(Andy Synn provides a preview, and a pre-review, of the new album from Aseitas, out May 30)
Let’s get one thing straight – I happen to think that Aseitas‘s second album, False Peace is… well, I’m not going to use the word “masterpiece”, because that word has been so over-used and bastardised it’s basically become worthless and/or meaningless these days (though I am still a fan of, very occasionally, using it in its original meaning)… but it’s definitely what I would call an unsung and underrated underground gem.
With a sound that runs the gamut from Artifical Brain to Zao (taking in influences from everyone from Gorguts to Godflesh, Car Bomb to Cattle Decapitation to Krallice along the way) it’s the sort of album which doesn’t fit neatly into any one box – being part Death, part ‘core, part Sludge, part Tech, and more besides – and established Aseitas as a band with the potential to find fans all over the musical map.
And now, after lying dormant for four long years, they’ve emerged from hibernation with a brand new album (set for release next week via Total Dissonance Worship), and a new mutation of their sound – but is their latest evolution full of hybrid vigour, or a genetic dead-end?