Jan 182021
 

 

(Here’s Todd Manning’s review of the new album by California’s Black Sheep Wall, which will be released on February 26th by Silent Pendulum Records.)

To say that the Sludge and Doom genres are oversaturated might be a bit of an understatement. There’s a lot of good stuff out there, but there’s only so much Sabbath-worship and weed fetish one can listen to before it all starts to blend together. On the other hand, L.A.-based Sludge band Black Sheep Wall have always stood apart, with a sound that pulls from a wide range of influences.

Songs for the Enamel Queen is the group’s first full-length in nearly five years and it’s a motherfucker, there’s just no other way to put. The album depicts a band and a mind on the edge, haunted by depression and addiction, and the 60-minute run time is nothing short of a harrowing journey. Continue reading »

Nov 202014
 


Photo credit: Dustin Rabin

 

I need to whine for a couple of minutes. Yes, even I, with my usually sunny disposition, need to whine every now and then.

First, I’ve been getting so little sleep lately that my eyes are as red as a baboon’s ass. Second, I inflamed a muscle in my arm from curling massive amounts of weight at the gym, the kind of crushing weight that’s comparable to a grocery bag loaded with a single loaf of bread. Third, and most egregious of all, my fucking day job has been making me run the gauntlet the last two days, with no end in sight, leaving me no time for my usual self-appointed NCS duty of scouring the web for news and new music.

I do know about a bunch of song and album premieres that appeared over the last 24 hours, but only because of messages received from my co-writers and some sharp-eyed readers. I’ve collected streams or links to them in this post, but don’t have time to write about them or even provide album art or helpful links. Shit, I haven’t even listened to all of them. How embarrassing. Continue reading »