(DGR reviews the new album by Sweden’s Dark Tranquillity, with all four officially released album tracks to stream at the end.)
When a band has become as storied as Dark Tranquillity, new releases can pose a bit of a challenge. It seems that at some point pretty much everyone in the metal community has crossed paths with these melodeath veterans, and their opinion of them has largely been marked by that experience. Reviewing a new release by a band such as this one is also difficult; you don’t want to spend a whole review comparing a newer work to past albums because you tread a very thin line between either sounding informed or accidentally painting the new disc as derivative and making yourself look like someone who can’t let go of past glories.
Construct, which saw release at the end of May, is a tale of two albums. It is an album that feels a bit like a career retrospective, yet it also includes some of the most daring work the guys have gotten up to in a while. Construct is the furthest that Dark Tranquillity have spread their wings in their career.
On We Are The Void it really felt like they had pushed the style that they had used on Character and Fiction – a sound that is more straightforward melodeath and really represented a more refined Damage Done. The crazy part about Dark Tranqullity’s career arc, however, is that they also produced a couple of slower, mid-tempo, synth-filled affairs in Haven and Projector, and until now, those albums had represented the points at which the band had most changed things up.
If you were to put Dark Tranquillity’s discs on a spectrum, then, Construct would lay closer to the Haven/Projector side of things. However, if you’re spooked by that mention, then you need to stick around – because Construct is one of those times where almost every experiment works really well. Continue reading »