Mar 262020
 

 

Although a new alliance, the Finnish black metal band Bythos boasts a seasoned line-up of performers who come from other groups whose names will be known to every fan of black metal — Behexen, Horna, Sargeist, and Ajattara. In this new formation they’ve combined their talents to create an album that is thematically “an interdimensional view of the underworld and its deities, emphasising strongly on the spiritual evolution to liberate the imprisoned powers, and make one with the outer darkness”.

As further described, The Womb of Zero deals with: “The resetting of the divine plans through destruction and rising above limitations of life. Beauty in destruction, destruction in beauty. A sonic interpretation of what once was, and our constant path of devolution towards the Luciferian dawn”.

We share these insights first, because the music within the album translates these lyrical themes so well, and so powerfully, creating sensations of both chaos and transcendence, of fury and exultation, of menace and magic. We have a great example of these achievements in the song we’re presenting today through an occult-themed video, in advance of the album’s April 24 release by the esteemed Terratur Possessions. Prepare for “Sorath the Opposer“. Continue reading »

Mar 222020
 

 

I’m still working my way through that list of 80 potentially interesting new songs and full releases that I mentioned in Part 1 of this big round-up. Of course, not all of those 80 are going to pass my smell test, and I couldn’t write about all of them even if they did. But there’s still a lot I want to recommend, and so with the exception of the first item below, I’ll just be offering brief impressions along with the streams.

If all goes as planned, there will be a Part 3 tomorrow. A SHADES OF BLACK column will follow this one today, whenever I finish writing it.

GÖDEN (U.S.)

From 1989 to 1994 Winter released only one demo tape (Hour of Doom), one album (Into Darkness), and one EP (Eternal Frost), and nothing since then. But those recordings were enough to cement their place in the history of extreme metal and to become the jumping-off point for countless other bands in the doom and sludge genres for the last 30 years. And thus when Svart Records announced weeks ago that it would be releasing an album by a band it characterized as “a long-awaited continuation of what Winter would have been”, I sat up and paid attention. Continue reading »