Nov 062018
 

 

I know there was a ton of new music released yesterday. I can tell just from rapidly scrolling through the 130 e-mails that hit our in-box between 12:55 a.m. and 10:35 p.m. yesterday (yes, I counted them). But (with two exceptions) I had already decided what I wanted to put in this round-up before any of those e-mails arrived, and I decided to just go with these and defer figuring out what Monday might have brought until another day.

The first of the two exceptions is one of the five recommendations I received yesterday from my Norwegian friend eiterorm. I suspect at least a few of the other four will also find their way into another round-up later this week. And that one exception led to a second. Most of the the rest of what I’ve collected below came out late last week or I discovered them last week.

CORPSESSED

More than four years ago, our former contributor Leperkahn introduced his brief comments about Corpsessed’s Abysmal Thresholds with these words: “I’ve been seriously hungering for some absolutely cavernous death metal, the kind of stuff that sounds like it was recorded in a Lovecraftian studio at The Mountains Of Madness”. And he found what he was looking for in this Finnish band’s debut album: “To put it succinctly, these guys play death metal that sounds straight out of the abyss. Since putting it on I’ve had to check a few times to make sure Cthulhu isn’t looming behind my back”. Continue reading »

Feb 102014
 

(Leperkahn returns to our site with a review of the new album by Finland’s Corpsessed.)

Maybe it’s the weather outside. San Diego has delved into the depths of the mild autumn it calls winter – we’ve even gotten a bit of rain the past couple of days — but for the first time in quite a while, I’ve been seriously hungering for some absolutely cavernous death metal, the kind of stuff that sounds like it was recorded in a Lovecraftian studio at The Mountains Of Madness. Yet, I couldn’t find or think of anything that fit the bill on my already-overstuffed iPod. Luckily, I was thrust forcibly at nudged toward the debut album of Finland’s Corpsessed by a Facebook friend of mine (and possible NCS reader).

Corpsessed traffic in dank, putrid atmosphere, with riffs just barely able to peek out from beyond the pale. Once you hit play, you may notice that the vocals and guitars often blur into a wall of sound, an unstoppable freight train bowling you over. Though they go for some stop-and start grooves a few times, such as at the ending of “Transcend Beyond Human”, the band by and large keep the heavy atmosphere omnipresent, never letting the Lovecraftian images their music conjures leave your headspace. Continue reading »

Jan 242014
 

The creative juices are REALLY flowing out there in metaldom . . . SO much juice . . . So sticky, so pungent . . . You just want to smear it ALL over and massage it into your scalp and make fluffy merengue with it . . . and

Ooops, sorry about that.  Where was I?  Oh yeah, a lot of creative juicing going on. LOTS of new metal songs to be spread around, like. . . well, you know. Here’s just a small smear of what I found this morning (more of what I found over the last 24 hours can be seen and heard here).

AGELESS OBLIVION

In July 2012 our own Andy Synn reviewed the debut album by a band from Hampshire, UK, named Ageless Oblivion. Here’s a relevant excerpt:

“You may not have heard of this band, but doubtless you will be doing so more in the future. With a fresh take on the death metal dynamic, this, their debut album, provides a master class in modern death metal, shot through with unusual progressive impulses. . . . The playing throughout is deft and highly skilled, without veering into territory one could describe (often dismissively) as “tech”. While there is no doubt some complex fretwork going on here, it’s always done in service to the song and as part of an overall pattern of interlocking riffs, woven together seamlessly. Drums clatter and pound with impressive force, eschewing the simple blast-blast-blast approach in favour of punchy, jarring kick patterns and sharp, hammer-blow snare-beats, while the vocals favour a tormented, guttural howl that successfully captures an all-too-human sense of rage and despair, making a rare emotional connection with the listener.” Continue reading »

Nov 072013
 

Yesterday produced a lot of new excellent video and song premieres, and I also caught up with a few things that I missed when they first came out. In an earlier post today I collected three of the new videos, and in this post are five songs worth hearing.

LIVING SACRIFICE

Solid State Records will be releasing the eighth studio album by Living Sacrifice — Ghost Thief — on November 12, and I’ve been really eager to hear it. The first advance track from the album, “Screwtape”, didn’t grab me by the throat as hard as I hoped it would. But yesterday the title track debuted, and my first thought was, “that’s more like it!”

It was a good sign when the tremolo drilling and drum blasting started, and the jolting rhythms plus Bruce Fitzhugh’s bestial vox sealed the deal. This is neck-wrecking, riff-hammering Living Sacrifice in prime form. Listen next (via Rolling Stone). Continue reading »