OUR LIST OF 2018’S MOST INFECTIOUS EXTREME METAL SONGS (PART 17): BORN TO MURDER THE WORLD AND ANAAL NATHRAKH

 MOST INFECTIOUS SONGS-2018  3 Responses »
Jan 302019
 

 

I may have made a mistake with this 17th installment of my expanding list of infectious songs — not in the choice of the two tracks, because I do find them damned infectious, but in the decisions to pair them in a single place instead of dispersing them among different Parts of the list. Because, as you’ll see, they seem like fraternal twins — closely related though not monozygotic (there, maybe some of you just discovered a new word). The two tracks do share a parent (Mick Kenney), which may have something to do with the sonic kinship.

By the way, we’re now 42 tracks into this list, and based on past experience we’re more than halfway through. I will continue doing this through the impending end of this month and at least a couple weeks into February. If you’re one of those ornery types who thinks the list is already excessive, that’s tough, because I don’t care and you can’t stop me. If you want to check out the preceding 40 songs, they’re collected here.

BORN TO MURDER THE WORLD

My pal DGR was a big backer of this band (and I do mean BIG) from the moment when he first heard of its existence (“a band made just for me”). Born To Murder The World was started by Shane Embury (Napalm Death, Brujeria, etc.) and the afore-mentioned Mick Kenney (Anaal Nathrakh/Mistress), joined by vocalist Duncan Wilkins (Fukpig, Mistress), and their debut output, The Infinite Mirror Of Millennial Narcissism (ouch!) was released last August. Continue reading »

DGR’S QUEST TO TURN 2018 INTO A COFFEE TABLE BOOK – ISSUE FOUR: 20-11

 LISTMANIA 2018  12 Responses »
Jan 032019
 

 

(Here’s the fourth installment of DGR’s 5-part year-end effort to sink our site beneath an avalanche of words and a deluge of music. The concluding Top 10 will appear tomorrow.)

A confession: For a long time the only words in this whole writeup prior to me breaking the whole thing into five parts and actually listing the bands was just a whole bunch of swear words. Even though I’ve been doing this for nine years now I still will occasionally try things I learned in writing classes over the years or even some things I’ve read about since then. Stream-of-consciousness writing is one of those, but the only thing I’ve learned from doing that in the context of talking about albums of the year is that I’ve assembled a pretty neat collection of permutations of the word ‘fuck’ that I’ve gathered from popular culture over the years.

It was at this point that I began going back through our review archives so that I could even remember what came out this year. Metal-Archives is also a tremendous help in that regard, since I often can’t remember what I talked about in January unless I’ve listened to it since then. It’s also one of my favorite things to do because I get to have a laugh at how far back I have to go in the segment tagged ‘Reviews’ on the site. I know that we’ve missed more than a few albums, but as it stands now,  our first review of something from 2018 is about forty pages back. And there can be anywhere between five to fifteen albums per page of results — depending on how we grouped them for each article.

I know that’s just reflective of the ‘relentless march of hashtag content’ that the internet has become, but it still makes me smile. If I ever need a reminder that heavy metal is — somehow, despite all the odds and all the editorials about rock music dying — a lively as all hell genre, that’s enough for me. I guess there will always be room for cathartic release via loud instruments, or the various experimentations outside of the tradional music sphere to which this genre loans itself. Continue reading »

DGR REVIEW COLLECTION: SECTIONED, BORN TO MURDER THE WORLD, PSYCHOTIC PULSE, CLANDESTINE REVELATION, THE BREATHING PROCESS, DEPTHS OF HATRED

 Album Reviews, RANDOM FUCKING MUSIC  3 Responses »
Sep 052018
 


Sectioned

 

(DGR prepared this large collection of reviews and streams, addressing some older and some newer music, and some things that haven’t yet arrived in full.)

This poor review collection saw more permutations than I’d be willing to admit, with so many different groups being added and removed for fear that I hadn’t spent enough time with a disc and so wouldn’t be able to speak about it properly, that the body count has to be in the double digits by this point. What this thing did move into was something of a themed archive of releases — bookended by earlier albums but with two that are much more recent, and with preview songs from two upcoming releases in the middle to help transition over the two.

What I found I was listening to recently was the real heavy and destructive forces of powerviolence, death metal, and grind, and on the other side of the spectrum, some real caveman level prefix-core styled music as well, just ones with a taste for the symphonic and speed on top of it. It was fortuitous then that on top of that I had a small collection of singles for upcoming (maybe? in one case) releases that I wanted to talk about that felt like suitable bridges between the two, so that our esteemed editor would’ve have to cleave this poor baby in twain; it kind of felt like a perfect thematic walk along the admittedly arbitrary spectrum brought before you.

Much like my much larger review nightmare collections, this one includes four albums but with somewhat shortened reviews, and all come highly recommended. Fingers crossed, maybe you’ll find something to enjoy as well, once you’re able to scrape your face off of the wall behind you. Continue reading »

QUICK HITS: THE SPIRIT, BORN TO MURDER THE WORLD, CHTHE’ILIST

 Album Reviews, RANDOM FUCKING MUSIC, SHORT BUT SWEET  2 Responses »
Jun 162018
 

 

I’m still grateful to my friend Andy, whose Waxing Lyrical series continues to relieve my compulsion to come up with something new to post here on Saturdays. And as you can see, I’m still not completely free of the compulsion. I’ve also now abandoned the goal of this week-long series of Quick Hits as a vehicle for catching up on new music from the last two weeks. For the third day in a row, I’ve again been diverted by late-breaking releases: Everything collected here appeared yesterday or the day before.

THE SPIRIT

Last fall Germany’s The Spirit self-released an enormously impressive debut album entitled Sounds From the Vortex. In April, Nuclear Blast announced that they had signed the band, and yesterday revealed that they would be re-issuing Sounds From the Vortex on August 10th in CD, LP, and digital editions (with new cover art). To celebrate the occasion, Nuclear Blast released a lyric video for an album track named “The Clouds of Damnation“, which happens to be my favorite track from that record. And so, although many of you are no doubt familiar with the music through that previous self-release, I wanted to start today’s round-up with that new video. Continue reading »