Mar 012019
 


Black Tongue

 

Today is the final day of the roll-out of this list. As I’ve said more than once, the closer I’ve come to this day, the more conflicted I’ve become about which songs to choose before reaching the end. To resolve that consternation, I took the coward’s way out: I let someone else choose for me.

My NCS colleague Andy Synn usually makes no recommendations to me for this list, perhaps because he usually writes an article about his own favorite songs from the preceding year. He didn’t do that his year, but he did agree to make choices for the final installment of the 2018 list after looking through what I had already picked in the preceding 36 Parts. So these are his three choices.

Actually, he made six choices. These three are “Best of British” picks, named after the series of reviews that he has traditionally written as the year goes on which focuses on releases by UK bands. The other three are just “general purpose extreme and nasty songs”. Without asking permission, I’ve decided to get all six of them on the list, and so there will be a Part 38 today, in addition to this Part 37. Continue reading »

Nov 022018
 

 

(Andy Synn again compiles reviews of new records from the British Isles.)

Just as I said in my previous column (which you can, and should, check out here) the fact that there’s just so much music out there means that it’s impossible for anyone, even someone as smart, debonair, and erudite as myself, to cover all of it.

What this means, at least in regards to my ongoing “Best of British” series, is that if you haven’t seen a band featured here the most likely reason is that I just haven’t heard them yet – either through sheer ignorance, or because of simple time constraints – although there’s always a chance that I honestly didn’t rate them as anything particularly special or worth writing (at) home about.

Today’s feature includes a band who’ve just released their debut album alongside two much more well-established acts (one of whom I’ve only recently taken a shine to), who all deal in weighty, megaton riffage and nuclear-level rage, making this one of the most brutal write-ups I’ve put together all year. Continue reading »

Sep 292015
 

Gustave Dore

 

(Andy Synn brings us a trio of reviews.)

I must admit, 2015 is the first year since I’ve been writing for the site where I’ve truly felt overwhelmed by the sheer amount of music out there. I know of so many bands and albums that have slipped through the cracks over the last nine months or so, simply because there’s not enough time in the day/week to cover everything we want to.

As you undoubtedly know already, the ethos here at NCS is to cover and offer exposure to as many bands as we can, informed by a slight preference towards writing about less well-exposed bands over some of the more famous names.

This isn’t down to any form of “elitism”, and we’re not the sort of people who declare that a band has “sold-out” just because they’ve finally managed to make a name for themselves outside of the toilet circuit. It’s simply that, when it comes right down to it, the bigger bands are going to sell their albums regardless of whether we cover them or not… whereas the smaller bands will probably benefit far more from us writing about them. As such we’d rather target our limited support towards where it can do the most good! Continue reading »

Apr 192014
 

This is a collection of recommended new music and videos, all of it except one discovered by your humble editor over the last 24 hours. What they have in common, apart from the fact that they’re really good: you will be bludgeoned, gutted, and left for worms.

BÖLZER

I had a passion for this Swiss band’s 2013 EP, Aura, that bordered on the unhealthy. I listened to it so much that I became convinced an alien entity had taken up residence in my skull (and lord knows there’s enough space in there for a roommate). I also included “Entranced By the Wolfshook” on my list of 2013’s Most Infectious Extreme Metal Songs. I’ve been tremendously eager to hear what Bölzer would do next. Now I know.

Thanks to a tip from KevinP, I discovered this morning that the band had started streaming a new song named “Steppes” on SoundCloud. It is one of two tracks (totaling about 18 minutes) that will appear on a forthcoming EP named Soma. The artwork will again be prepared by Alexander L Brown, and it will be released by Invictus Productions. Continue reading »