Oct 312011
 

Tonight is possibly the most metal night of the year, at least in countries where Halloween is celebrated. In addition to giving extroverted chicks an excuse to dress slutty and dudes yet another opportunity to act like idiots, it’s the night when goblins, orcs, reanimated corpses, blood-suckers, demon spawn, and headless horsemen all come out to get fucked up and headbang.

Almost every metal blog will be doing some kind of Halloween-themed bullshit today, and we don’t want to stick out like a sore penis thumb by doing nothing to celebrate the event. But I’m too fucking lazy to create something myself, so I’d like you to do it for me. So, here’s the deal: In the Comment section, please give me your suggestion for a metal song that would be a good one to play on Halloween, and before nightfall I’ll pick three of them to play here at NCS in a follow-up post to this one. If you like, feel free to give more than one suggestion. And if you’re the shy type, feel free to e-mail me your suggestion instead of leaving it in the Comments (islander@nocleansinging.com).

And speaking of me-being-lazy-and-wanting-you-to-do-all-my-NCS-work-for-me, I’m about to turn into a pumpkin myself. Because of a work crunch that I’m now about to start, followed by a greatly deserved vacation, my blogging time is about to be severely compressed. I wrote about this a while back and made a general call for guest posts that I could run here at NCS while I’m in pumpkin land. I’ve already received a slew of great shit, and I know more submissions are on the way. BUT, it’s not too late, even if you haven’t started writing anything. Details after the jump. Continue reading »

Oct 212011
 

If this doesn’t make your whole damn week, well then you’ve had a stupendously sucky week. Fuck, this may make your whole damn month.

A scant 10 days ago, first-time NCS guest contributor The Baby Killer gave us his review of the new album by the wonderfully inventive and technically mesmerizing Blotted Science. The album is called The Animation of Entomology. Before it came out, guitarist Ron Jarzombek was reported as saying:

““As many of you know, all 24-plus minutes of the EP are a musical score to some type of bug movies. We will reveal the first one at my YouTube channel next Friday [Oct 14]. We’ll miss Friday the 13th by one day, but hopefully this viewing will be creepy enough for you. And so until the video appears, enjoy the audio. I realize that it all may be beyond wacky at this point, but it all will soon make perfect sense.”

Well, the first clip has now been released. Whatever you may think of the 2005 remake of King Kong, starring Jack Black and Adrien Brody, it was worth every penny because it has furnished the video accompaniment to a Blotted Science song called “Cretaceous Chasm”.  (more after the jump . . .) Continue reading »

Oct 202011
 


My good friend Tre Watson is a very busy man who’s up to pretty much everything you can imagine in the world of music.  He’s either recording and producing someone else, writing and recording his own music, or playing with his band Carthage.  I’m reviewing not only the debut EP of Carthage, but also Tre’s recent solo EP called Gravestones.

Carthage plays a style of less-is-more and simple-is-best deathcore with “a little of everything” thrown in, as he put it.  This is pretty accurate, as the music has very small doses of thrash, melodeath, traditional hardcore, and death metal thrown into the mix to keep it varied despite the music’s simplistic approach.

Listening to the EP is like getting smashed over the head with boulders repeatedly.  There is undeniable, consistent groove here, combined with moments of melodeath riffing, deathcore and djent syncopated chugs, tremolo riffing, and badass lead-work everywhere.  I really like what’s going on here — it’s worth checking out.  It’s only a tiny bit underdeveloped, but that’s to be expected with even the best of first EP’s.  The potential is bursting at the seams.  You can stream the entire EP at Bandcamp, or right here at NCS after the jump. Continue reading »

Oct 142011
 


It’s that time of year again, and by that I mean it’s vacation time (almost)! Yes, your humble Nitwit-in-Chief will soon be embarking for sunnier climes, leaving behind the fucking day job and the Seattle dank in search of a little R&R. While I’m gone, my blogging time will be significantly restricted. My wife, Mrs. Nitwit (which I can say because she never reads NCS) remains adamant that when she and I are on vacation, hours spent blogging every day will NOT be tolerated. She can be a scary person when angry and she’s good with a knife, so I don’t plan to push my luck.

I know our regular staff members — Andy, BadWolf, and TheMadIsraeli — will step up their game while I’m gone, and I’m hoping for the same from some of our more or less regular guest writers (Phro and Trollfiend, I’m lookin’ at you). But, as I did last year, I’m also appealing for help from our loyal cadre of NCS readers to help keep the site from going dark while I’m away by sending me guest submissions.

If you’ve ever toyed with the idea of writing something for publication at NCS or some other metal blog, now’s a good time to give it a shot. Or maybe you’re already writing for another blog and you’d like to upgrade the content quality at NCS (good luck with that).  Regardless of your situation, we want your shit! Uh, I meant, we want the eloquence of your written expression! Details after the jump . . . Continue reading »

Oct 142011
 


What I know about rap and crunk music isn’t worth a popcorn fart. It’s not that I think it’s bad, on some objective scale of “blows” to “awesome”. It’s just that, in my current frame of mind, it’s like everything else that isn’t metal: 99% of it is just BORE. ING.

But there are exceptions to every rule, and Lil Jon’s song “Stop Fuckin Wit Me” is one of them. I just heard this yesterday. The only reason I even found out about it is because there’s a metal connection: The song includes samples from Slayer. Some will say this pollutes Slayer, Some will say this pollutes crunk. And some will say this is a crime against all music, and a crime against nature on top of that. But me? I just wanna get in my car, roll the windows down, and blast this shit at random strangers until my speakers plead for mercy, “give em some of my fuckin pain”.

It’s kind of like that Archgoat song we featured yesterday. Sometimes, you just get some irreplaceable pleasure out of annoying the shit out of other people. But beyond that, this song just speaks to me. It gives voice to that small, meek voice that wants to be a lot bigger than it is, the voice that just wants to say, almost every day, to one person or another, who may or may not have it coming to ’em but I’d like to give it to ’em anyway, STOP FUCKIN WIT ME!

Oh yeah, one more thing: Credit to Cormorant for turning me onto this via a FB post, and who would’ve guessed that quite awesome band would be paying attention to this song? It came out years ago, and so some of you may find this to be really old news, but from my perspective if it’s new to me, then it’s just fuckin NEW(listen after the jump) Continue reading »

Oct 132011
 

A reminder:

NO CLEAN SINGING was originally launched by three people almost two years ago. My two comrades have sort of fallen by the wayside as time has passed, though on rare occasions one of them surfaces to contribute a post. On this site, he goes by the name IntoTheDarkness. Beginning last month, he became the Metal Director at KSUB, the internet radio station of Seattle University. He’s responsible for the station’s metal playlist and he also personally hosts a two-hour metal show every Thursday night at 10:00 Pacific Time.

There’s not a lot of talking on that show, apart from IntoTheDarkness telling you what you’re going to hear, or have heard, but I can pretty much guarantee that the music will be killer — all extreme metal with no commercials. Now, I know there are 1,000 other ways you can find metal on the web for listening purposes, wholly apart from your own personal collection of music, but this is one way that I can’t help but promote, (a) because I know the dude pretty well (that’s an understatement), and (b) because I respect his taste. So, give this a shot.

To hear the show, you’ll need Winamp, iTunes, XMMS or an mp3 player capable of listening to shoutcast streams on your computer. You can listen by clicking this link. And for future reference, here’s the URL:

http://www.seattleu.edu/ksub/default.aspx?id=66045

And yeah, this is Thursday, so the show will be on in about 30 minutes from now.

Sep 062011
 

Here are four things that got my attention earlier today. I’m betting that everyone who reads this will be interested in at least one of these items. And, just in case that’s a bad guess, we have porn after the jump.

ITEM ONE

I don’t think I have to do anything but excerpt these quotes from the Metal Blade press release. It was enough for me.

Cannibal Corpse has begun recording their twelfth studio album at Sonic Ranch studios in Texas with producer Erik Rutan. The band has spent months writing the album and has recorded at Sonic Ranch in the past, but never with Rutan at the helm. More details on the album, including art, songs, title and more will be revealed in the months to follow. For now, the band is hard at work forging their next death metal offering.

Erik Rutan worked with Cannibal Corpse for both Kill (2006) and Evisceration Plague (2009) and is returning for a third time. Rutan explains further: “I am super excited to work with Cannibal Corpse for our 3rd album together. We are determined to make the best album we possibly can. Everyone is very focused and the new material is awesome. There is a great blend of classic, old school CC with a newer, more heavy, dynamic and aggressive approach. I look forward to the challenge of making one heavy as hell record!”

(more after the jump, including porn . . .) Continue reading »

Aug 172011
 

This seemed as good a time as any to set out some thoughts that have been rattling around my head, but I’m doing it in the hope of getting some feedback from NCS readers — both those of you who are fans of metal and those of you who are musicians, too, to get both kinds of perspectives. Writers of other metal blogs, PR people, and even label reps sometimes stop by here, too, and those perspectives would also be useful.

So, by social media I mainly have in mind Facebook and MySpace. They serve many functions for their users, but today I’m only interested in what they have to offer metal fans and bands. As I see it, for fans, they serve three primary functions: First, they allow fans to track what the bands they like are up to (ie, news), and to interact with the bands at the same time. Second, they provide a vehicle for listening to new music. Third, they allow fans to interact with each other — and here, I’m thinking mainly about fans exchanging music recommendations and other info about bands and the scene.

For bands, social media serve goals that are connected to the functions they provide for fans: First, they give bands a way to stay connected to their fans by providing a place where they can post news items and comments and get feedback.  Second, they provide a vehicle for attracting new fans — a place where they can stream their music, provide music downloads and videos, and post basic info, such as how the band started and its history to date, who’s in the band, descriptions of the music, links to other sites related to the band, etc. Third, they provide a forum where musicians can exchange ideas among themselves and make connections with each other.

When we started this blog more than a year and a half ago, MySpace was the dominant social media presence for music. For me as a budding metal blogger, it was the one place where I knew I could go and listen to virtually any band’s music. I could read their MySpace blogs for news, and I could use MySpace messaging to communicate with them. It was like one-stop “shopping”. Back then, I didn’t pay much attention to Facebook, because it just didn’t really offer much in the way of music resources. (more after the jump . . .) Continue reading »

Aug 032011
 

I usually try to put some thought into the headlines for NCS posts (usually about 30 seconds of thought), instead of just writing, “HEY MUTHAFUCKAZ, THIS NEW SONG RULEZ!” For this post, the title just typed itself. As for what it means, those who know, know. Those who don’t need to bone up on their Finnish idioms.

This morning, I have three new songs that qualify as fucking good pancake. The first one, which is the subject of this post, comes from Dutch progressive tech-metallers Textures. They’ve released the first taste of new music from their forthcoming album Dualism. The track is called “Singularity,” and you can hear it on the band’s Facebook page by pressing the “Like” box (I don’t yet have an embeddable copy of the track — when I do, I’ll update this post to add it here for those who aren’t FB nerds).

The song is fucking good pancake. I am liking the dominant riff very much. It is a slightly off-kilter series of hammer blows. I am liking the harsh vocals and tolerating the clean ones. I am liking the rhythmic changes and instrumental progressions in the song’s mid-section. I am liking the propulsive drum fills. I am liking the floating melodies (though not liking them as much as on “Awake”). But mainly, I am liking that dominant Meshuggah-style riff. Fucking good pancake. Go listen to it, won’t you?

Nuclear Blast will be releasing the album’s first official single, “Reaching Home,” on August 19. Dualism will come out on September 23 in Europe, South America, Australia and Asia, and on September 27 in North America. (a bit more after the jump . . .) Continue reading »

May 132011
 

NPR (formerly known as National Public Radio) is a non-profit media organization that syndicates radio programming to almost 800 radio stations around the U.S. It gets about 10% of its funding from the U.S. government through the Corporation for Public Broadcasting, which makes it a perennial whipping boy for conservative politicians who want to cut or eliminate its government funding — or simply compel NPR to become as bland as possible.

NPR has a web presence, too, and today they just did something that undoubtedly will stir its opponents into a fine froth: They posted a video of the Australian band Portal playing a song at last year’s Maryland Deathfest. The clip comes from a limited edition version of the Maryland Deathfest:The Movie II DVD, which is now available for pre-order from Handshake Inc. with a larger release planned for August.

Portal is a band about which I have mixed feelings. Like the NPR writer who posted about the video, I found the Portal’s 2009 album Swarth to be a horrifying, but perversely riveting listening experience. I like extreme music quite a bit, as you can possibly tell, but Swarth isn’t an album I’ve listened to repeatedly. I’m glad it exists, I dig it, but it’s punishing to hear.

Now, as for that video clip, it’s fucking awesome — the music is still horrifying, but watching these hooded and masked ghouls inflicting it live was cool.  Or, at least I thought so. I have a feeling NPR’s political opponents won’t be so fucking appreciative.  (more after the jump, including that video . . .) Continue reading »