Nov 062019
 

 

(Andy Synn was fortunate to catch the Nottingham stop on Imperial Triumphant‘s current European tour, with support at the show by Bast and Abduction, and transmitted the following report along with videos of the performances.)

If you’re not at least a little bit concerned about the state of the underground Metal scene in the UK then you’ve not been paying enough attention.

It’s nothing to do with a lack of talent, by any means, as there are innumerable bands out there right now who are all more than capable of going toe-to-toe with the best that the rest of the world has to offer. No, the real concern is a combination of two factors.

First, there’s the ongoing gentrification of our inner cities, with rising rents and rapacious developers continuing to exert crushing pressure on our small-to-mid-sized venues (we’re losing two of my favourites, Temple of Boom in Leeds and The Flapper in Birmingham, very soon), which in turn results in both greater competition for dates between bands as the live circuit contracts and more and more promoters/venues pivot towards courting more profitable, mainstream-friendly fare.

Then there’s the ongoing travesty of Brexit which, regardless of the politics behind it, is going to make it much more difficult for small/medium sized bands to tour the EU, and is likely to also cause problems for foreign bands wanting to tour the UK (where the margin of feasibility, when all costs and logistics are summed up, is often razor-thin).

So please, make sure to support your local promoters and local venues whenever and wherever you can. Because without them gigs like tonight’s extraordinary experience just wouldn’t be possible. Continue reading »

Nov 212018
 

 

The UK trio who Bast popped lots of eyes wide open with their 2014 debut album Spectres, but they’ve outdone themselves with their second full-length, Nanoångström, and we have the great good fortune of presenting a full stream of the record on the verge of its release by Black Bow Records.

That trio — vocalist/guitarist Craig Bryant, drummer/vocalist Jon Lee, and bassist Gavin Thomas — have created a ceaselessly fascinating and immensely powerful experience through an alloy of sludge, doom, black metal, and progressive metal. In the band’s words, “Nanoångström continues our trajectory into narrative-driven arrangements and experimental compositions; set against a bleak science fiction backdrop, it explores the human conditions of loss, isolation, and change in the wake of time’s passage.” Continue reading »

Mar 262015
 

photo by Sinmara

(Andy Synn reviews the recent performances in London by The Great Old Ones, Bast, and Conjurer.)

Sometimes life hands you difficult choices. Case in point, Saturday I was torn between two fantastic shows down in old London town… Vader/Hate at The Underworld and The Great Old Ones at The Black Heart. What is a boy to do?

Seeing as how I selected Tekeli-li as one of my top 10 albums of last year (Critical Edition), and acknowledging the fact that I’ve seen both Vader and Hate before, I chose to plump for France’s acolytes of the great unknown, at the risk of my sanity and my very mortal soul.

But I’m getting ahead of myself here… Continue reading »

Feb 262014
 

Although the dreaded day job is impinging on my precious blog time for the next couple of days, I did have time last night and this morning for a fast breaststroke through the fetid waters of the interhole and the NCS inbox. When I came up for air, I had managed to snag some items of interest — so many, in fact, that I’ve divided them into two posts, this one being the first.

MISERY INDEX

According to a press release from Season of Mist, Misery Index (above) have finished recording their fifth album, which will be named The Killing Gods. It was recorded at Visceral Sound Studios with Scott Hull (Pig Destroyer). It will be released on May 27 in NorthAm (May 23 everywhere else, because… I don’t know why everywhere else gets it sooner). The album art has been finished, but it’s not yet available for public consumption.

“Highly anticipated” — I think that’s the appropriate cliched label for this album. In other words, I am high with anticipation. And anyone else who’s a fan of grindcore and/or death metal ought to be, too. Let’s have a little taste from their last studio album, shall we? Continue reading »