Oct 252018
 

 

“It’s death metal” doesn’t really tell you very much, which is why fans of extreme music long ago began inventing an ever-expanding, increasingly-hyphenated roster of sub-genres. I suppose one of those is “ritualistic death metal”, a kind of phrase that’s difficult to define but you sort of know it when you hear it… sort of. However, my use of the label “Death Rituals” for occasional posts like this one isn’t really intended to describe the style of music, it’s just a short-hand preview of the fact that I’ve decided to devote a round-up of new music to different styles of death metal, and that’s what you’ll find below.

SULPHUR AEON

I’ll go out on a limb and assert that Sulphur Aeon’s Swallowed By the Ocean’s Tide was one of the most explosive death metal debuts of the last 10 years. It didn’t hurt that the cover art by Ola Larsson was equally attention-grabbing. Together, the art and the music vaulted this German band onto the radar screens of fans and critics across the metal-listening parts of the globe in strikingly impressive fashion, and they cemented their reputation with 2015’s Gateway to the Antisphere. Now Sulphur Aeon and Ola Larsson have joined forces again for the band’s third album, The Scythe of Cosmic Chaos. Continue reading »

Apr 042016
 

BOTWtitle

 

NCS IntroductionKaptain Carbon returns to NCS with a review of the second Blood of the Wolf Fest , which took place in Lexington, Kentucky, on March 26-27, 2016.  He also took all of the photos that accompany the review — most of which you will find at the end.  Kaptain Carbon operates Tape Wyrm, a blog dedicated to current and lesser known heavy metal. He also writes Dungeon Synth reviews over at Hollywood Metal as well as moderating Reddit’s r/metal community.

“He is Risen!”, they shouted in an authentic southern accent with mocking glee. This was Easter Sunday in the thick of Kentucky during one lull between songs at the second Blood of the Wolf festival. The crowd celebrated the fact that it was, in fact, Easter sunday and the whole weekend was centered around macabre imagery of rising dead. What I am surprised about in this anecdote was not the fact that it happened but how little it happened over the course of Good Friday to the holiest of Sundays. In fact, the whole festival, which drew bands and fans from the midwest and eastern coast of the US, appeared to be more grateful than blasphemous. How can you really be spiteful when you have three days of gorgeous weather, a craft beer garden, and a host of raw, unyielding death metal bands? Continue reading »