We’ve known there was something special about Amiensus ever since my co-writer Andy Synn brought the band to our attention through his vivid review of their 2013 debut album Restoration. In the years since then, the band have released a small number of individual songs that proved to be equally impressive, but I still don’t think even that track record of excellent releases could have fully prepared us for the band’s new album Ascension — which will be released tomorrow. In a word, it’s astonishing.
Attempting to capture the tremendously multi-hued character of the music in mere words is probably a fruitless goal. It’s true of most music, but undeniable in the case of this album, that there is no substitute for experiencing it yourself. It’s ambitious, it takes risks, it lays bare the emotional intensity of the musicians and vocalists, and it vividly reflects the creativity of their songwriting ideas. They should all be immensely proud of what they’ve accomplished.
Ascension is a folk-tinged, genre-crossing amalgam of black metal, melodic death metal, and progressive rock. It’s sweepingly atmospheric and it’s warlike. It’s massively heavy and as fragile as snowflakes. It’s doomed and it’s defiant. It’s drenched in sorrow, it’s explosive in its ferocity, it’s panoramic in its epic reach, and it’s often sublimely mystical. And frequently, it’s all of those things within the space of a single song. Continue reading »