Oct 272022
 


photo by Claire Dao

(In this extensive new interview Comrade Aleks connected with guitarist Saint Stéphane from the French doom cult Barabbas, who have a new album headed our way in December.)

I joined the pious congregation of the French band Barabbas after I heard them for the first time on the Doom Metal Front compilation. Their self-titled track from the EP Libérez Barabbas! (2011) was catchy, heavy, and loud. Powerful riffs and expressive vocals by Saint Rodolphe (who sang in French) made me wait for more, and the full-length Messe pour un chien (2014) didn’t disappoint the doom fanatic in me.

But then… eight years with no news from a studio! Et mince! Barabbas took part in both big festivals and smaller shows but, damn, there was nothing new besides one track recorded for a Cathedral tribute! But we, people of strong faith, shouldn’t lose it in any situation! Our patience is to be rewarded with the band’s second full-length La mort appelle tous les vivants which will see the light of day on December 9th through Sleeping Church Records.

I’ve heard a few things from this album and it kills! Join our messe and learn more from this interview with Barabbas’ guitar master Saint Stéphane. Continue reading »

Jun 262015
 

 

(Comrade Aleks returns to our site with an engaging interview of the frontman for Barabbas.)

French Barabbas appeared on the European doom-scene in 2011 with a self-titled album, and its killer song “Barabbas” was also included in a Doom Metal Front compilation, so you may already know them. Three years have passed, and Barabbas return with great new tunes! Messe pour un chien shows the band’s evident progress as they go further from traditional doom and stoner tunes to something more massive and mobile.

The new songs are really catchy, they demonstrate all the best of Barrabas’ musical experience, and they have mordant and ironical lyrics — that’s something new for the somber doom scene, but it’s ok for the congregation of Four Saints of Barabbas. The band’s frontman Saint Rodolphe is here to spread a Word, yet not to preach. Continue reading »

May 182015
 

 

(In this first part of a mammoth two-part essay, our Russian contributor Comrade Aleks explores a variety of spiritual rituals and their connections to doom metal.)

All right now! Tonight we’re summoned for a divine cause!

Mankind started the basis of society since its  primordial childhood. Many old and good traditions have been lost to the ages, yet ritualistic aspects and traditions were set very deeply in the turns of our brains. Certain traditions and ceremonies have been transformed into religious acts or became social rituals during our evolution, but most of them remain alive in modern days. Something took the form of the Christian Eucharist, something else developed into the form of the Easter Rabbit or the bacchanalia of a metal gig. These rites have provided new trappings to the symbolism at their core, but some people still seriously follow and perform its archaic elements. Let us take a look at which forms of religious rituals live their new life in the sermons of modern priests of the doom cult.

This text is a reworked, renewed, extended, and a bit rude translation of an article that I wrote for a Russian e-zine (here), but I and some of the bands who were discussed thought it would be a good idea to have an English version as well. Of course, it’s not really as much of a scientific or anthropological work as it could be, but if there’s someone who’s ready to make a proper investigation then let me know — I have an idea or two.

Here I’ve used some of my past interviews or just asked some bands straight question about their vision of certain rituals.

Don’t take it too seriously! And don’t try to perform it at home!

And as I’ve mentioned above — tonight we’re summoned for a divine cause! Continue reading »

Jul 142014
 


Altar of Oblivion

(Today our Russian contributor Comrade Aleks brings us Part 3 of a six-part series in which he puts the same five questions to doom bands from around the world, and introduces us to their music at the same time.)

Sometimes I use this unpopular “quiz” format because there are too many interesting bands that I would like to bring to light, and in my opinion it’s a good way to spread some news and to get new points of view on a few issues (including even some political questions). The list of questions I put to the bands is below:

1. What is the band’s latest news and what are your plans for the near future?

2. What do we get (in the broadest sense) from the release of your last album?

3. What is the best response that your band has ever received?

4. What role does the church (or any other religious organization) play in your life or (let’s take it wider) in the life of the heavy scene? Is there any spiritual, religious, or antireligious component in your songs?

5. What does the Media in your country tell about the situation in Ukraine? And how do you see that situation? Some people from other countries have asked me strange questions about Russia’s policy, and let me say that I have a few friends in Ukraine and my colleagues have relatives there, and believe me, there’s no media in ANY country that is showing the problem as it really is. We can watch as the Cold War turns into real warfare.

Today, we bring the answers to these questions from Altar Of Oblivion (Denmark), Barabbas (France), Boneworm (USA), Matus (formerly Don Juan Matus) (Peru), and Evoke Thy Lords (Russia). Continue reading »