Andy Synn Archives - NO CLEAN SINGING

CAVE SERMON – FRAGILE WINGS

Apr 172025

(Andy Synn provides his first impressions of the brand new Cave Sermon album)

Well, well, well… isn’t this a surprise!

And not an unpleasant one, let me make that crystal clear, as Divine Laughter, the second album from Post-Metal prodigy Charlie Park (aka Cave Sermon) was absolutely one of the best albums of 2024 (and only narrowly missed out on a place in my “Critical Top Ten”).

That being said, it’s entirely normal to be a little bit wary and/or sceptical whenever an artist is this prolific – after all, you can have too much of a good thing, and it’d be all too easy for them to accidentally end up repeating themselves, to increasingly diminishing returns, if they haven’t allowed themselves the necessary creative space between releases.

Thankfully, however, despite the truncated timescale between releases, I’m happy to say that Fragile Wings cleverly complements its fantastic predecessor – while also providing some welcome creative contrast – without simply attempting to copy what made it such a success.

DAUGHTER CHAOS – NOBLE ROT

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Apr 152025

(Andy Synn has (almost) nothing but praise for the debut album from Daughter Chaos)

We’ve said it before, but it’s always worth stating again, that if it comes to a choice between writing about a “big name” band or an underrated underground artist nine times out of ten we’ll opt for the latter.

That doesn’t mean we’re averse to covering some of the more (in)famous artists now and then – there’s no doubt that doing so on occasion definitely helps raise our profile, which in turn (hopefully) brings more eyes to the smaller bands we cover – but our focus has always been on covering those groups who don’t receive the attention and exposure they deserve.

Case in point, if I had to choose between the latest chart-busting release from Arch Enemy or the long-anticipated debut album from Daughter Chaos… well, the latter was always going to win that battle.

CARONTE – SPIRITVS

Album Reviews 2 Responses »

Apr 092025

(Andy Synn wants you all to help him make Caronte a much, much bigger deal)

In light of the increasing success of bands like Unto Others and Tribulation, as well as the massive popularity of a little band you may have heard of called Ghost, it’s surprising that occult Doom coven Caronte haven’t received a similar amount of love and attention.

Maybe it’s because they’re still – despite their love of infectiously psilocybic melodies and gloomily gothic grooves – a little too dark, or a little too rough and rugged (though to me that’s actually part of their appeal) to appeal to a more “mainstream” audience quite as much, or maybe they’re just hanging out with “the wrong crowd” (they’re still very much associated with the Black Metal scene to some people… heck, it was at Inferno Festival that I first encountered them myself).

Whatever the reason, however, I’m making it my mission to give the band’s profile a bit of a boost… especially since their new album, Spiritvs (which comes out this week), might just be their most artfully accessible yet!

THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

Album Reviews 1 Response »

Apr 082025

(It may be April, but Andy Synn is still catching up on March’s bumper crop of releases)

Like I said last week (and also yesterday) it’s patently impossible for anyone to keep up with everything that’s released each month… so the best move is to not even try.

Of course, I’m immediately going to contradict that by covering another quartet of releases from March, but the point still stands.

After all, despite my best efforts here (and last week) I’m still not going to be able to write about the new ones from Cult of Fire (Czechia) or Cthuluminati (Netherlands) in full, or talk about the immersive Post-Metal intensity of Båkü (France) or Druma (Germany), or give hefty death-dealers Nothing (Australia) and Thanatophobia (Russia) their due.

On top of that, while I’m really liking the new Gates to Hell album the fact that they’re already signed to a big label and getting a lot of coverage means that it’s probably best for me to focus my efforts elsewhere (same for the vicious, visceral – yet slightly too long and drawn-out for its own good – new one from This Gift Is A Curse).

And even though I’ve been loving the new Teitanblood (unsurprisingly) I feel like our good buddies at AMG already said everything that needed saying about that one, so make sure you go and read their review for some cool insight into that one.

But, anyway, enough of all my that… let’s get to the music, shall we?

ZEOLITE – L’APPEL DU VIDE

Album Reviews 1 Response »

Apr 072025

(Andy Synn kicks off his week with a bit of down-under Deathcore violence courtesy of Zeolite)

People often ask me – well, not so much “often” as “occasionally” – how I keep up with everything that’s released each week.

And my answer is… I don’t!

Oh, I used to run myself ragged trying to have an opinion on every album or EP that came out, but I soon realised that a) this wasn’t good for me (and was stopping me from actually enjoying my life), and b) every single one of these releases actually deserved more of my time and attention if I wanted to do them justice (which is why I’m so sceptical/scornful when people claim to have listened to 100+ albums every month… as they’re clearly more concerned with showing off the quantity, rather than the quality, of their listening).

And so I made the decision (the healthy decision, I think) to work smarter, rather than harder, going forwards, and to focus more on just covering whatever I felt most enthusiastic about – whatever I felt I had some insight into or that I had an interesting angle on – so that I could dedicate more time to fewer albums overall.

Which brings me to L’Appel Du Vide, the recently-released second album from Australian Brutal/Technical Deathcore/Death Metal crew Zeolite.

BEST OF BRITISH: PRAVITAS / TELEPATHY / TIBERIUS

Album Reviews 1 Response »

Apr 022025

(Andy Synn presents three more varied examples of shining British steel)

So here’s the thing… I almost didn’t manage to get this column written and published this week.

Not, I need to state, due to any issues with my motivation or time management, but because a particular album that I’d eagerly been looking forward to turned out to be incredibly mediocre and overhyped (here’s a tip: if you’re going to try and sell something as a progressive piece of cross-genre pollination it’s probably a good idea to not just deliver a bunch of interchangeable Nu-Metalcore tracks that quickly go in one ear and out the other) leaving me with a gaping whole in my usual three album format.

Thankfully it turned out Leeds-based Tech-Death types Pravitas also just put out their debut album, and so have ended up slotting into this article quite nicely, not only saving the day but also giving me another promising new band to talk about.

Speaking of which…

THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

Album Reviews 4 Responses »

Apr 012025

(Andy Synn presents part 1 – part 2 coming next week – of his regularly scheduled catch-up column)

Last month was so goddamn busy – both in terms of my own personal/professional/musical life and the sheer amount of albums being released – that I’m actually being forced (well, “forced”) to do not one but two “Things You May Have Missed” articles to catch up on everything that I/we missed during February.

Not that I mind too much – honestly, my biggest concern is falling behind on March’s releases while we’re still looking back at February – since although so far I’ve found 2025 to have gotten off to a pretty slow start (there’s been a lot of releases, sure, but only a handful that have really blown me away) I’m pretty sure that at least some of these records are going to find their way onto a few end of year lists.

So, without further ado, let’s enjoy the first of this month’s two-part round-up,

THE SYNN REPORT (PART 181): SECRET CUTTER

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Mar 312025

Recommended for fans of: Soilent Green, Wake, Inter Arma

One of the best things in life is discovering a cool new band out of the blue.

Sadly by the time I discovered this particular band – a considerable amount of time after the release of their second album – the group had gone worryingly quiet, with only a passing teaser of them working on their next release in late 2020 indicating they were still alive, leading me to assume that they’d most likely quietly gone on hiatus (if not broken up entirely).

But the recent release of their long-gestating third album, ///, has firmly put to rest any exaggerated rumours of the bands demise… which is why today I have the great pleasure of (re)introducing you to the face-melting, flesh-ripping, full-throttle Sludge-Grind of Secret Cutter

EUPHROSYNE – MORUS

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Mar 262025

(Andy Synn explores the depths of grief with the debut album from Greece’s Euphrosyne)

As someone who was a big fan of Euphrosyne‘s debut EP, Keres, back in 2022 – so much that it took a spot in my “Top Ten EPs of 2022” (and arguably would have climbed even higher had it been released a little earlier) – it was a given that I was going to be the one to write about their much anticipated first full-length, Morus.

Unfortunately, time and tide (and other things beginning with “t”) worked against me a little bit last week, so I wasn’t able to cover the record prior to release.

But, hopefully the band will forgive me for the delay once they read what I’m about to write.

ALLEGAEON – THE OSSUARY LENS

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Mar 252025

(Andy Synn takes a look at the new album from Allegaeon, where everything old is new again)

To misquote Oscar Wilde:

“…to lose one singer may be regarded as misfortune; to lose two looks like carelessness.“

Now, of course, I’m not blaming Allegaeon or saying they’ve done anything wrong, as the departures of both vocalists – with original screamer Ezra Haynes submitting his resignation in 2015 and his replacement, Riley McShane, handing in his marching papers in 2022 – seemed to be pretty amicable, all things considered.

But it’s certainly true that their vocal issues have a tendency to come at inconvenient times, just as the band are really hitting their stride (both creatively and commercially)… which is precisely why it’s understandable that the band would choose to bring Haynes back into the fold for another ride, as his instantly-recognisable voice and distinctive delivery definitely played a big part in putting the band on the map in their early years.

Of course, as we all know, trying to rekindle any sort of relationship after time spent separated is always a risk – what if you’ve simply grown too far apart to ever reconnect? – so the biggest question which The Ossuary Lens (out next week) has to answer is… is the chemistry still there, or is this rekindled romance doomed to fizzle out?

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