Oct 072015
 

Vreid-Solverv

 

Yesterday I compiled a massive round-up featuring new songs and/or videos by seven bands. But that still didn’t exhaust what I had found in the preceding days. And, metal being such an explosively metastasizing tumor, I’ve found still more things to get excited about since I wrote yesterday’s compilation. So, what the hell, I’ve decided to throw caution to the winds and prepare another even more jam-packed post, with good things from eight bands. Once again, I’m choking back my tendency to shower many words over the music… I’ll just scatter a few droplets instead.

VREID

I’m going to start by telling you about a full-album stream that came rushing up like a freight train at night with the lights off. Which is a way of saying that although we here at NCS are enormous fans of Vreid, we received no advance copy of their new album Sólverv, and just learned that all the songs have now been officially uploaded to YouTube for streaming. Continue reading »

Dec 032013
 

I decided to take another break from vacationing to browse the interhole for news and new music, because I continue to have this paranoid suspicion that things continue too happen even when I’m not paying attention. And hellfire and damnation, did I quickly find many items of interest! I’ve collected three items in this post and will try to package up the others in a post tomorrow . . . because vacationing calls me like a siren, and I forgot to stuff my ears with wax.

BLODSGARD

As explained in this review, the debut album by Norway’s BlodsgardMonument — is in my humble opinion one of the year’s best, and certainly one of my personal favorites. Yesterday brought the premiere of the first music video for the album, for a song named “Sjeler Vil Brenne” (“souls will burn”). It’s a great song, and the video, though mysterious, is transfixing.

The film was made by an Australian company named Shining Dark Productions. Interestingly, Blodsgard have stated that they left the video interpretation of the song entirely in the production company’s hands, “as we believe in the integrity of the artist and the importance of complete artistic control”. Perhaps a risky move, but one that I think worked in this instance. Continue reading »

Sep 302013
 

I’ve been waiting for Blodsgard’s debut album for a long time. When I saw the title and the fantastic cover (conceived by the band and executed by Mark Cooper), I smiled. I wanted something monumental, and it seemed this was Blodsgard’s intent, too.

All told, the album is the result of five years’ of work that included extensive re-writing, re-arranging, and re-mastering. Four of the songs originally appeared on the band’s superb 2011 EP Solve Et Coagula (reviewed here), though they have been re-mastered for the album. Under a different name (“Mitt blod flyter”), the closing track also appeared in 2011 as part of a special limited release that we helped distribute (informally labeled A Taste of Future Darkness), though it has been changed in subtle ways. As far as I know, the other three tracks haven’t previously been made publicly available.

Even if you’re familiar with Solve Et Coagula, Monument will surprise you in its variety and in the extent to which Blodsgard’s sound has continued to evolve. And if this will be your first exposure to Blodsgard, something very special is waiting for you. Continue reading »

Sep 302013
 

I’ve been waiting for Blodsgard’s debut album for a long time. When I saw the title and the fantastic cover (conceived by the band and executed by Mark Cooper), I smiled. I wanted something monumental, and it seemed this was Blodsgard’s intent, too.

All told, the album is the result of five years’ of work that included extensive re-writing, re-arranging, and re-mastering. Four of the songs originally appeared on the band’s superb 2011 EP Solve Et Coagula (reviewed here), though they have been re-mastered for the album. Under a different name (“Mitt blod flyter”), the closing track also appeared in 2011 as part of a special limited release that we helped distribute (informally labeled A Taste of Future Darkness), though it has been changed in subtle ways. As far as I know, the other three tracks haven’t previously been made publicly available.

Even if you’re familiar with Solve Et Coagula, Monument will surprise you in its variety and in the extent to which Blodsgard’s sound has continued to evolve. And if this will be your first exposure to Blodsgard, something very special is waiting for you. Continue reading »

Jul 232013
 

The last few days I’ve fallen down on the job of watching for, and writing about, new music and news, because the old fucking day job has had me in one of those armlocks the cops use (used to use?) to choke out unruly citizens. But I’m at least going to make time to report on exciting new developments from two “old friends”.

BLODSGARD

Thanks to sharp-eyed NCS supporter Austin S-K, I found out that Blodsgard have posted to YouTube a “teaser reel” of song excerpts from their forthcoming album, Monument.

Back in mid-June I provided some updates about that forthcoming full-length debut (including the killer album cover by Mark Cooper of Mindrape Art), and that post is a good place to go if you want to find out more about the band and their previous demo releases. At that time, the band had posted on their website separate excerpts from each of the tracks on Monument, but as of today they’ve now packed them into a single “medley” clip that you can hear straight through. Continue reading »

Jun 162013
 

In recent days two bands I’m very high on have released teasers of music from albums I’ve been waiting on for a long time (with a level of eagerness that hasn’t diminished as the months have rolled by).

BLODSGARD

Norway’s Blodsgard haven’t yet released a full-length album, only three demos — but the debut album is on the way. Its title is Monument and it will soon be made available both digitally and on CD via a label called The Oath (an exact release date hasn’t been announced). Yesterday, the band unveiled the killer cover art for the album (above), created by one of my favorite metal artists, Mark Cooper (Mindrape Art), as well as excerpts of all the songs.

When I first found out about Blodsgard in September 2011, the most recent demo — a four-song offering called Solve et Coagula— hadn’t even been released for public distribution, and the band had no plans to do so. I got a chance to hear it and then obtained permission to provide a link to a special 3-song download for our readers, which included two tracks from Solve et Coagula plus another even more recent song, as a companion to my review. All three songs, which are still available for free, will appear in remastered form on the forthcoming album. Continue reading »

Dec 272011
 

Today we have Part 2 of this year’s list of the most infectious extreme metal songs, as determined by me and myself, but not the other parts of my fractured personality. To understand what this list is all about and how it was compiled, you may read the Introduction via this link. To see the selections that preceded this one, click the Category link on the right side of the page called MOST INFECTIOUS-2011.

Today’s first song should come as no surprise to anyone around these environs. Although Surtur Rising has been neglected on most year-end lists I’ve seen, I thought the album was a solid addition to Amon Amarth’s discography, with variety in the mood and pacing of the songs plus a satisfying helping of what we’ve all come to expect from a new release by Amon Amarth: catchy, galloping, Scandinavian melodic death metal suitable as accompaniment for fighting frost giants, or a night of raping and pillaging among close friends — or simply getting tanked to your eyebrows on hornfulls of mead.

Some have criticized Amon Amarth for being too predictable in their sound, but I guarantee you, if they changed the formula too much their fans would start burning shit to the ground like those Vikings on the album cover. Besides, it’s a winning formula in my alchemy book.

Surtur Rising includes several strong candidates for this list, but my favorite, and the one I think most infectious, is “War of the Gods”. In fact, I think it will take a rightful place in the pantheon of Amon Amarth classics. Continue reading »

Sep 222011
 

This post began, like so many of them do around here, with a recommendation. This recommendation came from a woman who goes by the name Raven Stead. She left a note on our Contact page urging us to listen to a Norwegian black metal band named Blodsgard, and she left links for that purpose.

The first link was to a music video for a song called “Mentalt Minefelt”. The video part of the clip looks like excerpts from a black-and-white silent movie involving nuns, implements of torture, and that fallen angel we’ve heard so much about for millennia, but who knows. What thoroughly grabbed me, however, was not the pictorial part of the video but the music. So I listened to the other songs for which Raven provided links, and fell for it like a chainsawed fir tree reaching for the ground. Just fucking cut off at the roots.

That led to a correspondence with Raven, who has been working as a U.S. representative of the band, which in turn led to downloads of Blodsgard’s music (including several songs that will appear on the band’s debut album) and ultimately to a treat we’re now able to provide NCS readers — a link for the download of new music from this killer band. It’s funny how things work out sometimes if you just go with the flow, particularly when the flow leads to music that so thoroughly seizes your interest, as Blodsgard has for me.

This band started life in 2006 under the direction of Blodsgard’s songwriter, vocalist, and guitarist Fredrik R and now includes drummer Kenneth Mellum (Formloff, Scarvest, Myrkgrav, Mistur) and lyricist Stein Akslen. In its earliest incarnation, Blodsgard created a full-length demo called Nuclear Extinction. Initially, it was created in extremely limited supply for fans, and it sold out quickly, though the band have now made it available for download via their web site. (more after the jump  . . .) Continue reading »