lay into a blast-furnace discharge of dissonant black metal and ruinous blackened grindcore, but with a few variations along the way. Continue reading »

Jul 272024
 


photo by Weiyi Cai/The New York Times

Yesterday was a day of firsts. Among other things, it was the first time a heavy metal band performed in the opening ceremony of the Olympic games. And the first time memes took off about a U.S. vice-president candidate fucking a couch. Less exciting, I’m also pretty sure it was the first day since I started this blog 14 1/2 years ago that we failed to post anything on a weekday.

I made a whirlwind driving trip with a friend to Vancouver, heading north on Thursday and coming back to Seattle yesterday. In between, we attended a blowout celebration related to our day jobs that left me not enough clear-headed time yesterday morning to do anything before beginning the trip home, even though I had a couple of interviews ready to publish.

I’m getting a late start today, and that whirlwind trip didn’t give me any time for listening to the kind of music we focus on here (my road-trip companion isn’t into that kind of music, and anyway, I didn’t bring with me my list of new stuff I wanted to check out). So I did some whirlwind catching up today, and here’s what I hurriedly picked to share with you. Continue reading »

Jul 242024
 

I’ve already stomped my feet and banged on the table in a loud display of enthusiasm about “Of Disillusion and Doctrine,” the first single off Incessant‘s new EP Entropic Aeons:

Prepare for a roiling and ravishing typhoon of danger and destruction, replete with harrowing howls and unchained sky-high wails, but the mix also includes rocking grooves, feral chords, and glittering melodies with an exotic Eastern air. It’s a hell of a thrill-ride….

Less loudly, I hoped the rest of the EP by this Dublin blackened-death trio would be as good as that song. I’m here to tell you that it is, and to give you an immediate chance to appreciate it for yourselves as we premiere a full stream in advance of the EP’s imminent release by Repose Records. Continue reading »

Jul 232024
 

Today we’re fiendishly pleased to premiere Under the Blacklight of Divine, the debut EP from the Indonesian band Demon Sacrifice, which will officially be released tomorrow by the Indonesian label Ironbound Records.

We are “fiendishly pleased” because Demon Sacrifice‘s music is indeed fiendish, and fiendishly clever. They bring to the table a mixture of visceral punk beats, howling vocal terrors, and the kind of black metal that gets its hooks in the head but also sounds thoroughly supernatural.

They claim “indirect” influence from the likes of Bathory, Darkthrone, Devil Master, Spectral Wound, and Tribulation, and you’ll understand the use of the word “indirect” when you hear the music, because it’s not a blatant copy any of those bands. Continue reading »

Jul 202024
 


Photo Credit: Francesco Esposito

For those of you who don’t treat our posts as among your daily essentials of life, or at least like a free oxygen mask in the vicinity of a chemical train derailment, I’ll mention again that I won’t have much time for metal this weekend.

Today is the start of an annual two-day outdoor gathering of toilers at my day job and their families. For some of us it began last night, something akin to an alcohol-fueled pre-fest for concert-goers. It was jolly, and left me somewhat jumbled this morning.

That relatively mild mental affliction, coupled with the fact that the real festivities will begin soon, have left me constrained in what I can do in this Saturday roundup. If you don’t see a Shades of Black collection tomorrow, you’ll know that my Sunday-morning affliction was more severe and my sleeping-in more prolonged. Continue reading »

Jul 102024
 

We have written frequently over the last six years about the music of the Italian band Thecodontion, whose primeval and prehistoric thematic interests have been as interesting and erudite as their guitar-less but ever-evolving formulations of death metal. And so we were highly intrigued to learn that Thecodontion vocalist G.E.F. had started a new band named Clactonian, joined by Thecodontion drummer V.P. (also in SVNTH) and Finnish musicians who include Ashen Tomb on the resume.

Like Thecodontion, the thematic interests of Clactonian are rooted in prehistory, and particularly the Paleolithic Age. The name itself is a term given by archaeologists to an industry of European flint tools made by an extinct species of archaic humans who lived hundreds of thousands of years ago. (You can find more about here.)

Clactonian‘s debut demo, which we’re premiering today, is entitled Dea Madre (“Mother Goddess” in Italian). It too has prehistoric connotations, because that title refers to the famous Venus of Willendorf, a small figurine discovered in 1908 that’s estimated to have been made around 29,500 years ago. As this article discusses, researchers have speculated that the figure and others like it represented an early fertility deity, perhaps… a mother goddess. The figurine’s image features in the cover art of Dea Madre, with notable modifications in keeping with the music.

But what about the music on the demo? Although you might guess that it is linked to the musical interests of Thecodontion, it instead pursues a different path, a path of early bestial black/death metal that (as G.E.F. has told us) draws strong influence from Beherit but also should appeal to fans of Archgoat, early Bathory, and some bass-driven bands like Barathrum or early Necromantia for the slower sections. Continue reading »

Jul 012024
 

(On the day of its release we’re premiering a debut EP by the Chicago death metal band Trail of Entrails, and Christopher Luedtke provides the introduction.)

If there’s one thing that’s more than established about death metal at this moment it’s the enduring spirit and dedication to the riff. The genre might have slowed down in the mid-2000s up until the mid/late 2010s but there was never an all-out cease and desist for the genre. Like many genres, there are always dedicated people keeping it alive and death metal is seeing quite the heyday again. And once again, a new player has entered the arena.

Trail of Entrails are the latest death metal dealers out of Chicago, IL. The band consists of Robb Exhumed (guitar/vocals; Mutilate, Waifu), Zacky Bifid (guitar/vocals; Bifid Corpse, Coffinfeeder), and Alex Entrails (drums; Barrier). Having already played their first live show (check out the footage below), the band is here ready to unleash their debut EP Rot In The Cellar. Continue reading »

Jul 012024
 

Trust me, writing about metal isn’t easy. The challenge of not using the same clichéd words over and over again in an effort to describe the music is daunting. That challenge is part of what keeps those of us at this place still engaged after so many years, i.e., we’re stubborn fools who strive to become better.

But trust me again, writing about metal in most of its kaleidoscopic shapes is a piece of cake compared to writing about the music of Rintrah, which is like a vine of many colors whose scandent twining runners have hooked into metal but whose roots and other branchings take their nourishment from far different sources of which we can claim no expertise and have little experience.

In other words, prepare for something completely different. Continue reading »