(We’ve been following (and reporting) the news about Allegaeon’s new album very closely, and now we have TheMadIsraeli’s review of Formshifter.)
Melodic death metal has not really flourished in the U.S despite its popularity (which led to the metalcore movement) and ultimately hasn’t seen much action within its territories. By my lights, only two melodic death metal bands have started in America who have ever been worth a shit — The Absence and Allegaeon.
The Absence have always been decidedly about blatant old-school worship (really fucking good worship) of past heroes, while Allegaeon sought to combine Swedish majesty with American grit, netting them a killer debut EP and an even more musically accomplished album debut, Fragments of Form and Function, which had titanic grooves, ferocious serpentine riffs, and epic melodies all about. An debut as staggeringly strong as that puts a lot of pressure on a band to succeed the next time around.
Though it’s a cliche to say so, the sophomore release really is the most dreaded album of a band’s career. It is where a band either cement their status as a legitimate musical force or torch their progress to date, then and there. Fortunately for Allegaeon and their fans, Formshifter is a bewilderingly powerful album that is an essential of the year.
A couple things are different this time around. The band have switched to 8-string guitars, which often results not only in riffing that’s extremely technical and varied, but also in some of Allegaeon’s most brutal, fat, and consuming moments when the time arrives to throw down in a song. This particular change has been really positive — with the switch to 8 strings, Allegaeon have written riffs that have quite a bit more majesty, pomp, and circumstance than ANYTHING they wrote on Fragments of Form and Function. Continue reading »