(We are delighted that Vizzah Harri (South Africa born and Vietnam resident) has returned to us after some time away, and has brought with him a typically distinctive review of Sour Risk, a new album released in September by Cemetery Trip, preceded by typically distinctive reviews of all the Cemetery Trip releases that have preceded it.)
There are times when we just want more of the same, stuff of old that we grew up with or last year’s best but perhaps by now worn out overplayed. We are all creatures of habit and we can all fall for the trap of thinking deviating from course would be less fruitful than staying it. In metal lore there are the supposed big shifts of note when bands take an avant-garde or post-ish turn, perhaps they stopped growling or even using riffs for that matter! Gasp, the horror.
There was a time that I was appalled by the idea of change. Continue reading »
