Mar 022021
 

 

(Andy Synn wrote the following review of the new album by the Danish band Bæst, which will be released on March 5th by Century Media.)

Despite my many years writing, reviewing, and prognosticating about Metal – whether for NCS or Terrorizer or whoever – I still don’t really understand how the hype machine works.

Why does one band get big and another, doing the exact same thing (sometimes even better) not?

What makes one particular style of music suddenly explode in popularity while others seem destined to linger in obscurity?

And what, pray tell, does it take to get your voice heard over the deafening hype hurricane?

You see, ever since they released their first album (2018’s Danse Macabre) I’ve been practically yelling from the literal rooftops about how great Bæst are – easily the equal of your Blood Incantations, your Tomb Molds, or whoever else you might want to mention – and I’ve only gotten louder since they released the even better Venenum in 2019.

So, with the imminent release of the group’s third album, I think it’s high time people came round to the fact that Bæst are simply one of the all-round best bands in Death Metal. Continue reading »

Sep 272019
 


Photo by Rahul Raveendran

 

(In this article Andy Synn reviews new albums by the Texas band Creeping Death (due for release today via eOne) and Denmark’s Baest (out now on Century Media).)

2019 has, I think we can all agree, been a banner year for Death Metal.

Old bands have rekindled their flames, new bands have exploded into life, and several bands previously on the cusp of greatness have finally stepped up to seize the torch for themselves.

Just off the top of my head the past nine months has seen us graced with albums from (deep breath)… Abominism, Blood Red Throne, Witch Vomit, Gomorrah, Entombed, Krypts, Vitriol, Venom Prison, Disentomb, Devourment, Nucleus, Nocturnus, Tomb Mold, Fuming Mouth, Towering, Iron Flesh, Misery Index, Altarage… with new albums from Hour of Penance, Hideous Divinity, Cattle Decapitation, Konkhra, and more still to come… and that’s barely even scratching the surface!

But there are two albums not mentioned on the above list, one of which came out a few weeks ago, the other which is being released today, that you shouldn’t let pass you by, and those are Venenum by Danish death-dealers Bæst and Wretched Illusions from Texan tormentors Creeping Death. Continue reading »

Jul 012019
 

 

To get this new week off to a rousing start I have a round-up of new music from six bands, culled from the good, the bad, and the ugly sounds that found their way to my earholes this past weekend. As is often the case, part of my design in this culling was to provide a selection of metal that might appeal to a range of tastes.

SORCERY

2019 has already proven to be another banner year for death metal, but the news that Sorcery will be releasing a new album still lit up my head like a Roman candle. I know it seems like my enthusiasm overflows on a daily basis around here (the appearances, by the way, aren’t deceiving), but Sorcery still occupy a special place in my black-hearted affections. (The fact that their new album is adorned with another fantastic piece of artwork by Juanjo Castellano is sweet icing on the cake.) Continue reading »

Feb 182019
 

 

(Andy Synn has hit a marvelous run of shows in quick succession over the last few weeks, and this is his summation of the most recent one, with his videos of the performances.)

Being in a band myself I know what it’s like to have your set cut short due to technical difficulties and/or time constraints. It’s never a good thing, but it’s just something you have to deal with as best you can.

Which is why my heart went out to Bloodshot Dawn last night when, just as it seemed they were about to start their set, which had been delayed due to unavoidable technical issues, they were instead forced to cut their entire show from the line-up. We’ve had to cut songs, or had shows cancelled on us before, but never after we’d already set up our gear, and I honestly can’t imagine how utterly gutting that must have been. I can only hope that the rest of the shows (and the previous ones) somehow make up for it.

Still, all disappointments and dissatisfaction regarding that situation aside, that still left three other bands to get the evening going, beginning with… Continue reading »

Jan 112019
 

 

After yesterday’s digression into obscure blackened realms, today I’m returning to death metal with two more additions to our list of Most Infectious Songs. I’m also again indulging in the delights of pairing up songs that seem to belong together, in this instance one from the old guard and one from some relative newcomers who are definitely kindred spirits, sonically speaking.

To check out the previous installments in this evolving list, they’re collected behind this link, and to learn what this series is all about, go here. We’ll have other posts at the site this weekend, but I’m pausing this series until Monday while I try to figure out what to add to the list next week.

BLOODBATH

Surely it will come as no surprise that I’m including “Bloodicide” on this list. If you read my comrade DGR’s review, or the column in which he put The Arrow Of Satan Is Drawn at No. 14 on his year-end list, you know that he loves that album but is “absolutely smitten with the sheer gall it took to name a song ‘Bloodicide'” — in addition to considering it one of the better tracks on the record. And I feel much the same way.

It’s a prime example of how much ridiculous fun Bloodbath must have had in writing and recording the album, and it proved to be (by my lights at least) the most infectious song on the track list, in part because of the joy that comes from yelling out “Bloodicide!” along with Nick Holmes (at least inside my head). Continue reading »

Aug 312018
 

 

(We present a collection of three death metal reviews by Andy Synn.)

If you’ve been paying even a modicum of attention to the digital metalsphere over the last several months then it’s highly likely you’ll have noticed quite a lot of people talking/writing about how this has been a real banner year for Death Metal, to the point where it’s starting to feel like its corpse-painted cousin, Black Metal, is really struggling to keep up.

And while there has been a solid number of truly great Black Metal albums released this year so far (with more still to come), there’s definitely some truth to this assertion. 2018 really is a great time to be alive if you’re a fan of massive riffs and guttural vocals.

So, in that spirit, here are three more ravenous recommendations, straight from my brain/fingers to your eyes/ears. Continue reading »

Jul 162018
 

 

Editor’s Note: NCS patron HGD, who has been kind enough to send us recommendations of new music in the past, prepared the following round-up of new music, which we’re presenting here with his own introductory comments, and with our thanks. As he wrote, “The overarching theme here is death metal of the old school variety, but having said that there are still significant differences from song to song.”

DEICIDE

Deicide are the highest profile group amongst the bunch included here so it’s best to start with them. NCS has already covered the announcement of their new album Overtures of Blasphemy, due out September 14 on Century Media. The first single from that album, “Excommunicated“, was released last Friday. Continue reading »