Sep 212024
 

(written by Islander)

Yesterday morning my fellow NCS slave DGR sent me the names of 11 bands whose new songs he thought would make good fodder for this Saturday roundup. That was on top of more than a dozen new songs and videos I had on my own list. What to do?

Putting two dozen new tracks into this roundup seemed excessive, if not for you then certainly for me. That’s just way too much work. I thought about just embedding all the streams, without any further info or my own priceless commentary. I even thought about asking someone who’s on Spotify (which I am not) to make a playlist of all the songs and sticking that in here, which would have been an even lazier strategem.

I figured out a solution. It’s not a great solution, just a compromise, and like all compromises it leaves the contending parties unhappy (the contending parties here being two argumentative parts of my brain).

The songs below are alphabetized by the name of the band that made them — another lazy strategem, but one that has resulted in some amusing and interesting contrasts and complements. Nostalgia had something to do with some of these picks (that will be obvious when you come to them). This collection also includes more than a few exceptions to our “rule” about vocals and some curveballs that dive outside our usual strike-zone (sometimes at the same time). Continue reading »

Apr 092024
 

(Below we present Wil Cifer‘s review of the new comeback album from Atlanta-based Dååth, which will be released by Metal Blade on May 3rd.)

After a decade-long hiatus bands often return to a musical landscape that has shifted. With metal, the stakes are higher. Headbangers are like addicts who build a tolerance requiring an ever-increasing level of sonic stimulus to get the same results. This leaves musicians with the choice of either cashing in on nostalgia or trying to find their place in the new musical climate. Producer/ guitarist Eyal Levi finds a balance between the two with Dååth‘s new album. Levi might be the sole original member, but he brought long-time growling machine Sean Z along for the ride. Sean’s multitracked performance lends to this album’s massive sound. Continue reading »

Mar 202024
 

It has been a very busy week for the release of new songs and videos, and the week is only half-way through. Some of my fellow NCS slaves have tossed a lot of them my way, and I’ve ferreted out others.

Even though I’ve included quite a lot of them in this roundup, more are still running around the prairies waiting to be corralled. I hope I can lasso a few more before the weekend, assuming my lathered-up pony doesn’t hit a gopher hole and pitch me over its head into a hard landing.

DÅÅTH (U.S.)

This site sprang to life in November 2009. Just a couple months later we published our first annual list of “Most Infectious Extreme Metal Songs“, and Dååth‘s “Wilting on the Vine” was one of the 10 we selected. That’s how long ago we started following this Atlanta-based band, though they had been releasing music for six years before that. But after one more album in 2010, the band fell silent for what turned out to be a very long time. Continue reading »

Apr 222023
 

Saturdays are usually days when I pick a handful of new songs and videos to recommend, accompanied by some of my own peerless prose (HA!). But as I waded through possibilities this morning it quickly dawned on me that there was just way too fucking much stuff for me to pare down to a handful without experiencing some mental agony in making the choices.

So, I’ve thrown up my hands and resorted to this “Overflowing Streams” format, where you will find a lot more music than in the usual “Seen and Heard” columns, a lot fewer of my own words (dry your eyes), and very little cover art — other than Yoann Lossel’s stunning artwork “Les Fleurs du Mal”, which is on the cover of the new album by the first band in this roundup.

Today the musical arrangement is alphabetical by band name (heavily weighted by the A’s). I’m deferring most of the black metal discoveries until tomorrow.

AETHERIAN (Greece)

Wonderful news to see that this Greek melodic death metal band are returning with a new album, six years after their fantastic full-length debut, The Untamed Wilderness. They say this marks “the start of a new era for Aetherian“, and it appears that they’ve added a couple of new guitarists to an already formidable lineup. The first sign of what the new album brings is a lyric video for the song “Army of Gaia“. Continue reading »

Feb 232023
 

I don’t know why I bother counting, but I have 23 new songs and videos on my listening list from what surfaced over the last 7 days, not to mention all the ones that were on there before. But I need to keep this round-up short, because there’s a premiere coming up, but maybe I’ll get a second one finished today after that.

DÅÅTH (U.S.)

No chance I would have missed the new Dååth single digitally released yesterday by Metal Blade, because I got timely enthusiastic messages about it from both DGR and TheMadIsraeli. But I would have paid attention anyway, since seeing their name again revived a ton of fond memories from the first decade of the new millennium, back when they were taking the metal world by storm. Continue reading »

Jan 312016
 

Rearview Mirror

 

We missed out on a Rearview Mirror post last Sunday, so I thought I’d double-up for this Sunday’s edition. As usual, we’re looking back at metal from past years, and in this case providing a bit of music from two bands that no longer exist (though one of them still officially seems to be “on hold”). The careers of both bands overlapped, and both were favorites of mine while they lasted.

HIMSA

Himsa were founded in Seattle in 1998, taking as their name a Sanskrit word that means “harm” or “violence”. In June 2008 they announced their demise, and in August 2008 they played their last show. In between the beginning and the end, the band released four albums and two EPs on such labels as Revelation Records, Prosthetic Records, and Century Media. Continue reading »

Oct 312013
 

In July of this year, Chimaira released their seventh studio album, Crown of Phantoms, and NCS writer TheMadIsraeli reviewed it here. Recently he got the chance to interview Chimaira’s main man Mark Hunter via Facebook chat, covering such topics as Crown’s place in the Chimaira discography, the band’s most recent line-up changes, what Hunter listens to when he’s not in Chimaira mode, action movies, and more. Here we go:

 

Mark Hunter: Hello! I am here and ready when you are.

TheMadIsraeli: Alright so, to be brief with this, this conversation is going to be completely unedited except for typos and I might format stuff to make more sense.  I don’t like censoring shit or leaving shit out so…

MH: Sounds good to me.

 

TMI: So let’s get the Chimaira related shit out of the way, I’d like to make this more of a general interview about metal in general as well as other stuff.  Crown of Phantoms. How do you feel about where it sits in the Chimaira discography?

MH: I am extremely proud of the album. The entire recording process was a blast and I learned a lot. I hear sonic trademarks that ensure the name “Chimaira” is represented well, and I also think the songwriting as well as musicianship is at its finest hour. I’m excited to write more as I feel we only cracked the surface. Continue reading »

Nov 122010
 

[EDITOR’S NOTE: Today’s guest post comes to us from Dan, who apparently is now called The Artist Formerly Known As Dan. Dan is an American temporarily transplanted to Adelaide, Australia. He has a list for you.]

So, I realize it’s cliche to make one of these lists (and maybe a bit premature?), but they’re usually useful for several reasons.  Firstly, it allows me to shamelessly plug the bands I like and push my agenda on you.  Secondly, it allows you to post lists of the records I forgot and tell me why my first list was wrong.  I can then subsequently go back to the records I may have forgotten or never owned in the first place.  Everyone should theoretically win here, since there is always music overlooked or forgotten about throughout the year.  So, let’s begin.

10. The Tony Danza Tapdance Extravaganza – Danza III: The Series of Unfortunate Events

Technical, but so brutal.  A perfect recommendation for someone who listens to too much vanilla-breakdown deathcore (and, for some of you, “too much” implies listening to any deathcore at all).  I highly recommend seeing them in concert; they bring tons of energy.  Yippie-Kay-Yay-Motherfucker.

(more after the jump . . .) Continue reading »

Aug 312010
 

Another month has passed. Summer is waning. It’s still as hot as the ninth circle of Hell in most parts of our country, but here in the Pacific Northwest, the air is already beginning to feel like fall. And because fall in Seattle lasts about one week, winter is already what we’re thinking about, because winter means getting soaked with rain. In the dark.

Where were we? Oh yeah, another month is over. And here at NCS, that means it’s time for another installment of METAL IN THE FORGE, a forge being the old name for a place where a blacksmith heats metal and works it into the shape of something useful. We thought it sounded literary.

Another name for “forge” is “smithy.” As in, “the blacksmith works in a smithy.” But “smithy” doesn’t sound literary, and METAL IN THE SMITHY just sounds fucked up. METAL IN THE FORGE is a little fucked up, too, the more we think about it, but not as fucked up as METAL IN THE SMITHY.

Where were we? Oh yeah, at the end of every month, we update the list of forthcoming new albums we first posted on January 1. (All the other updates can be found via the “Forthcoming Albums” category link on the right side of our pages.) Below is a list of still more projected new releases we didn’t know about at the time of our previous updates, or updated info about some of the previously noted releases.

Once again, we’ve cobbled together news blurbs about bands whose past work we’ve liked, or who look interesting for other reasons. Perhaps needless to say, these are bands that mostly fit the profile of music we cover on this site — the kind that would like to tear your head off.

So, after the jump, in alphabetical order, you’ll find our list of cut-and-pasted items from various sources since our last update about forthcoming new releases. Look for the bands you like and, if you’re really obsessive like we are, put reminders on your calendar. Continue reading »

Jul 042010
 

Fair warning: This will be one extended session of spittle-flecked frothing at the mouth, because we haven’t been this blown away since stumbling into a full-fledged Seattle windstorm last winter. So get the safety glasses on and strap on sanitary masks if you got ’em.

The subject of our enthusiasm is Nothnegal. They’re a band from The Republic of the Maldives that now includes two non-Maldivian heavyweights — drummer Kevin Talley from Dååth and keyboardist Marco Sneck from those Finnish swamplords Kalmah. They’ve got a four-song EP to their credit called Antidote of Realism and they’ve just signed with Season of Mist for the release of their debut album early next year.

Oh yeah, they’re also playing with Arch Enemy this month and touring Europe in the fall with the likes of Rotting Christ, Samael, and Finntroll.

And we’d wager that most of you have never heard of them. Until earlier this week, we hadn’t either. But this band shows all the seismic signs of an impending Vesuvius-sized eruption onto the scene — and based on the band’s output to date, it would be well-deserved.

If you like technically immaculate, headbangingly compulsive, Scandinavian-style melodic death metal played at autobahn speed, stay with us after the jump. Among other things, we’ll stream all four tracks from that EP and we’ll show you how to download a cut from Nothnegal’s forthcoming debut album. Continue reading »