This makes the sixth time we’ve written about releases by the Norwegian band Diskord since discovering them in 2013 and the third time we’ve premiered music from one of those releases. In straining to describe their methods, we’ve previously used such words and phrases as “bizarre”, “chaotic”, “mind-shearingly abrasive”, “disorienting”, “unpredictable”, “avante-garde-filtered and technically played”, and “a source of considerable fascination and continuous thrills”. As one of our writers wrote about their 2014 EP Oscillations:
[T]hey seem to have transcended not only genre boundaries, but the confines of flesh as well. They exist among the cracks in reality, guided by hidden horrors unknown to most in a realm where few have dared to venture. Oscillations is bestial discomfort refined, progressive while residing in primordial murky depths, an oasis for those who thirst for ghastly evil sounds, memorable riffs, and strange batshit insanity. Continue reading »
