Dec 032019
 

 

(We’ve got a new interview from Comrade Aleks, and this time his discussion partners are members of the heavy Venezuelan band Cultura Tres.)

I try to watch for certain bands’ progress, but sometimes I miss something, as I did with Cultura Tres. Formed in Maracay, Venezuela, in 2006, they pay tribute both to South American cultural and historical legacy and to modern sludge metal. They speak of current problems of their land and of bloody shadows from the past — I believe it’s an important element of any band to keep their ideology actual and hard.

I lost track of the band after their fourth album La Secta, released in 2017, and when I decided to approach the guys a month ago, they appeared to be in The Netherlands to my surprise! May Third World sludge exist and develop in the conditions of the Old World. Let’s find out what’s happening with Alejandro Londoño (guitars, vocals) and Juanma De Ferrari (guitars). Continue reading »

Sep 152014
 

 

Usually when I label one of these round-ups “Shades of Black”, I’m focusing on newly discovered black metal songs — but not always. Today, for example, there’s only one song in the collection that’s black metal. But all four songs, in addition to be strikingly good, do share a very dark and dramatic aura.

ATRUM TEMPESTAS

Atrum Tempestas are a Finnish band whose debut album Nêant will be released by Nordavind Records on October 13.  It consists of two long songs and one in the six-minute range, for a total of almost 32 minutes of music. Yesterday Nordavind began streaming one of the two long tracks on Bandcamp — “Quitter ceux qui étaient déjà partis” — and I’m really liking it.

The song is a work of dramatic atmospheric black metal and will probably draw comparisons to the more hard-edged works of Deafheaven as well as possibly Ash Borer and Agalloch. It’s a mix of storming guitar distortion, reverberating clean notes, and shimmering atmospheric melody accompanied by wretched howls. It’s a gripping though melancholy song, and one marked by an effective rhythm section that becomes a source of engagement all its own, especially during the wall-of-sound guitar parts. Check it out below; the album can be pre-ordered at the following Bandcamp link: Continue reading »