Nov 172024
 

I have to be brief today, because I’m compelled to leave home soon for a few hours. An appointment you really don’t want to hear about, and one I’ll be attending masked, in an effort not to infect people around me with my shitty cold. So, without further ado….

AHAMKARA (UK/U.S.)

I think most NCS visitors know by now that we don’t report “the news”, i.e., announcements of new bands or records, if there’s no music streaming. There’s too many such announcements and too few of us. If there’s no music available yet, we just wait until there is, and then see if we think it’s worth recommending.

But there are exceptions to every rule, and I’m beginning with one. Continue reading »

Nov 102024
 

(written by Islander)

This column comes later in the day than usual, just like yesterday’s did. Yesterday’s was late because I went overboard with how much I tried to cover. Today’s is late because I spent a bunch of time this morning reading things that have nothing to do with music, still trying to process “current events”.

It’s also late because I still tried to cover as much as I could, though not quite as overboard as yesterday. Like yesterday I’ve alternated between recent singles and complete new records, and at the end I’ve added a couple of new videos for songs that aren’t new, though in different ways they’ve been made new again. Continue reading »

Nov 032024
 

(written by Islander)

I included a fair share of black metal in Part I of yesterday’s large cross-genre roundup despite having this column looming in the near distance. I did that on purpose because the bulk of the verbiage below (and it is bulky) is devoted to an album that doesn’t really fit the usual bill on Sundays, or any other bill, though I have my reasons for including it here.

Yet fear not, ye black metal zealots, because I’m following the opening act with some music that will be more in line with this column’s typical focus, though some of it gets out of line too. Continue reading »

Oct 272024
 

(written by Islander)

I guess it’s obvious from the size of this weekend’s two-part Saturday roundup that I had more than the usual amount of NCS time yesterday and this morning, and therefore kind of lost my mind.

I have only a small amount of mind and time left at this point, so today’s SHADES OF BLACK is so brief it could be labeled a token effort. But I didn’t want to skip it altogether, especially because, although the recommendations are few in number, they still loom large in the remnants of my head. Continue reading »

Oct 132024
 


Sordide, photo by Jeremy Tiercelin

(written by Islander)

Over the past week I added an even 30 new songs or complete releases to my list of black and blackish metal that I wanted to check out in building today’s column. That was on top of how the list stood a week ago, already wobbly from its ungainly height.

As usual, I didn’t have time to check out all 30. In a handful of instances, I defaulted to previously proven names. For others, I had dependable recommendations. And for others, I went exploring, based on glimpses of one thing or another (artwork, lineup, location, conceptual framework) that I thought were interesting.

Here’s what came out at the end of the sifting, with the choices due in part to how the music fit together in my head, sometimes complementing and sometimes contrasting. Continue reading »

Oct 062024
 

Tenterhooks” is an exceptional word, even though I’m confident I’ve never used it in any conversation and even though it hasn’t appeared in a single one of our 15,889 life-to-date posts before this one (a suspicion confirmed by a computerized search of our entire site).

In its original meaning, which dates back to at least the 1600s, a “tenterhook” was a hooked nail used to affix washed woven fabrics to a wooden frame called a “tenter”, on which the woolen cloth could dry outdoors — stretched, straightened, and under tension. But, as The Font of All Human Knowledge tells us, “By the mid-18th century, the phrase on tenterhooks came to mean being in a state of tension, uneasiness, anxiety, or suspense, i.e., figuratively stretched like the cloth on the tenter.”

Why did this word pop into my head today? Well, because some of the music below put me on tenterhooks, and expressing those feelings in any other way would seem slightly drab by comparison, when the music itself is definitely not drab. (By coincidence, “drab” is another old English word dating back to the 1600s which also had something to do with woven cloth; it was the name for undyed, homespun wool with colors that were dull brown, yellowish, or gray.) Continue reading »

Sep 292024
 

(written by Islander)

As I did in yesterday’s weekend roundup, for today’s column I’ve chosen a mix of complete new releases and advance tracks from forthcoming records. I’ve also consciously mixed up the musical styles, all of which use black metal as a touchstone but throw other stones at us as well. At the end I’ve also embedded three new videos without commentary; they’re all worth seeing and hearing, even though I haven’t tried to explain why.

P.S. In certain parts of the Christian world today is Michaelmas, feast day of the archangel Michael, who is celebrated for casting the Devil from Heaven. The Devil has had a celebrated career on Earth since then, as today’s music helps prove. Today is also probably the birthday of Miguel de Cervantes Saavedra, the author of Don Quixote, which will always inspire its readers to continue tilting at windmills, which thankfully all of today’s bands are doing. Continue reading »

Sep 222024
 

(written by Islander)

In the Northern Hemisphere today marks the autumnal equinox, the first day of fall and the point in which the Sun is directly above the equator and the hours of day and night are nearly equal (equinox is a Latin word for “equal night”). In the Southern Hemisphere, today marks the vernal equinox, the first day of spring.

From here on in the north, darkness will steadily increase, no longer merely equal, until we reach the winter solstice, which this year happens on Dec. 21, and then the process will begin to reverse.

I know you didn’t come here for astronomical info, and I’m confident that nearly everyone stumbling into this post already knew all that, but in a Sunday column devoted to black- and black-adjacent metal it’s hard to resist the observation that darkness now begins its reign once more, a coronation that doesn’t always fall on a Sunday.

To commemorate the ascending reign of darkness in our skies, here’s some dark music for you. Continue reading »

Sep 152024
 


Barathrum

(written by Islander)

I’ll put my cards on the table (it’s a very weak hand):  I got a late start on this Sunday morning and my beautiful black chariot will turn into a pumpkin very soon, which is to say that very soon I’ll have to leave home for the rest of the day due to other commitments.

Which is to say that, because time is short, I don’t have very much new black metal to recommend today. But I hope that the few things I’ve been able to hurriedly write about below will still succeed in ruining improving your day. Continue reading »

Sep 082024
 

Yesterday I bemoaned the trouble that weeks ending in Bandcamp Friday’s create for me in trying to compile the usual Saturday roundup for NCS. It creates similar troubles for picking music to recommend in these Shades of Black collections: just way too much potentially interesting stuff to check out.

Yesterday I tried to compensate (only slightly) by stuffing a greater-than-usual number of new songs into the roundup. For better or worse, I don’t have time to do that today — below you’ll find only four advance tracks and one new EP. I hope you like all of it, or at least find some one thing to brighten (i.e., darken) your day.

ANTE-INFERNO (UK)

In the fall of this year Ante-Inferno will release their third album in what is developing as a steady every-two-years sequence (our own Andy Synn reviewed their first two albums here and here). Continue reading »