Nov 112022
 

At this site we spend much more of our time trying to unearth underground gems and to push rising stars whose music deserves a push than we do acclaiming bands who are already household names, with big labels and robust PR machineries behind them. That’s not “virtue signaling”, it’s just a fact.

Does this mean we’re elitists who turn up our noses at the music of “big names”? Not at all. Though we pride ourselves on not fawning over those names even when they trip and release music that’s more likely to provoke yawns than excitement, we’re not immune to their allure — after all, most of them got big for a reason, and some are capable of reminding us why, at least until the well of inspiration runs dry.

It so happens that this week produced new songs and videos from a lot of big names, some of whom are returning after long absences. I’ve collected five of them in this round-up. It kind of clears the way for me to spend tomorrow focusing exclusively on names more obscure. Be forewarned: there’s lots of singing here today.

OBITUARY (U.S.)

Six years after the release of their last (self-titled) album Obituary will be releasing a new one in January named Dying of Everything. Founders John and Donald Tardy and Trevor Peres are still in harness, and bassist Terry Butler and lead guitarist Kenny Andrews are back for another round too. Continue reading »

Jul 122021
 

 

(We present TheMadIsraeli‘s review of the seventh studio album by At the Gates, released earlier this month by Century Media.)

Watching how your favorite musical artists deal with the inevitability of getting older, slower, and weaker is one of the more fascinating aspects of this media consumption thing we all do. That’s especially true of metal, which is a genre that’s often predicated on physical ability. It’s all technicality and endurance, coupled with demands on the performers to be emotionally resonant, to still maintain that human element that makes music touch our souls and make life just that little bit better.

It’s commonplace for a lot of long-running bands to slow down, dial back the technical aspects of their music a bit and try to compensate for their age in other ways. Sometime they try to make their songwriting better, and to try less mechanically demanding ideas. Sure, here and there they can still write a barnburner that’s on a crash course with a brick wall at two hundred miles per hour, but it’s tough to play a whole album of that anymore. Continue reading »

Jun 192021
 

 

As America’s reopening progresses, yesterday my work place re-started the in-office, in-person Friday afternoon happy hour event that had been a weekly mainstay for decades… even though our workplace is still officially closed to the public and employees are not required to be there, but permitted to be there if they’re fully vaccinated. Some people have taken advantage of that permission, for various reasons. But even people who haven’t chosen to do that showed up for the happy hour party late yesterday. We miss each other, and we have missed this alcohol-fueled tradition.

I wasted no time in getting hammered, and didn’t make it back home until close to 11 p.m. I don’t feel terrible this morning, just a bit groggier than usual, but I did sleep in. So I’m late in getting to this roundup, with almost no time to do the usual searching around for new music to recommend. Fortunately, my NCS co-conspirator DGR did that for me. He recommended everything I’ve collected here, except for the first item, which I knew I wanted to feature anyway, and he knew I was already aware of it.

Because I’m so late getting this thing together, I’m again (mostly) dispensing with my usual commentary, links, and artwork. In a couple of instances I’ve included what DGR wrote in recommending the thing, and I did identify for you the record that’s the source of each song, plus the release info. As it happens, all of these selections arrived with videos. Continue reading »

May 292021
 

 

To improve your Saturday, and quite possibly your whole weekend, I’ve collected a baker’s dozen of new songs and videos (including a couple of previously hard-to-find tracks from forthcoming reissues).

I grouped these 13 offerings in ways that I thought made sense. As usual for these kinds of posts, I didn’t take time to track down and upload artwork or purchase links, and I decided to organize my meager introductory comments by the categories I’ve arranged. (Don’t punch me too hard because of the category labels I chose, because I do realize they’re not 100% accurate.)

MELODIC DEATH METAL

The first two choices here were recommended by DGR, and the above label clearly applies to both. Andy Synn recommended the third one, and although most people wouldn’t categories Agrypnie as melodic death metal, I do think their new song fits well alongside the first two. Continue reading »

May 012021
 

 

It’s been a long time since I resorted to this Overflowing Streams format for spreading the word about new music I’ve enjoyed, but last week seemed more even more insane than usual — just a ton of new tracks were revealed by old gods, new gods, and assorted minor demons. As bloated as the following collection may seem, it’s still far from complete — I’ll include a few more in tomorrow’s SHADES OF BLACK column.

Without further ado, here we go with lots of sights sounds and not many words, though I do encourage you to add your own in the Comments.

AT THE GATES

Speaking of old gods, I might have included the news about Darkthrone album No. 19 (Eternal Hails), but there’s no music yet, so I’ll wait. You can peep the cover art here. But among the old gods, At the Gates did give us a new song, and I had to lead with it. Continue reading »

Jan 032019
 

 

(Here’s the fourth installment of DGR’s 5-part year-end effort to sink our site beneath an avalanche of words and a deluge of music. The concluding Top 10 will appear tomorrow.)

A confession: For a long time the only words in this whole writeup prior to me breaking the whole thing into five parts and actually listing the bands was just a whole bunch of swear words. Even though I’ve been doing this for nine years now I still will occasionally try things I learned in writing classes over the years or even some things I’ve read about since then. Stream-of-consciousness writing is one of those, but the only thing I’ve learned from doing that in the context of talking about albums of the year is that I’ve assembled a pretty neat collection of permutations of the word ‘fuck’ that I’ve gathered from popular culture over the years.

It was at this point that I began going back through our review archives so that I could even remember what came out this year. Metal-Archives is also a tremendous help in that regard, since I often can’t remember what I talked about in January unless I’ve listened to it since then. It’s also one of my favorite things to do because I get to have a laugh at how far back I have to go in the segment tagged ‘Reviews’ on the site. I know that we’ve missed more than a few albums, but as it stands now,  our first review of something from 2018 is about forty pages back. And there can be anywhere between five to fifteen albums per page of results — depending on how we grouped them for each article.

I know that’s just reflective of the ‘relentless march of hashtag content’ that the internet has become, but it still makes me smile. If I ever need a reminder that heavy metal is — somehow, despite all the odds and all the editorials about rock music dying — a lively as all hell genre, that’s enough for me. I guess there will always be room for cathartic release via loud instruments, or the various experimentations outside of the tradional music sphere to which this genre loans itself. Continue reading »

Jul 162018
 

 

I’ll make this quick:

First, within the last hour or so, Behemoth announced a North American tour (Ecclesia Diabolica America 2018) with support from At the Gates and Wolves in the Throne Room. It begins on October 20th in Phoenix and ends on November 24th in Los Angeles, and includes stops in Montreal, Toronto, Calgary, and Edmonton, as well as 18 U.S. States. Here’s the current schedule: Continue reading »

Mar 312018
 

 

A few of my NCS comrades have been nudging me to do a round-up that includes the latest songs revealed by At the Gates, Kataklysm, and Light This City. I didn’t have time to do this yesterday when I got that nudging, but decided to do it today even though Andy’s latest Waxing Lyrical post would have given me an excuse to check out from NCS writing for the day. And since I decided to pull those three songs together, I added one pick of my own.

AT THE GATES

I suppose you’d have to be living under a rock not to know that At the Gates have a new album headed our way. For you under-rock dwellers, To Drink From the Night Itself will be released by Century Media on May 18th. Yesterday brought another single from the album, packaged with a wonderful video created by Costin Chioreanu of Twilight 13 Media. Continue reading »

Mar 052018
 


At the Gates

 

(DGR has prepared a collection of new songs and videos that appeared over the last couple of weeks, which we’ve divided into three parts, this one being the first.)

By the time you are all reading this it is highly likely that a small collective of the NCS editor (not me) and NCS cohorts (which also doesn’t include me) will have arrived in Iceland, traveling there to attend some bullshit with an excellent lineup known as Oration Festival and generally to have a good time in a foreign country — which I will not be doing, instead being overjoyed that there has been rain the past few days so my car has been getting a decent wash.

Of course, this has in no way left me saltier than the Dead Sea, nor have I turned into the living embodiment of this article at all. I am, instead wishing my compatriots an excellent time in a country (that I haven’t been to) where the weather changes on a dime and will only be slightly amused if they get caught up in a small rainstorm whilst standing outside; they should be used to that anyway.

Since this is happening, I will more than happily bear the yoke of having to deliver the much needed metal news to the world that we might’ve missed, given my general job title of news pelican here, in between whatever else the rest of us who couldn’t go to Iceland have on the docket – which is looking mighty packed – and the general scribblings of the crew in attendance at the show. Continue reading »

Sep 132017
 

We’ve arrived at the middle of the work week and I find myself in the mood to round up and share with you a couple of news items and six new songs, two of which are accompanied by videos that are well above average. I’ll cut this introduction short and just dive right in…

AT THE GATES

Three years ago At the Gates returned with their first new studio album in 19 years. The reception seems to have stoked the fires even further, because they’ve written 11 new songs that they plan to begin recording soon. And according to their announcement from earlier this week, they are feeling “more inspired than perhaps ever before”. They also allege that the new record will be “by far the most comprehensive album of the band to date, and will span all the way across the different elements of the band’s sound”. Continue reading »