Jul 312023
 

On Saturday morning I mentioned that I would be involved in an Event that I expected would consume the weekend, and so it did. I didn’t fall into any fires, which is a minor miracle given the volume of intoxicants I consumed, but I didn’t have time for NCS after that brief Saturday morning roundup.

In a rare display of wisdom, I didn’t agree to do any song premieres today, anticipating that I would still be trying to recover from a weekend of debauchery. But of course I did feel the old obsession today – how could I let a day go by without recommending something musical at the site, even though we did share Andy‘s latest Synn Report and a good interview by Aleksey? Well, as you can see, I couldn’t.

CAVEMAN CULT (U.S.)

Eventually, my eyes were able to focus this morning, so I decided to take a quick look at what landed in the NCS in-box since Saturday morning. There I found a notice of a new post at the starkweather SubStack. I slowly read through it and bookmarked some music I hadn’t been aware of, to explore when my brain was less fogged in. Then it dawned on me that something I discovered there would probably blow the fog away like a hurricane, along with my brain itself. A rough cure, to be sure. Continue reading »

Jan 312023
 


Ashenspire

I began rolling out this list day-by-day on January 2nd, promising that I’d force myself to stop at the end of the month. The end of the month has now arrived, and sadly for me, today is the final installment. I mean, it would seem odd to continue a year-end list into the second month of the next year, but I easily could have kept the list going for another month.

That’s because many worthy songs still remain on my list of candidates, and in fact many are just as worthy as the 66 I’ve included through today. I readily admit that, and I only regret that I couldn’t name more before running out of time. So please hold your fire because a bunch of your own favorite tracks didn’t make it.

Tomorrow I’ll have a “wrap up” post that lists all the songs in one place, with links to each of the 22 installments. Here are the final four: Continue reading »

Jul 222022
 

Welcome to Part 2 of this Friday round-up of new songs and videos. It includes perhaps even more musical scatter than what I collected in Part 1 (be forewarned, there’s singing in the last of these tracks!), which may increase the odds that you’ll find something to like. And if you don’t, try your chances tomorrow when I’ll have one more collection to throw at your head.

NOCTEM (Spain)

We’ve been following the twisting and turning path of this Spanish band for a lot of damned years. It has been something of an adventure to witness their musical evolution, but a generally exiting one, and now we get to discover their next steps through an album named Credo Certe Ne Cras that’s coming out in late October via MNRK Heavy. Just today they released a video for the album’s first single, “We Are Omega“. Continue reading »

Mar 172022
 

It’s fair to say that we here at NCS have been following the UK band Cult Burial very closely. We’ve reviewed and recommended every one of their releases so far — their debut EP Sorrow in 2020, their self-titled debut album that same year, and their second EP Oblivion in 2021. It thus took no second thoughts nor any pause for us to leap at the chance to hear the band’s new single, “Disorder“, and we leaped equally fast at the chance to premiere it (as soon as we re-assembled our spine and picked our teeth up from the floor).

In a broad way, Cult Burial‘s music can be described as a changing amalgam of Black, Death, and Doom Metal, but while the band are capable of creating dark, dense, and oppressive soundscapes, this new song is a high-speed hurricane of obliteration. As the band have explained to us, “The aim was to create a nasty, aggressive, energetic piece of music that would leave the listener suffering under the weight of the song.” Continue reading »

Sep 272021
 

(Andy Synn takes some time out of his busy schedule to celebrate some short but sweet releases by a variety of big names and new faces)

One unfortunate result of the endless scramble to stay on top of the relentless torrent of new album releases is that the humble EP often gets a little overlooked.

Which, obviously, is a real shame, because a good EP can often be just as fulfilling as an album in its own way, especially when a band uses it as an opportunity to explore a different side of themselves or to create something that works within the constraints of the format to tell a complete and fully realised story.

So while I’m working on a number of different full-length reviews (as well as the next edition of The Synn Report) I thought I might as well take a few moments to jot down a few quick reviews for some of the EPs I’ve enjoyed the most over the course of the year so far.

Continue reading »

Aug 132021
 

 

It’s a rare day when I have no premieres to write for our site, and no posts to edit and format from any of our other writers either. So I spent the extra time listening to more than the usual number of new songs and videos released this week, and found a whopping 16 of them I wanted to recommend.

Rather than put them all in a single post, which might have been like hitting you in the mouth with a bag of nails, I’ve divided them into two parts, arranged alphabetically from the beginning of Part 1 to the end of Part 2 — beginning with A and finishing with Z.

ALDA (US)

It’s been a long wait for something new from this very talented Washington State black metal band, but now they’re back with a new album named A Distant Fire, and a first advance track from the album that’s a sure sign the wait has been worthwhile. Continue reading »

Nov 052020
 

 

(Here’s another installment in Andy Synn‘s long-running series of reviews devoted to releases by bands from the UK, where he’s based.)

Oh, what big plans I had for this week. I was going to write so much more for the site, about so many different bands/albums, some new, some old, that it was going to take most of you another whole week just to get through it all.

But, as it is wont to do, life got in the way, with work pressures and some last-minute setbacks in preparation for filming our next music video taking up more and more of my time (and adding more and more stress) with every passing day.

Still, things have slowly started to ease off now, meaning I’ve got just enough time to sneak in a brand new entry of “The Best of British” for you all to enjoy going into the weekend. Continue reading »

Jun 202020
 

 

In many weeks the title of this round-up hasn’t been entirely accurate, because although I post them on Saturdays, sometimes I’ve listened to the songs before Saturday has arrived. Not this time.

This time I let the entire week go by without listening to much new music other than what I had agreed to premiere. My day job has been unusually annoying this week, and I continue to be distracted by the unnerving daily news of what’s happening in the world around us. This time, after gulping a couple of cups of coffee, I started the day by trying to catch up, and these selections survived that Saturday morning sifting process.

Needless to say, I didn’t make much headway in my giant list of things I wanted to check out from the past week (and the weeks before), but I had really good luck with what I did decide to check out.

PRIMITIVE MAN

I contend that there’s no better “intro” to a Primitive Man song than the gashing of ears with feedback, because what usually happens next is an ugly and unnerving experience. Why sugarcoat it? Continue reading »

Feb 212020
 

 

One month ago we came across the debut release of a one-person project from London named Cult Burial. It was a single song named “Consumed“, and its amalgamation of black, death, and doom metal did indeed prove to be an all-consuming experience that enveloped listeners in the bleak and desperate sensations channeled by the music’s creator. Given the striking impression made by that first release, we jumped at the chance to present Cult Burial’s second single today, a track called “Sorrow“.

The lyrics of the new song are no more hopeful than those in “Consumed”, and the music is no less intense. Harrowing roars and mind-scraping shrieks reverberate above moody bass moans, head-hooking drum patterns, feverish riffing, and wailing ethereal tones which add a disturbing aura of eeriness to the music’s sense of inner tension and angst. Continue reading »

Jan 192020
 

 

Five individual tracks. That’s what I’ve combined into this first installment of our usual Sunday expedition into the black realms. The second Part includes a few complete records, recently released, that I’d like to recommend. I haven’t written it yet, and may not finish it in time to post it today. Astonishingly, I have some other activities planned, and they may push Part 2 into Monday.

DARK FORTRESS

Last week brought another advance track from Spectres Of The Old World, the eighth album by Germany’s Dark Fortress. I’ve already provided some background details about the album when writing about a previous single, “Pulling At Threads” (here), and won’t repeat it. That previous song, although quite welcome, was a very short one for Dark Fortress, ending abruptly and without offering much in the way of unorthodox, progressive, or challenging permutations, which is what we’ve come to expect from the band as they’ve evolved. So, what of the new one, “Isa“? Continue reading »