Nov 282018
 

 

(Today we premiere a full stream of the third album by the blackened death metal band Bane, which is recommended for fans of Dissection, Behemoth, and Rotting Christ. It will be released on November 30th by Black Market Metal Label, and we introduce our premiere with a guest review of the album by Caleb Newton.)

The once Serbia-based and now Canadian experimental black metal outfit Bane present a complex and nuanced but ruthless sonic monster that demands some digestion via Esoteric Formulae, their November 30 full-length on Black Market Metal Label. The album hinges on some truly ambitious concepts, to the point that rather than sticking with the human morbidity that other similarly styled albums tack their themes to, this record focuses on the cosmos. Continue reading »

Nov 152018
 

 

This is the second part of a death-metal-oriented round-up of new music that I began earlier today (here); the ones here are more melodic than those in Part 1.

I’m still not quite finished with this death-leaning collection, and will try to deliver the final installment tomorrow. As mentioned in Part 1, I also have some new songs to recommend from other genres that I’ve discovered recently. Some of those will find their way into Sunday’s SHADES OF BLACK column, and I might mention a few others on Saturday.

NAILED TO OBSCURITY

Black Frost is the new album by the German band Nailed To Obscurity (who traffic in doom-influenced melodic death metal), and their first on the Nuclear Blast label. To begin paving the way to its January 11th release, the band recently released a beautifully made video (credit to director/producer by Dirk Behlau) depicting the band’s performance of the title track. Continue reading »

Nov 042011
 

(The first two albums by Sweden’s Dissection are among my all-time favorite metal albums. So I was most interested in this guest post by a writer who goes by the name Kazz.  He identifies six bands who faithful Dissection fans should get to know.)

I remember hearing Dissection for the first time right after their debut LP, The Somberlain, dropped. This was back in the day before the internet was the primary tool for discovering metal, and for American fans of European metal the options were limited to blind purchases from import mail-order distros, or if you were lucky enough to live in a city with a good metal record store, you might have been able to get a recommendation from a knowledgeable clerk (remember those?).

The second wave of black metal was in full swing, but I was more tuned into the nascent Gothenburg melodic death metal scene. The NWOBHM-influenced twin lead-guitar harmonies over a death metal framework made these early melodic death releases fresh, rare, and worth import CD prices for anyone who loved both melody and brutality.

Some of those early In Flames and Dark Tranquillity records had a much more blackened vibe in the early days, particularly in their vocal delivery. But it wasn’t until I got my hands on The Somberlain that I really found anyone who very effectively merged melody with a black metal framework. Dissection made their name by infusing their black metal with a layer of melody which ensured that each song was memorable, together with strong musicianship and compelling lyrics and imagery. By keeping most of their NWOBHM-isms in the minor scale, they maintained a sense of darkness and foreboding over the blasting, thrashing framework of technically-proficient black metal. (more after the jump . . .) Continue reading »