Nov 052024
 

(Andy Synn dives back into the Death Metal scene)

I’ve been accused, not entirely unreasonably, of being a little jaded and cynical when it comes to Death Metal these days.

Don’t get me wrong, I love Death Metal, in all its different forms – ok, maybe not all its different forms – but… you’ve got to admit… it can get a little tiresome being told that [X] band is “the next big thing” or “the saviour of the genre” when all its doing is rehashing the same old HM-2/Swe-Death/OSDM revivalist tropes as the last band to get the exact same sort of hype just a few months previously.

Thankfully there are lots of bands out there who – while not necessarily breaking the mould or reinventing the wheel – are still more than capable of reminding us all, me included, just why we like what we like, hype be damned, and I wanted to highlight three bands, with three distinctly different flavours, for you today.

PS – while I couldn’t find time/space for them you should also check out the extremely promising debut albums from Weeping and Recidivist (though, at just over fourteen minutes, calling the former an album seems like a little bit of a stretch) as well as the riff-tastic new one from Ripped to Shreds (which contains one of my favourite Death Metal songs of the year in the form of the irresistibly hooky “冥婚 (Corpse Betrothal)”)

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Oct 052024
 


Black Curse – photo by Brendan Macleod

A few times a year my spouse leaves town without me, jetting away to have fun with one of her sisters or a friend. I could join if I wanted to, but have figured out that giving her some breaks from me is a good idea. I give her some other breaks when I go off to metal fests without her (she’d rather be punched in the kidneys than go to a metal show).

These times when I’m home alone are clouds with silver linings. It doesn’t take long before I start really missing her. The sudden and prolonged silence around the house starts weighing on me. One of the silver linings is that I fill up the silence with music whenever I want to (my kind of music), and fill it up some more by spilling out thoughts about what I’m hearing.

You could guess that my spouse has been gone on one of those trips since early last week, given that I’ve now managed to pull together three roundups of new music and videos in the space of the last four days. She’ll be back home this afternoon, so I’ll most likely be back to doing these once a week on Saturdays until she plans another jaunt. Continue reading »

Jan 112021
 

 

For obvious reasons, I couldn’t resist putting these three songs together for Part 6 of this list. They were all going to be on the list at some point, but the band names just cried out for combining them.

And the combination is especially delicious because the sounds are so distinct from each other despite the commonality of that one word.

I’ll also mention, for those who might be encountering this series for the first time, that you can find the songs that have preceded these on the list by clicking this link.

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Apr 142020
 

 

(Here’s Andy Synn‘s review of the debut album by Colorado’s Black Curse, which was recently released by Sepulchral Voice.)

To paraphrase a very tall, very shiny, Russian man:

“…four or five moments… that’s all it takes to be a hero make a good album…”

And, you know what? He’s right. If your album has four or five moments, four or five songs, which truly stand out, and stand the test of time, then you’re probably good.

The thing is, really great albums, albums like Endless Wound, don’t just settle for four or five moments per record, they offer up four or five of these moments in practically every song! Continue reading »

Apr 092020
 

 

Here we go again. I decided not to alphabetize the bands today, but focused instead on structuring this a bit like a playlist of new music, with some ebb and flow and movement among genres as you go through it. I also threw in a curveball, as you’ll see.

BLACK CURSE (U.S.)

Chaotic, violent black/death with mutilating levels of distortion and explosive skull-busting rhythms, coupled with an amalgam of malevolent roars, grotesque growls, unhinged shrieks, and freaked-out, ear-shredding leads. The music also devolves into massive doom stomps saturated by musical misery and accented by gouts of splintering pain. Continue reading »