May 282013
 

DGR and I are collaborating on this little round-up of recent discoveries. The first item comes from moi, and the last two from him.

EXTOL (by Islander)

As previously reported (here), Norway’s Extol will soon be releasing their first new album in more than eight years — on June 21 in Norway, Germany, and Austria, and on June 24 everywhere else in Europe via Indie Recordings, and on June 25 in North America via Facedown Records. Pre-orders in a variety of formats and bundles can be placed here, and we’ve already featured the album’s first single, “Open the Gates” in that post linked above.

Today’s news is that Extol have released a new album teaser that collects excerpts from all the album’s songs. Man, it’s really a rich smorgasbord of diverse sounds — all of which sound very tantalizing. We have had high expectations for this album, and based on these excerpts, I think it’s likely they will be met in spades. Here’s the teaser reel: Continue reading »

Feb 102013
 

This may be a Sunday, but it’s not a sleepy one here on our metallic island. I have many new musics to spread around — so many that I’m dividing this round-up into 3 parts, this being the first. So as not to get too bogged down in rolling these out, I will attempt to minimize the verbiage, which of course goes against every fiber of my being. Ready, set, GO!

BILL SKINS FIFTH

Let’s start with metal from Finland. I’ve been following this band (whose name will be recognized by sharp-eyed fans of the movie Silence of the Lambs) since 2010, and have reviewed both of their EPs, which I recommend. For background, and a link for free download of their last EP (which we hosted), see all my previous blather here.

Bill Skins Fifth have now completed work on yet another EP, this one with the title For the Threat, and on Friday they premiered a lyric video for one of the new tracks, “Spotlight Junkie”. As I’ve come to expect from this band, “Spotlight Junkie” is a hook-filled slice of galloping/jabbing melodic death metal, with skull-scouring vocals, tasty dual-guitar dueling, a catchy chorus, and high energy. Check it out next (the EP can be pre-ordered here): Continue reading »

Sep 232012
 

Our Sacramento-based contributor DGR hit me with a flurry of e-mails this morning, bringing to light a multitude of musical developments for your entertainment. I’ve now packaged them in this Sunday edition of the “Seen and Heard” post.

THE NEOLOGIST

DGR began covering the work of this East Coast duo during the days of the sadly departed The Number of the Blog, and he introduced their work to NCS beginning last January. In addition to creating their own original songs, The Neologist have also been recording cover songs as tributes to their influences. They’ve made an entire In Flames cover album titled In Flames We Trust: Volume I, and they’ve also been releasing tracks from a work in progress by the name of Working the Soil, which will eventually become a complete album of Soilwork covers. And everything they’re doing is . . . free (or available on Bandcamp with a “name your price” option).

Today’s news is that The Neologist have just released their sophomore album of original music, The Promise of Eternal Separation.  This new album comes with a variety of “extras”, including a cover version of “Red Clouds” by Disarmonia Mundi, a dub-step remix of “A Call To Harms” by Jester Strikes, and two bonus tracks from the band’s Kazakhstan release and Vatican City release (both of which are due in October 2012).

DGR promises a review of The Promise of Eternal Separation, but the music is already streaming and available for download on Bandcamp (here), so go check that out. But that’s not all we have from The Neologist camp. Continue reading »

Sep 052012
 

This is a collection of nuggets that I sifted from the ever-flowing stream of the internet yesterday. I’m going to start with some head-smashing new music and end with some head-warping music. With any luck, by the time we’re finished, you’ll have lost your head altogether.

HIVESMASHER

I like this band’s name. Any band with “smasher” in their name is already past second base and headed for third. “Hivesmasher” also reminds me of the time when my brother and I thought it would be a good idea to smash a hive of wasps after we thought they were all dead, because we had burned their nest first. We were young and stupid, and very soon we were also in agony.

Hivesmasher, the band, is also about as pissed off and poisonous as that nest of undead wasps. They’re from Massachusetts and they have a debut album named Gutter Choir that’s due on October 23 on the Black Market Activities label. Yesterday I heard two tracks from the album. Lambgoat premiered one of them — “En Route To Meat Land” — which I think is what those wasps were singing when they delivered some hellfire retribution to my brother and me.

It reminds me of Pig Destroyer. It’s berserk, but really skillfully played. You should definitely go HERE to check it out. Continue reading »

May 072012
 

(DemiGodRaven checks in with this review of the Sacramento stop of the THIS IS WHERE IT ENDS tour, featuring All Shall Perish, Carnifex, Fleshgod Apocalypse, The Contortionist, and more.)

First off, before I really begin, I need to give a huge shout out to the folks at CapitalChaos and RockHardLive. Whilst at the moment they are both competing with each other at least in one sense, we’re all able to reap the rewards because they both had people out at this show recording it, and as a result we have some decent live videos on both ends. Check out both the Capital Chaos and Rock Hard Live youtube pages, because both of them have been doing more for Sacramento than anyone could imagine. Believe me, if a band has played here recently, there’s a pretty good chance the live footage you see pop up on youtube is because of one of those two groups. They deserve far more credit and love than what they get.

Now then. I arrived at the show late. I actually had it planned where I would get there around 6:30, believing that since the doors opened at 5:30, there would be about an hour delay (as has been standard fare at the other shows at Ace that I’ve been to) so I could get there right as things were kicking off. This provided me an opportunity to enjoy some fine 20-year old hooch that my friend’s Grandfather had made at his Dad’s birthday. Meanwhile, my friend is over in Japan teaching. I am nothing if not an appreciator of weird social situations.

I was looking forward to this show for a few reasons. I’d finally get to see The Contortionist. (Okay, I’ve actually seen them before, but it was at something like 1 am in The Boardwalk. I was so fucking tired I actually found myself dozing off in the corner of the venue. I couldn’t believe it, you could’ve been blasting grindcore in my face and I still would’ve dozed off.) I’d finally get to see All Shall Perish, and as part of a touring cycle for an album I enjoy the hell out of. I’d get to see Conducting From the Grave on a larger stage than The Boardwalk’s.

Oh, and Fleshgod. Did I mention Fleshgod? Because I’d finally get to see Fleshgod Afuckingpocalypse in a live setting. I could’ve listened to two hours of Hare Krishna bullshit as openers if it resulted in me getting the solid forty or so minutes I did of Fleshgod on stage. Continue reading »

Jan 262012
 

(DemiGodRaven helps catch us up on metal news.)

Hey folks, I’ve planted my ass in the underworld for a brief period of time in order to round up all the smaller (and maybe not so small) news stories that may have fallen through the cracks in one way or another. Some of them are simple things like album streams, others are album teasers, there’s some tour news, and hey, occasionally you’ll even get a free song or two, ya hear? Also, if you aren’t reading this in a 50’s news reporters voice after seeing the picture of the hat above YOU ARE DOING IT WRONG. First up is a pretty simple album stream, and then we’ll go on from there.

Lamb of God’s latest album Resolution saw release recently, and so they decided to run a full album stream over at AOL Music to give people a chance to get in a good listen before they decide whether to buy or not. I’ve enjoyed this release much more than Wrath, but it is still largely iterative on the sound that they started building in Sacrament.

It’s a good listen all the way through, but I can imagine it would be pretty dull if you picked a random song instead of the five or six really great ones. In other words, this is not an album built for Ipod shuffle like Amon Amarth’s stuff usually is (for example), so you’ll have to be in a really Lamb of God mood in order to really get into this one.

Also, they used the shotgun blast sample again. The same one they used on Sacrament. I was just waiting for the GOD-DAMN before it. Full review incoming soon. In the meantime, while you wait for me to validate your opinion and tell you how awesome of a metal listener you are, you can stream that fucker over here. Continue reading »

Nov 122010
 

[EDITOR’S NOTE: Today’s guest post comes to us from Dan, who apparently is now called The Artist Formerly Known As Dan. Dan is an American temporarily transplanted to Adelaide, Australia. He has a list for you.]

So, I realize it’s cliche to make one of these lists (and maybe a bit premature?), but they’re usually useful for several reasons.  Firstly, it allows me to shamelessly plug the bands I like and push my agenda on you.  Secondly, it allows you to post lists of the records I forgot and tell me why my first list was wrong.  I can then subsequently go back to the records I may have forgotten or never owned in the first place.  Everyone should theoretically win here, since there is always music overlooked or forgotten about throughout the year.  So, let’s begin.

10. The Tony Danza Tapdance Extravaganza – Danza III: The Series of Unfortunate Events

Technical, but so brutal.  A perfect recommendation for someone who listens to too much vanilla-breakdown deathcore (and, for some of you, “too much” implies listening to any deathcore at all).  I highly recommend seeing them in concert; they bring tons of energy.  Yippie-Kay-Yay-Motherfucker.

(more after the jump . . .) Continue reading »