Nov 182024
 

(Andy Synn presents three more high quality cuts of pure, A-grade British beef)

Let me tell you something… I love my band, and I love the music that we make (did I mention that we have a new EP out this Friday?) but the truth is we’ve never really found where we belong in the UK Metal scene.

Don’t get me wrong, we’ve played with and befriended some great bands, and at one point even had our own little mini-clique of others like us (Rannoch, Talanas, Spires, Luna’s Call) who also didn’t really “fit in”.

But we’ve always felt like (and, as far as I can tell, been considered) “outsiders”.

However, the three bands I’m talking about today are not only three of the most promising acts in the UK scene (two of whom recently released their long-awaited sophomore albums, with the third being about to release their highly anticipated debut) but could all easily fit together on one bill without sacrificing their own distinct identities.

Which, I guess, also makes them the perfect picks for this edition of “The Best of British”!

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Aug 272022
 

I’ll dispense with the usual long-winded introduction to this Saturday round-up and just say that to assemble today’s collection I picked five songs from forthcoming albums, and chose them not only because I think they’re all extremely good and very intense, but also because the twists and turns from one to the next (and sometimes inside them individually) will keep you on your proverbial toes.

MORTUOUS (U.S.)

It’s difficult to pick out the most memorable aspect of the first song (“Graveyard Rain“) that I’ve chosen for today’s round-up, but it might be the spectral ring of mournful guitar (and perhaps piano) arpeggios that create a mood of haunting sorrow during the track’s slower and more magisterial movements.

But a stupefying death metal maelstrom surrounds those moments — a massed assault of maniacal riffing, thunderous drumming, and truly abyssal growls that sound like the fury of an ancient crocodile god. However, despite the breathtaking power and ferocity of the barrage, the song is also home to some killer riffs, and a magnetic solo, and the tornado of sound doesn’t obscure them. Continue reading »