AN NCS INTERVIEW: PYRE

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Apr 082025
 

(Today we share Comrade Aleks‘ interview with Dmitry “Dym Nox”, the drummer, bassist, and vocalist of the Russian death metal band Pyre, whose latest album has been out for a couple of months on the Osmose label.)

Pyre is probably the most powerful and recognized Russian death metal band, and the release of their third album Where Obscurity Sways at the end of January on Osmose Productions was an event.

The previous album Chained to Ossuaries was recorded five years ago by Dmitry “Dym Nox” (drums, bass, vocals), Roman Rotten (guitars), and Fred Obsinner (guitars). It was a strange experience for the band: Pyre were then on a tight deadline, there were problems with the drummer, and they, as never before, wrote and recorded all the material in a year, and it was immediately released. And Dmitry considers Where Obscurity Sways as a spontaneous continuation of its predecessor, but on a different level both in general and in production.

According to him, the band is currently euphoric about the result, especially since the new material was recorded with drummer Oleg “Malleus”, with whom Pyre had been playing together for a long time and testing out ideas. The result is impressive. I interviewed Dmitry for the Dark City magazine, and as soon as the current issue is released, I’d like to share this interview with you.

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AN NCS INTERVIEW: CARCOLH

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Apr 042025
 

(In February we had the pleasure of premiering and reviewing the newest album by the French doom band Carcolh, which is out now on Sleeping Church Records. Today we present Comrade Aleks‘ new interview with Carcolh vocalist Sébastien Fanton, and he again proves to be a wonderful conversationist.)

Five men from Bordeaux love and know how to make smart, traditional, almost textbook doom metal. And why not! Most of them did it years before Carcolh, and, let’s face it, they are professionals in their field.

“Carcolh” is a mythical half-snake, half-snail from French folklore, but this does not mean that the guys are “barely dragging their feet.” They managed to tell six stories in the 46 minutes of their third full-length Twilight of the Mortals, revealing in their own way the nature of human tragedies in the sublunary world.

This album shows that Carcolh maybe do not progress in a global sense of the word, but confidently move forward enriching their soundscapes with a lot of new nuances and semi-colours. All the instruments sound heavy, clear, rational, and tasteful. Sébastien Fanton’s vocal lines are harmonious and noble, matching the themes performed by his colleagues. Twilight of the Mortals is far from monotonous; its pace varies from the furious gallop of “The Battle Is Lost” to the crushing dirge of “My Prayers Are for Rain” or the twelve-minute long, multifaceted, and saturated “Empty Thrones”.

This material isn’t something one could easily digest in a case you aren’t into traditional doom metal, yet we did the interview with Sébastien, and it may help you to get how cool Carcolh are. Continue reading »

AN NCS INTERVIEW: CONAN

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Mar 262025
 

(Lured by the impending release of a new Conan album on Heavy Psych Sounds, our Comrade Aleks got in touch with band leader Jon Davis, and below you’ll find their discussion — and the three singles released so far  from Violence Dimension.)

The UK’s heaviest band strikes back with all the power of the gargantuan barbarian sword. The name itself fit well for the music that Jon Davis and his companions played from the start – dirty, ugly, and damn heavy sludge-doom with a hypnotizing stoner vibe. Conan honed their skills with each new album and made a huge leap onward from the point where they started to their current firm position in the global extreme metal scene.

Conan built the legend on their own, but moreover they somehow managed to develop their sound further with the new album Violence Dimension, a masterpiece of heaviness and brutality. Somehow we caught Jon for a while during the band’s current tour and here’s what we were able to learn from him:

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AN NCS INTERVIEW: HOROH

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Mar 212025
 

(In February the French death metal band Horoh released their second album on Crypt of Dr. Gore — reviewed here by our contributor Zoltar — and today we have Comrade Aleks‘ interview with this horror-loving band’s two veteran members.)

French death-metal duo Horoh consists of Sébastien (vocals) and J. (all instruments). Both men live in different parts of France, so I doubt that Horoh will outgrow its status of a studio project. And yet the fresh Horde of Horror is their new album released only two years after the debut Aberration. Crypt of Dr. Gore released this 39-minute-long knot of gore, death, and unspeakable horrors in a form of quite old fashioned death metal.

Sébastien and J. spent many years performing different kinds of metal, so… an old horse doesn’t spoil a furrow… or how do you pronounce that? However, here we have a quite lively and fun conversation with both men. Hi there! Continue reading »

AN NCS INTERVIEW: ONIROPHAGUS

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Feb 282025
 

(In January of this year Personal Records released a powerhouse new album by the Spanish death/doom band Onirophagus. Our Comrade Aleks gives it a very good quick review below, along with his very enjoyable interview with the band’s vocalist, Paingrinder.)

Catalan death-doom band Onirophagus have been through a lineup rotation since the release of their second album Endarkenment (Illumination through Putrefaction) in 2019, and with two new guitarists and a bassist in the lineup, they have recorded 45 minutes of material under the title Revelations from the Void.

Initially, Onirophagus focused on the legacy of the grimmest death-doom bands of the past, those that avoided melodrama and “gothic sentiments”. And how could it be otherwise, if almost all the members either previously performed or still perform in thrash and death bands? Perhaps that is why the new album is so heterogeneous, although sustained in a single style.

In some places, Onirophagus pulls the veins with classic depressive doom, a model of dissonance; in others they deafen with a death metal attack in the name of Incantation; and in others they invite us into the paranoid nightmare of Esoteric. The mixture of these influences serves the purpose of creating the individuality of the band. Even the violin, appearing in “Black Brew”, plays its part in an unexpected schizophrenic style.

I guess, you can hear the rebellion of the bands from the noughties in Onirophagus, those who found the key to depicting madness with the help of new combinations of familiar formulas. These crushing and murderously dark compositions can be majestic and even melodic, and in this contrast lies their aesthetic value. The band almost never returns to the theme played within the track, preferring to move on from plot to plot. After all, Revelations from the Void is a conceptual album and the musical accompaniment of this story is appropriate. Onirophagus did everything right. Continue reading »

AN NCS INTERVIEW: OLD FOREST

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Feb 252025
 

(James Fogarty is a man of many talents and musical incarnations, but clearly one of his favorites is in the guise of Kobold within the British black metal band Old Forest. That band, and their newest album Graveside (out now on Soulseller Records) is the focus of Comrade Aleks‘ interview with him that we present today, though the discussion turns to come of his many other projects and bands as well.)

Bands practicing any of the old school genres nowadays do not have to be original, they are not required to be. We approach such bands with a very specific request and expect to receive impressions conditioned by a clear code, a set of musical, lyrical and visual attributes common to the genre.

British black metal band Old Forest does not hide its intentions to express itself with the traditional features of the “second wave of black”. The name and logo itself, and the cover of the new album based on the 18th century painting ‘Moonlit Stoke Poges Cemetery’, exude a unique old-fashioned charm. Song titles such as “The Curse of the Vampire”, “Forgotten Graves”, “Spawn of the Witch” and so on categorically indicate the subject of their lyrics.

Although the label describes Old Forest’s approach to recording as “primitive and regressive”, this does not mean that Graveside will irritate your eardrums with its sound like the scraping of dead man’s claws on your window pane. Old Forest‘s eighth album is an honest and artful piece taken to the extreme level of verisimilitude. Their moderately angry, sincere, coffin-grim black metal comes straight from the ’90s, which is not surprising if you remember that the band has been active since 1998. With a deliberately simplified approach to writing music and a general tendency towards traditionally repetitive themes that build up the atmosphere, Old Forest catches you with memorable, sharp solos, rhythm changes, and even vocal melodies or the utterly vampiric harpsichord’s tunes.

Here’s the interview Kobold conducted with us soon after the Graveside release on Soulseller Records. Continue reading »

AN NCS INTERVIEW: PENTAGRAM

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Feb 242025
 

(At the end of January the US doom metal legends Pentagram, in collaboration with Heavy Psych Sounds, returned with their first new studio album in a decade. Not long before it was released, our Comrade Aleks reached out and then conducted the following very good interview with current Pentagram guitarist and sound producer Tony Reed, who also leads Mos Generator and Hot Spring Water. With thanks to Tony Reed, we present that interview today.)

The first incarnation of doom metal legend Pentagram was founded in 1971. Back then Bobby Liebling (vocals) gathered around himself a bunch of like-minded persons who dug heavy bluesy rock and wanted to do their own things. The band had a reputation of “street Black Sabbath”, and a lot of talented musicians went through its ranks.

Almost all of Pentagram‘s rises and falls were the result of Bobby’s actions, and it’s a miracle that after so many years the band is still alive. Nearly 40 musicians went through the band, and nowadays Bobby is accompanied by the guitarist and sound producer Tony Reed of Mos Generator, his colleague bass-player Scooter Haslip, and drummer Henry Vasquez from Saint Vitus, Legions of Doom, and more.

At the time of this interview Heavy Psych Sounds was scheduled to release the new Pentagram album Lightning in a Bottle on January 31st. It’s the tenth album in the band’s extended career (and the first one in this decade), and it’s an absolute killer, something I couldn’t ignore. Tony Reed was kind enough to find some free time in his busy schedule and helped with this interview. Continue reading »

AN NCS INTERVIEW: DEATHRITE

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Feb 212025
 

(Last fall, the German band Deathrite released their fifth album, and our Comrade Aleks got in touch with them to find out more about it. After some delays, we’re finally able to bring it to you today.)

Hell! The fifth album of Deathrite, Flames Licking Fever, was released in October 2024, and we managed to organize this interview with these guys from Dresden exclusively fast. But Ruinous Powers interfered at some point, and this fast interview arrived only in the winter of 2025.

A feverish and lunatic mix of deranged death metal and hardcore punk doesn’t need a long introduction. Dig or die. But read it before you choose any of these options. Continue reading »

AN NCS INTERVIEW: JORDAN WHITEMAN (AND “THE UNLIKELY STORY OF DUNGEON SYNTH”)

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Feb 122025
 


photo by Betsy Whiteman

(In this interview with writer Jordan Whiteman, Comrade Aleks delved deeply into the story behind Whiteman‘s recently published book about the history of dungeon synth, and the passion required to make the book a reality. Like the book, the discussion is essential reading for any fan of the subgenre, and for anyone interested in exploring it for the first time.)

Released in December 2024 by Cult Never Dies, the book The Unlikely Story of Dungeon Synth became a good extension of the publishing house’s black-metal-oriented catalogue. It’s not something you would expect probably, but this subgenre, as a development of majestic synth-driven soundscapes accompanying a lot of black metal albums, has its history, its ethos, and influence too.

This well-written and well-illustrated book brightened up this January, so I decided to take a look behind the curtain and discover more of Dungeon Synth and its origin with the book’s author, Jordan Whiteman. Continue reading »

An NCS INTERVIEW: ADE

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Feb 112025
 

(In mid-March Time To Kill Records will release a new album by the Roman death metal band Ade, and that drew our Comrade Aleks into a very interesting discussion with the band’s founder Fabius and its vocalist Diocletianus. The interview provides excellent insights into the band’s ambitions and techniques, and of course the new album as well.)

For seventeen years the Italian band Ade has performed their own Ancient Roman Death Metal. It may sound ambitious, but they truly do their best to pave their own way, choosing original themes for their albums and integrating folk instruments in their riffs and mountain-splitting melodies.

They already had album dedicated to the Punic Wars (Carthago Delenda Est, 2016), and there’s the album Spartacus (2013) dedicated to the riot of Spartacus himself, for example. But the new album’s title Supplicium could be translated as “suffering”, and the idea behind it is a bit difficult to interpret.

This interview with the Ade’s founder Fabius (guitars) and his bandmate Diocletianus (vocals) will shed some light on the band’s history and the story of Suffering as well. Time To Kill Records is going to release the album on March 14th, but we just needed to forewarn you as soon as possible! Continue reading »

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