FIVE OF MY FAVOURITE . . . BANDS WHO SHOULD HAVE BEEN HUGE

 RANDOM FUCKING MUSIC  39 Responses »
Apr 112013
 

(Andy Synn is back with yet another of his five-item lists of favorite things.)

TheMadIsraeli’s review of the newest Killswitch album (which I still haven’t actually gotten around to listening to) got me thinking, mostly about missed chances and wasted potential. As a fan of KsE, even I have to acknowledge that, due to a variety of factors, some beyond their control, some due to their own decision-making, the band may have squandered some of their early potential.

That may sound rather harsh; it’s not meant to be but it may sound it. But I think it’s unfortunately an accurate assessment of things as they stand. Losing Jesse, the stalling of their initial momentum while they recruited Howard, the more simplistic, mainstream leanings that sanitised their most recent work… all these combined with the general state of the music industry and some unfortunate timing, have meant that the band never reached the “megastar” status which was, however fleetingly, hinted at by their early potential.

Now I know what you’re thinking. Killswitch Engage are pretty damn mainstream, at least by metal standards, right? Well that’s kind of my point… we often forget, we proud underground warriors, that for most bands, being part of the metal “mainstream” means fuck all to the “actual” mainstream. Bands with legitimate underground cred who get the merest sniff of wider exposure are immediately attacked for “selling-out” even when they’ve not changed a thing, they just happened to be in the right place at the right time.

But what I’m talking about here are five bands who had the possibility, however slight, of achieving real recognition (mainstream or otherwise), real status, without sacrificing their integrity or identity, but for whom it never quite “happened”. Continue reading »

“BYZANTINE”: OUR REVIEW AND A FULL STREAM OF THE NEW ALBUM

 Album Reviews, Premieres  27 Responses »
Feb 272013
 

(The long-awaited fourth album by West Virginia’s Byzantine is out now, and we’re delighted to provide a full stream of the new album along with TheMadIsraeli’s review.)

I wish I could find a way to adequately express how much I was absolutely frothing at the mouth in anticipation of this album.  You’ve got to understand, this is a band who I musically idolized but who I thought had called it quits for good, and while I wasn’t originally stoked on the reunion since it lacked an integral founding member, his rejoining the band soon after sealed the deal for me.  Byzantine were back in business and ass kicking was soon to follow.

I’ve sung the praises of this band to the high heavens on this site already, so if you are unfamiliar with these guys or have forgotten what they’re about, go read my Byzantine discography retrospective, which also included their three previous albums for download.  Get educated.

Anyone who thinks that this album is a mere sequel to Oblivion Beckons would be sorely mistaken.  These guys have been out of the band game for five years, but have still pursued music in a personal way and have thus evolved.  What we have here isn’t a different Byzantine, but definitely a wiser, more sophisticated and diverse Byzantine.  Continue reading »

VIDEOGRAPHY: NEW FILM FROM INCANTATION, HANGING GARDEN, AND BYZANTINE

 RANDOM FUCKING MUSIC  7 Responses »
Feb 142013
 

The last 24 hours brought three new music videos that I thought were worth throwing your way — three quite different forms of metal and three quite different uses of visual accompaniment, but all worth seeing and hearing. The bands are Incantation (U.S.), Hanging Garden (Finland), and Byzantine (U.S.).

INCANTATION

This seminal NYDM band’s new album Vanquish in Vengeance, their first in half a decade, was released last fall by Listenable Records.  It has been very well-received, and rightly so. It bears the hallmarks of Incantation’s well-defined morbid, crushing style, but with a crisper, more modernized sound, and it’s packed with varied, well-written songs. The album opener “Invoked Infinity” sets the tone for the album, summoning up atmospherics of the occult and the doomed while also ripping flesh with a storm of razor-edged guitar work.

This morning the band premiered a video for the song that captures the mortuary air of the track — because it was filmed in an actual, decaying, turn-of-the-century funeral home. Here you go: Continue reading »

AN NCS VIDEO PREMIERE: BYZANTINE’S “SOUL ERASER”

 Premieres  8 Responses »
Jan 112013
 

It was a very sad day when West Virginia’s Byzantine dissolved roughly five years ago following the release of Oblivion Beckons. But as everyone knows by now, Byzantine are back with a new, self-titled album that’s set for release on February 26. We’ve had the good fortune of hearing it in advance, and it’s going to blow people away.

We’ve already featured (here) a lyric video for the first track from the album that Byzantine released — “Signal Path” — and today we’re privileged to debut the band’s official music video for another song: “Soul Eraser”.

One of the hallmarks of the new album (in addition to massive grove) is its musical diversity, and “Soul Eraser” is a good example of that. In addition to bringing a truckload of stomping, jabbing, pummeling riffs and rhythms, it’s built around a melody that will get stuck in your head awful damned fast. The song also includes spiraling lead guitar work and a whole lot of vocal diversity. And when the song really cuts loose at about the 3:00 mark, hold on to your hats. Continue reading »

THIS AND THAT: SOILWORK, TOMAHAWK, BYZANTINE, SOM PLUIJMERS, AND FREDRIK WIDIGS

 Metal News, RANDOM FUCKING MUSIC  5 Responses »
Dec 012012
 

In here: A few things I noticed this morning.

SOILWORK

Soilwork’s ninth studio album The Living Infinite, which will be a two-disc release, is now scheduled for release by Nuclear Blast on March 1 in Europe, and March 5 in North America. Late yesterday, the cover art was unveiled. The artist is Mnemic’s Mircea Eftemie Gabriel. He also created the artwork for Soilwork’s Stabbing The Drama album seven years ago. It’s a change from the style of the band’s last few covers, and I’m liking it. It seems to have a nautical theme; I don’t know how that connects to the music, but we’ll find out.

Nuclear Blast also released the album’s track list: There are a total of 20 songs. I’m sure there will be some catchy melodic ones in there, but I’m hoping for some old-school Soilwork head-wreckers, too.

TOMAHAWK

This morning I also saw four new music videos. The first one isn’t metal. It’s for a song named “Stone Letter” by Tomahawk, who we last featured here. Tomahawk consists of Mike Patton (Faith No More, Mr. Bungle) plus a bunch of other interesting musicians: Duane Denison (The Jesus Lizard, Unsemble), Trevor Dunn (Fantomas, Melvins Lite), and John Stanier (Battles, Helmet). Five years have passed since their last release, but they’ve got a new album coming in January called Oddfellows. Continue reading »

EYE-CATCHERS: BYZANTINE, PORTAL, AND KONGH

 Eye-Catchers, Metal News, RANDOM FUCKING MUSIC  11 Responses »
Nov 282012
 

Time for another daily round-up of things I saw and heard this morning while snooping around the web that I thought were worth sharing. There’s one thing (and only one thing) that all three of the following items have in common: They all involve genuinely eye-catching cover art. The bands are Byzantine (U.S.), Portal (Australia), and KONGH (Sweden).

BYZANTINE

It was a very sad day when West Virginia’s Byzantine dissolved roughly five years ago following the release of Oblivion Beckons. The band broke a lot of ground while they were up and running, they had talent in spades, and they clearly weren’t the kind of outfit who were going to remain static in their musical approach as time passed. Much time did pass without new Byzantine music, but as we were thrilled to report much earlier this year, Byzantine have reunited.

They’ve completed recording a new album, self-titled, that’s currently scheduled for release on February 26 via Gravedancer Records. We’ve been tremendously fortunate to get an advance listen to the album, and all I can say at this point is that it more than makes up for those long years of silence. This is a mature band who have created something quite diverse and really special from end to end.

Today, they’ve unveiled a new song from the album by the name of “Signal Path”. I said the album is diverse, and so I don’t think any one song could really stand as representative of the whole, but “Signal Path” does display the kind of masterful integration of disparate elements that’s indicative of what the album brings — in this case, massive groove, infectious melody, soulful/gritty vocals, blazing guitar leads, and jazz-influenced soloing. Continue reading »

BYZANTINE UPDATE: THE “PATHOGEN” PLAYTHROUGH

 RANDOM FUCKING MUSIC  1 Response »
Jun 052012
 

I’m writing this post in the Seattle ferry terminal at 11:45 p.m. on a Monday night, waiting for the 12:15 a.m. sailing that will take me home. But being still awake in a place I’d rather not be, instead of fast asleep in my own bed, turns out to have its compensations. I turned on my laptop, because that seemed like a better idea than staring at the other bleary-eyed derelicts waiting for the same ferry boat, and what did I spy but a just-released play-through video of a new Byzantine song by Chris (“O.J.”) Ojeda.

We’ve been spreading the gospel of the reborn Byzantine since we first found out about their reunion in January. More than four years have passed since their last album, Oblivion Beckons, and it seemed for a long time than Oblivion Beckons was the band’s swan song. But they are back, with the original line-up in place, anchored by Chris Ojeda and Byzantine’s other masterful guitarist Tony Rohrbaugh.

Byzantine was way ahead of their time, and the passage of time has only proved just how far ahead of things they were, because their albums still sound fresh and immediate. I can still vividly remember my wide-eyed reaction at hearing their full-length debut, The Fundamental Component, and then watching with fascination as they progressed through …And They Shall Take Up Serpents and Oblivion Beckons. They’ve already staked their place in the evolution of metal, but they clearly haven’t lost the drive, the song-writing creativity, and the technical skill that produced those albums.

Last night, Chris Ojeda finished tracking the rhythm guitars for the band’s new album, at past 2 a.m., West Virginia time. And to celebrate the occasion, he ripped a play-through of a song called “Pathogen”, which he said nearly didn’t make the cut for the new album. And sitting in the un-cozy confines of the Seattle ferry terminal, I heard it soon after it went up on YouTube, and now you can, too. Continue reading »

GRAVEDANCER: BYZANTINE, CHROME WAVES, AND CONAN

 Metal News, RANDOM FUCKING MUSIC  4 Responses »
Mar 292012
 

Josh Eldridge used to be head of publicity at Century Media Records, and then later in business development and A&R. I remember him fondly because he was the first major label rep who gave NCS a shot at a song premiere for a big-name band (Deicide’s “How Can You Call Yourself A God”). Later still, he became the head of marketing for The MuseBox marketing company and founded his own business called ConspiracyPR.

Now, in partnership with MuseBox, he has formed a new metal label called Gravedancer Records and has made a deal for worldwide distribution of the label’s first three signings by EMI. And these aren’t just any three signings. The first bands signed to Gravedancer are Byzantine, Chrome Waves, and Conan. This shows extremely good taste (not that we hold ourselves out as arbiters of taste, of course), and a reason to pay attention to what Eldridge and Gravedancer do next. Allow me to elaborate:

BYZANTINE

The revival of this West Virginia band, with the reuniting of Chris Ojeda and Tony Rohrbaugh, was one of the real bright spots of news in 2011. TheMadIsraeli interviewed both of them for this post in February, and we’ve been following their progress closely. Small pieces of awesome music have surfaced now and then, enough to make us confident that Byzantine’s next album will be something special. The most recent taste of what’s to come is a Chris Ojeda playthrough that has now appeared on YouTube. That’s the first thing that will greet you after the jump. Continue reading »

AN NCS INTERVIEW: CHRIS OJEDA AND TONY ROHRBOUGH (BYZANTINE)

 Interviews  3 Responses »
Feb 142012
 

(TheMadIsraeli scored this interview of two very talented dudes — Chris (“OJ”) Ojeda and Tony Rohrbough — of the revived and rejuvenated Byzantine. We could hardly be more excited about the rise of this band from the ashes and the promise of new music to come. We wrote about them most recently HERE, in a post that included their appeal for help with a Kickstarter campaign to assist in the financing of the new album — a goal that has already been met and exceeded. But the campaign is still open, and you can GO HERE to contribute.)

It seems appropriate to do this after Byzantine officially reached and exceeded their Kickstarter goal.  Now, production of a new album can officially commence in earnest, and I’m quite looking forward to seeing and hearing what will happen.  I hope you will enjoy reading this interview of Chris Ojeda and Tony Rohrbough as much as I enjoyed doing it.

Alright guys, I don’t want to bother with the bullshit formalities.  Let’s start with what I think of as the ideal opening question is here.  Byzantine: What happened to break you guys up, why did it happen, and why did you get back together?

CHRIS OJEDA: My perception of what happened is this: and it might differ from the other guys because we all were dealing with this internally and processing it differently… We signed a deal with a label and we didn’t really know what we were doing and weren’t prepared for the task at hand. And by task at hand, I mean, going broke, working shit jobs between tours, and not having one single thing in common with your boss at the record label. It started out nice, turned sour and then ate away at our friendships.

When you’re in a touring band, certain things are destined to happen if you do it long enough. 1: You will begin to lose sight of why you became a musician. 2: Relationships will falter back home and/or family members will die while you are gone and you will resent it. 3: Your hatred for your spiraling life will turn and focus its vitriol on your band mates because… well, because they are there. We essentially signed a recording contract, said “Fuck it! Sink or swim”, tied an imaginary chain around ourselves and dove into the water. Unfortunately, I was the first band member to wiggle out of the chains and swim for shore. I bailed. A divorce happened between friends and we wound up not playing music for the better half of 4 years. Wow… that was long winded!!! LMAO! Continue reading »

A BYZANTINE UPDATE (AND IT’S A BIG ONE)

 Metal News  20 Responses »
Jan 272012
 

“Byzantine is one of the most original, most kick-ass, most awesome metal bands in the last 10 years and SHAME ON YOU IF YOU DON’T KNOW WHO THEY ARE.  No one else has yet reproduced their combination of Bay Area thrash metal, death metal, Meshuggah math-metal stylings, jazz fusion, and the grooves and melodic nature of the post-thrash movement and made it all work so seamlessly and so well.”

That’s how NCS writer TheMadIsraeli began his retrospective on Byzantine’s discography at this site last August, a look-back that included downloads of the band’s three albums (with permission). In that same post, we reported that Byzantine had re-formed (minus Tony Rohrbough) and was working on new music.

Yesterday, we received the official announcement of Byzantine’s resurrection, almost four years to the day since their last album, Oblivion Beckons, was released — and it’s a complete reunion of all original members: Chris (“OJ”) Ojeda (vocals, rhythm guitar), Tony Rohrbough (lead guitar); Michael (“Skip”) Cromer (bass), and Matt Wolfe (drums). Here’s the statement from Chris Ojeda:

“We’ve all kept in contact through the past few years and have worked on each other’s projects as well. With our guitarist Tony moving back to WV from NC, we decided it would be a perfect opportunity to hang out again and jam. Before we knew it, we were tossing around riffs and song ideas and realized we had what seemed to be the foundation for a pretty kick ass Byzantine album.”

This is a band who were ahead of their time, and the time is certainly right for their reappearance. But they’re looking for help from fans. Continue reading »

 Older Entries  Newer Entries